Iris, Troy and other classical things

A while back, I became a member of the Classical Association of Victoria. I figured I should, since I go to a lot of their public lectures, and it’s not exactly expensive. As a bonus, members get a copy of Iris when it’s published – the CAV journal. I gather that this is something of a haphazard production, because everyone involved has full-time jobs and Iris isn’t it. Nonetheless, it gets produced, and I got my first copy on Friday (bent in half thanks to the postie shoving it through the little slit, instead of lifting the lid for the mailbox…).

Firstly, there’s an editorial, basically explaining why Iris was delayed and ruminating a little on the fate of Classics at various tertiary institutes (I hadn’t realised it resurrected itself at Monash; hurrah!). This is followed by a short intro to Jenny Webb, the new president of the CAV.

The first article – peer-reviewed and all – is “The Making of the Wooden Horse,” by Miriam Riverlea. It feels too short for its material, but is essentially looking at the treatment of the actual making of the horse at Troy, as the title suggests – how this is largely skimmed over by ancient sources, especially, and that there are variations on the theme. She suggests that like epic poetry, as part of the oral tradition, means a story is never told exactly the same way twice, the horse itself is constantly refashioned… at least, I think that’s what she meant. She finishes with a really cool look at two modern examples of the horse. The first is the horse in Troy, the building of which is shown in painstaking detail; and the object itself is now at Canakkale, the closest modern town to the suggested site of Troy (which she points out is hilarious itself – the Turks accepting a wooden horse from strangers… and she parallels this with the Chaser boys trying to get their wooden horse into various places, and it working everywhere – except the Turkish consulte.) The second example is a LEGO version, which some academic apparently finds ridiculous (no sons or brothers?): the creator took eight years to agree to posting the instructions, but now everyone can DIY….

The second peer-reviewed article is by John Whitehouse, who was my tutor way back when and to whom I owe a lot. This, I think, is a paper from his MA: it’s about the similarities between Thucydides and Tacitus, as “Historians of Disillusionment”: Tacitus disillusioned with the Roman Principate, Thucydides with war (after/during the Peloponnesian one). Interesting stuff, especially the question about how deliberately/consciously the parallels are in each from their predecessors.

I must admit to skipping the next article, by Jenny Webb: I’m just not up enough on archaeology to appreciate “Tracking Gender and Technology in Prehistory,” specifically on Cyprus in the Early Bronze Age. I did really enjoy the fourth article, though: called “‘Which of the Gods is this?’ Dionysus in the Homeric Hymns,” it does just that – tracks what the Hymns say about Dionysus (number 1, 7 and 26 if you’re curious) and examine how he is justified as being an Olympian god, despite having a mortal mother (generally this makes you a demigod, and mortal). Very cool – but I was a bit sad it was just a survey of the hymns, and didn’t actually make persuasive arguments about the repercussions on Dionysian worship, for example, or on the origins of Dionysian myth.

I also skipped KO Chong-Gossard’s “On Teaching Euripides’ Medea,” since I’m not likely to do that any time soon, but did enjoy Peter Mountford’s “From Fantasy to Reality in Epic Duels – Iliad 22 and Aeneid 12.” Like Whitehouse, this is a comparison of two ancient texts – but here they’re being compared directly. Mountford’s basic idea, as the title suggests, is that Virgil is more real than Homer, especially in his use and the role of the gods – or lack thereof – in the duels between Aeneas and Turnus, on the one hand, and Achilles and Hektor. It’s a very interesting demonstration of how much Virgil is indebted to Homer – which I already knew, but hadn’t realised how textually that was true: similes, etc, are all borrowed and, generally, re-shaped. I haven’t read The Aeneid since about third year, and didn’t like it as much as The Iliad anyway, but it’s a very engaging article.

The final, very short article is by Meg McPherson. Called “A Perfect Post,” it outlines some of the things she has done in teaching Latin at primary school! It blows my mind to think there’s a primary school that would do that. I had a very brief discussion with someone the other about the point of learning Latin (they suggested there wasn’t one); and I resolutely stayed out of a discussion the other day about whether learning a language had a point at all. Latin at primary school seems indulgent; mostly in a good way, but indulgent nonetheless.

So that’s Iris for 2008. Actually it says 2007 on the cover, but is copyright 2008, so I’m not sure if they run a year behind or what. I think I will definitely continue to support the CAV, and look forward to reading more of their journal.

Ah, voyeurism

I missed all of the “Who do you think you are?” episodes on SBS – UK and Aussie – and I was a bit sad about that, because although it’s not entirely my thing I do like a bit of this sort of personal history. Fortunately, my darling mother (she of the apricots) taped those of Bill Oddie and Nigella Lawson. I’ve just now got around to watching them, having had the video waiting for me for weeks. Bill Oddie’s was quite sad – his mother in a “sanitorium,” or asylum, for much of his childhood; he has very few memories of her, and basically no good ones. It was quite interesting hearing his reasons for researching his past.

Nigella comes from a tradition of caterers, which I think is hilarious. I didn’t know she was Jewish, so that was fascinating too: her great grandparents came, respectively, from now west Germany and Amsterdam. The history of Jewish migration and experience is one I know little about, and I wonder just how well researched it is; I would guess fairly well. It gives quite a different view on early modern history in Europe (and, I am sure, on medieval too) from what you get if you simply focus on the Christian European experience.

too much Stargate? Never!

I am lucky enough at the moment to have little bit of what I choose to call play money. My natural Scrooge tendencies are too painful to go into here, but suffice to say that splurging – even on thins that I really want and will get a lot of joy out of – is something I struggle with. So I thought long and hard, and eventually decided it would be worth it: I bought the 59 DVD box of Stargate: SG-1. This is a crazy extravagance; I know someone with them already – although theirs are pirated, and of course I don’t have easy access to them. Plus, this comes in a lovely big box, complete with tacky raised circle (aka stargate) on the front.

Anyway, it arrived on Thursday. We watched the entire first season on the weekend – my love didn’t get into show until about season 2 or 3 when we watched it the first time (oh, did I mention that I’ve already seen the whole lot?), so he enjoyed watching that; I also discovered that first time through I missed a disc – three or four episodes, including the wonderful Antarctic episode. We’re now into the second season, and we’re trying to limit ourselves to only two… or so… episodes a night. Hard, though…

Couple of things of note:
* Samantha is cringingly nerdy in the first couple of episodes. I am so glad they sophisticated her.
* Teal’c is fairly painful in these first few seasons; his facial expressions are just ridiculous. And not always convincing.
* Michael Shanks. Daniel Jackson. *sigh* Wonderful!
* Richard Dean Anderson. Jack O’Neill. As above!

I said something to my love as we watched an episode – something about enjoying the interaction between Jack and Samantha – and he turned to me, in ridicule, and asked whether I had bought 59 DVDs just for the sake of a few, frustratingly brief, interactions between the two.

Well, duh.

Planetary alignment

Yes, you guessed it, I am spending tonight watching the first Lara Croft film. Whee! It does have a brilliant opening, I must say. And some of the action sequences are marvelous. I love the bungee scene, between floor and mezzanine; giving her the bungee cord makes it at least vaguely plausible, unlike some other scenes of this type. And, you know, who doesn’t love a sexy archaeologist (talking about Alex West, aka Daniel Craig, of course – with a bad American accent)?

But seriously. A planetary alignment I can just about come at, on a fantastical level; it’s not a new idea, and there are alignments of two or three (I’m including the sun and moon here) every now and then. But a meteor that strikes at the exact moment of the alignment? Not even I’m that gullible. And I don’t think it adds to the story, either – it’s not necessary for the plot to work.

Oooh, just got to the massive Buddha getting up and angry; very cool.

And Jolie’s hair? So very fake.

Mummies and romance

I watched The Mummy a couple of days ago, and The Mummy Returns tonight.

I’d really like to be able to say that I watch and enjoy them because of my joy at seeing archaeology and egyptology on the big screen, getting a cool rep; for the awesome FX; and for the manic action sequences.

Part of that is true – I leave it to you to figure out what’s a big fat lie from that statement. But the truth is, I like those movies for the same reason I like the original Star Wars movies.

Yes, it’s partly the action and the explosions – particularly in Star Wars. But the reality is, I watch them for one main reason: Rick O’Connell (Brendan Fraser) and Han Solo (Harrison Ford), and their relationships with Evie/Leia.

This is my big guilty secret, that I am trying to come to grips with, and which outing myself here will hopefully help: I am a sucker for romance. It has to be surrounded by action, and explosions, and preferably lots of cool FX and a scifi bent; the heroine has to not be a wimp and the hero has to be a real hero (being a rogue helps as well) – and I love movies with no real romance, too – but, still, a bit of romance done well is not something I object to.

I’ve spent a lot of time over the last decade or so building up an anti-romance persona; it hurts to tear it down! And there are certain friends to whom I will never admit this, ever. Because they will never let me live it down. Like they still tease me for getting married, after saying I never would (six years today). Kate – stop scheming right now!

Indiana Jones

Well, to start with I am very excited that the fourth one has actually had a date set for release – mid this year. It’s been a long time coming!! With Cate Blanchett, hopefully it will be good – I really hope it’s realistic about Ford being ancient. One of the things I really enjoyed about Lethal Weapon 4 was Glover and Gibson going on about being too old for this shit. Anyway, I’m excited.

What has sparked this post, though, was a viewing of Last Crusade. Great movie. Great movie. I adore the opening, with young Indy: it is so very nicely set up – I realised that you don’t know whether Indy is a scout or in the cave for quite a long time; the main looter in the cave even looks a bit like Ford, and of course the hat is Indy’s. It made me sad to see River Phoenix – such a pity for him to die so damn young.

And the whole movie is great. Good chases – although the tank/horse scene gets a bit long; good baddies – especially Elsa, of course, and adding in Hitler is brilliant; I love the zeppelin scene; and heck – it’s Connery! “The schlime of humanity” – what a line.

More archaeology for me!

So my nerdy excitement levels are way high at the moment, because today I found – in Ballarat of all places! – a copy of a magazine I’ve never heard of: British Archaeology. I subscribe to the American one, which comes from the American Institute for Archaeology; this one is put out by the Council for Brisitsh Archaeology. Now, it was quite expensive, but it is beautifully printed and – although short – it seems to have only about 2 full page ads in the entire 66 or so pages! Compared to the American one, and even BBC History (which I also subscribe to), this is quite amazing. Anyway – I’m very pleased, and I’m looking forward to reading it. Most of it, of course, is British – which is fun – and a cursory glance seems to indicate that it will be like the American one in terms of being reasonably good history and good archae, and being populist at the same time.

Hurrah for me.

Archaeology Magazine Nov-Dec

After some effort, I managed to re-subscribe to Archaeology, which makes me happy. So I thought I’d blog some thoughts on the latest issue…

I’m not sure I like the new format of the mag. The old way, there were one or two short pieces at the start – like “World Roundup” (always an interesting read); then it was straight into the longer, in-depth articles. Now, there are fully 20 pages of ads and shorter stuff before you get to the meaty bit. To drag the eating metaphor out – I like an entree as much as the next person, but I don’t like getting bored before the main course. I’d rather have the little bits at the end, to browse like a cheese platter. Yah; pushed that one to the limits, didn’t I?

Anyway… I was fascinated by Sanchita Balachandran’s reflection on whether to preserve an artifact of dubious provenance. I would have thought that preserving at all costs, so that at least something can be learnt, would be worthwhile. Apparently, though, this can be seen as encouraging looters and other nefarious types to continue their dastardly deeds (not meant to be read flippantly, btw). I’m still not sure I agree with this idea – what, let the Rosetta Stone fall apart because you’re not sure where it came from? – but I can readily see there are moral issues here.

I love stuff about Oxyrhynchus, and Tebtunis seems to be in the same league in terms of the amount of papyrus they’re finding. Marco Merola writes a fascinating account of the archaeological efforts being undertaken on the site, as well as what is being revealed by the information. It still gets me, every single time, just how much has not been uncovered yet, of places like Egypt that we seem to understand so well – let alone places where digging is barely begun. I love it! So yes – Tebtunis – awesome. Also on this track is Jarrett Lobell’s article on the discovery of an agora – an entire damned agora! – in the modern suburbs of Athens. Mad. I do hope the developers manage to incorporate parts of it into the new buildings.

Read a book on Genghis Khan – I think it was by John Man(n?) a while back; he and his have been a perennial favourite. Having taught the Chinese Revolution this year (not very well…), I was reminded again how diverse “China” is and has been. Jake Hooker’s article on the Liao Empire – which I’d never heard of – brought this home. They created some truly amazing stuff but… where are the uni courses, the museum exhibits, the kids’ cartoon shows? You could do some truly awesome stuff in copying their riding boots.

There’s a running joke in my family that I don’t much like stuff that’s younger than 1000 years old (I take affront at that; 500 years, maybe). So I’m still sometimes a bit dubious about reading stuff like Tom Koppel’s “Steamboats on the Yukon.” Of course, once I get reading, I’m fascinated – the reality is that I love basically all historical stuff, although I don’t know why. It helps, with this article, that in this instance the author had spent time with the team attempting to study and preserve said steamboats, so his account of scrambling over them is compelling.

In line with the family joke, I’ve sometimes received the vibe (not from my family) that history is pointless, because you know, it’s like already happened? It’s tempting then to point people to Heather Pringle’s “Medieval DNA, Modern Medicine.” I don’t, because I think history is important in itself, but there you go. Being a child of the Jurassic Park at the movies generation, extracting DNA from old bones (teeth, actually) seems a bit parse sometimes. This article is nice in showing just how damned hard that is, and what we oh-so-advanced modernites can learn.

Finally, I have to say that however much I love the magazine, it feels like there are more ads in there every time I turn around. And they’re all American, of course, so there’s barely any point in even looking at them. Oh well; it’s still a great read.

Stargate – the movie

We watched the original Stargate movie for the first time in a long time the other night. I must admit to a little fangirl flutter of the heart when the theme music started: I had either not realised, or forgotten, that the theme music is the same in the show as it was in the movie. Not surprising, of course. It did give me the giggles to realise just how much I loved SG-1 – we finished it ages ago, and I miss having more episodes to watch. More than I miss FarScape; perhaps not quite as much as West Wing.*

A couple of things I noticed, post-viewing of SG-1:

# Michael Shanks and James Spader – very cool, very similar, at least in playing Daniel. sigh.
# Richard Dean Anderson kicks Kurt Russell as Jack. Completely.
# I had never thought about the fact that they must store sets – in the hopes of re-using them at some stage. Either that or they worked really, really hard at being true to the movie for the show, and I just doubt it.
# There was a three year gap between movie and show. Is that a long time? It seems like a long time.
# The movie was a bit… well… boring. Especially compared with the show. Am I getting old and jaded?
# I cannot wait for the SG-1 movie to be made. There’s nothing on IMdB about it, but seriously… it has to happen.

*Of which we must retrieve seasons 2 and 3 from the in-laws. I love the first season, but there’s only so many times you can watch it with only season 7 as your other option. Oh, and season 5, but that gets a bit depressing.

Assyria, and lectures

Went to another public lecture the other day, this one the eleventh Marion Adams Memorial Lecture, for the Arts Faculty at Melbourne Uni. It got me thinking that I would like to have a lecture named after me, or possibly a book-buying bequest… I might have to set aside some money right now for that to be possible.

Anyway, the lecture: was very interesting. I won’t describe the whole thing here, because if you are interested in hearing it you can – gasp! the technology! – actually download and listen to it. Actually, it wasn’t there when I checked today, but I am sure they’ll get it there. If the microphone was good enough you should be able to pick up Dr Andrew Jamieson* thumping the desk and getting very excited, which was quite worhtwhile. Of course, you won’t get the visuals – unless they upload those too, which I would have thought unlikely – they were really great. The gist of his talk, anyway, was that far from the Assyrian heartland being the sole arbitrator of taste and refinement in the Neo-Assyrian period, there definitely seems to have been toing and froing in cultural borrowings and acquisitions between the heartlands and the conquered periphery. Just makes sense to me, but I take it that this is a new idea in the field.

*Whom, if memory serves, I heard speaking at another lecture last year – this one in conjunction with his brother, who is a physics lecturer also at Melbourne Uni. The whole thing was very good, but Andrew was definitely outshone on that occasion by his brother. Maybe he was sick then, because this particular lecture was brilliant.

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