The Last Legion
Well, call me naive, but I did actually think that this movie would be at least partly based on history, which is why I was interested in watching it. Perhaps that indicates how little TV I watch, because clearly I hadn’t watched the theatrical trailer for it. Otherwise, I would have known that while the beginning is based on historical fact – the Goths being nasty buggers on Rome – the rest was a glorious fantasy.
Spoiler Alert! Stop here if you don’t want it a bit spoiled!
Once I saw little Romulus go for the sword, and read the ‘Latin’ inscription there, I realised vaguely in which direction it was heading… hello, Caliburnus! Not for nothing am I an Arthur tragic. Mind you, it did take my fuzzy little mind a while to realise the teacher was Ambrosinus and the captain Aurelius, so maybe it has actually been too long since I thought about it.
Anyway, once I realised that this was an Arthur-fantasy, I switched expectations and really quite enjoyed it. One one level, anyway, it was miles better than poor old Clive Owen’s Arthur, by which I was utterly disappointed (except for Hengist). To be honest I had been enjoying this one even before I realised what was going on: the nice prince/pauper moment at the start; Colin Firth in general; John Hannah… and the sets were quite nice too, except for that utterly CG statue the kid insisted on moping about on top of. (And as kid actors go, he wasn’t too hopeless.)
A couple of things disappointed me. Mira – well, it was cool to have a chick warrior (always is!), and it was obvious why she was included, but I thought the romance was a bit rushed. Vortigern – cool mask, but not enough back story. I was hoping to find out he was Ambrosinus’ evil brother; that would have been cool.
It does fascinate me that so often Rome is equated with either America or Britain… Firth’s not-particularly-rousing speech about Roman warriors and Roman hearts sounded like something that would appear in a patriotic movie today (it could almost be dubbed into Independence Day). Seriously, it makes me wonder whether these writers/directors know anything about that empire. Probably not.
The Fisher King
So I’ve been listening to some BBC podcasts recently – the “In Our Time” series. I really enjoy them – the interplay between the three interlocutors, the broad range of topics they cover within the topic itself: it’s all glorious. What I do often find drives me nuts, though, is Melvyn Bragge himself. He so often seems to think he knows everything about the topic after his preliminary reading – I’m happy to admit that he probably spends a number of hours in doing so, but still, he’s talking to people who have spent large amount of their professional lives, at least, thinking about the stuff! He particularly annoyed me in this episode, but I’ll get to that.
I had a most exciting moment in listening to this episode, which has never happened before: I knew one of the people! Well, ‘knew’ in the loosest possible sense; I’ve read most of one of his books, when I was researching for an essay on Robin Hood; and I heard him speak once on the figure of Merlin – Stephen Knight. An Aussie, who teaches in Wales on Arthur-y type things, among other topics. Anyway, it was a very cool moment for me.
So, the episode itself: focussing on the Fisher King, which I think is very cool in and of itself, that you can talk for 40-odd minutes on a fairly obscure literary figure/convention. Awesome. They looked at when the Fisher King first appears – in connection with Arthurian stuff; what his figure represents, pagan and Christian; and what he came to mean, in the 19th and 20th centuries (and they did indeed mention, if only briefly, the movie – which I was waiting for!), in Eliot (I might have to re-read The Waste Land… scary thought) and others.
All up, it was a great deal of fun to read, as I pounded along the path….
You can even, as they say in the business, listen again!
