Galactic Suburbia 30

Sorry, let me rephrase that: DITMAR-WINNING Galactic Suburbia, episode 30  ( :) ) recorded live at Swacon36|Natcon50

In which we talk convention gossip, awards, go through piles and piles of reading for Tansy and Alex, while Alisa patiently explains her position on ebooks. We can de downloaded from iTunes, or downloaded/streamed from Galactic Suburbia.Recorded Live from Swancon!

News
Shirley Jackson nominees

PK Dick awards

BSFA awards

SF Hall of Fame inductees

What Culture Have we Consumed?
Alex: Kraken, China Mieville; Doomsday Book, Connie Willis; Mappa Mundi, Justina Robson; Brasyl, Ian McDonald; Nightsiders, Sue Isle

Tansy: The Clockwork Angel, by Cassandra Clare, The Last Stormlord by Glenda Larke, Fun Home & Dykes to Watch Out For by Alison Bechdel, Tales of the Tower: the Wilful Eye edited by Isobelle Carmody & Nan McNab, especially “Catastrophic Disruption of the Head” by Margo Lanagan, Nightsiders (twelve planets 1) by Sue Isle.

Pet Subject: Indie Press: Alisa talks Ebooks!

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!

Reflections on Natcon50

Well, it was brilliant, basically.

I went over on Wednesday, to get a head start on the fun. Tehani picked me up, which was lovely of her, and then I got to spend the afternoon with Kathryn. We had dinner with Alisa and Justina Robson, one of the Guests of Honour, which was a great privilege! I managed to get a good night’s sleep, which was a good thing… Thursday involved chasing down Kathryn’s artwork, which was cool, and then we had lunch with Justina and the other Guests of Honour – Ellen Datlow and Sean Williams – and a bunch of other Swanconners. Which was awesome. Then to the hotel, and starting the real business of the weekend: catching up with lots of people. Also hanging around the Twelfth Planet Press table. Thursday night was free; there was the Opening Ceremony, which I attended and it was good, and panels, which I didn’t attend and that was fine too. The con bag was awesome – four free books!

The con proper involved a number of panels that I was both on, and attended, including a megapodcast recording where we got to tell people what books they MUST read, and films watch, and I got to shock people by saying Lord of the Rings and The Fifth Element; and a recording of Galactic Suburbia too. I presented at the Edustream, which was good, and on a panel about religion in fantasy too. I attended a number of interesting ones: Grant’s presentation on Disney films was utterly enchanting, and the “Vikings are awesome” panel was far more informed than I expected! The best, though, was probably the panel that in theory was meant to be on “the crisis of the midlist, and the rise of the celebrity author.” It featured Justina and Ellen, and two Aussie contributors. It turned into a broader discussion, at least partly about how we figure out what to read – the place of podcasts, reviewers, etc, and how to know who to trust in those arenas. It was fun, becoming quite interactive towards the end.I also thoroughly enjoyed Jonathan Strahan interviewing guest Sean Williams. They have known each other for a very long time, and rather than the conversation being full of in-jokes it meant that Jonathan knew exactly the right questions to ask for it to become an interesting discussion for the audience. Also, Sean’s concertina-pack of his books’ covers was awesome.

Most of the time, though, was spent with people. The foyer of the hotel had a large cafe/bar with lovely couches and chairs and I spent a large amount of time sitting, chatting… generally doing the things that make cons brilliant. I made a few new friends, but really it was about catching up with existing friends. It’s hard having friends all over the country that you don’t get to see very often. Twitter and blogs and Skype make it feasible to actually call them friends… but spending physical time together really shows just how much those things are not really a substitute. I had breakfast, lunch, and what passed for dinner with friends all weekend, and spent many hours into the night with them too.

The evenings were, of course, very entertaining! Friday night had a celebration of the Twelve Planets, and I was particularly thrilled to see that Tansy’s Love and Romanpunk had come back from the printer… and, even more than that, it is dedicated to meeeee! I was gobsmacked and overwhelmed to discover this. (Also, Jonathan Strahan’s Year’s Best Fantasy and SF vol 5 is dedicated to me, Alisa, and Tansy, as the Coode St Feminist Advisory Council – which is very flattering indeed.) The evening also involved a cake made by the awesome Terri, surrounded by pink cupcakes to make it look like the Twelfth Planet Press logo. Saturday night was the masquerade, which I went along to for a little while to see the costumes and then retired to a room party to continue various conversations.

Sunday night… well, that saw the presentation of the WA awards, the Tin Ducks; and the national fan-voted awards, the Ditmars. It was preceded by a cocktail party thanks to Orbit and Gollancz, which was very pleasant indeed. I am an awards junkie, so it was a lot of fun to actually attend one with friends. Um, especially when many of the awards were won by said friends. I was so very pleased that Tansy won for Power and Majesty, and backing it up with the William Atheling for her Modern Women’s Guide to Dr Who was brilliant! Alisa’s Sprawl won best collection, which was well deserved, and Cat and Kirstyn sharing Best Short Story was great. I was really, really happy for Thoraiya Dyer winning Best New Talent and Best Novella. And, yes, Galactic Suburbia won the Tin Duck for best Fan Production and the Ditmar for Best Fan Production. And Kathryn, Alisa, Rachel, Tehani, Tansy and I won Best Achievement for Snapshot2010, which feels like it was a very long time ago but was heaps of fun! And… I won for Best Fan Writer, for my reviews, which I am still utterly and totally overwhelmed by. The perceptive among the audience will notice that all of those names are female. There was one male winner: Shaun Tan, for The Lost Thing for Best Artwork… and given that short film won an Oscar, we figure that’s fair enough. So the awards ceremony was one big barrel of awesome, and we retired to the bar to toast our celebrations. And try to ignore the fact it was our collective last night together.

I came home having had more sleep than I expected but less than was necessary; 4kg of books, only a few of which I bought – most are review copies or were freebies!; 4 awards (one physical trophy, since we split the others); a reading list a mile long, and instructions that I must watch Blake’s 7; and, most importantly of course, renewed friendships. Also immense respect for and gratitude to Alisa and the rest of her committee for running a brilliant con. The hotel choice was excellent – it was a lovely venue, and the fact that the hotel didn’t believe we’d all be there to eat and drink and therefore didn’t staff the bar well enough on the Friday was certainly not their responsibility! The programme was diverse and interesting and well organised, the guests seemed like they were good choices, and although I know some people had hitches of various sorts I, at least, had a completely trouble-free con.

And now I am home.

Galactic Suburbia 29!

In which we rant about feminist issues and gender disparity (are you shocked?), Alisa proclaims the death of bookstores and publishing, we look at branding and internet dramah, plus a million zillion award shortlists, TANSY BEING A TIPTREE JUDGE, a Swancon preview, and… um.  It’s a bit long. But full of crunchy Galactic Suburbian goodness. We can be downloaded from Galactic Suburbia or from iTunes.


News
Diana Wynne Jones passed away.
Shaun Tan wins the Astrid Lindgren Award: 5 million Swedish kroners, approx $750K Australian.
Carol Emshwiller’s 90th birthday celebrations.
25 Angus&Robertson franchises in Australia go indie.
Strange Horizons: dealing with the low numbers of female reviewers.
The Age on the poor numbers of women’s work being reviewed (in the literary “mainstream”), and coverage of a panel on the gender disparity, again in the mainstream.
Prometheus Awards nominees, from the Libertarian Futurist Society.
Authors, editors, and controversy: Running Press, Tricia Telep and Jessica Verday (links not necessarily linked to individuals).
Our very own Tansy becomes a Tiptree judge!! (and had a book released)
… and the Aussie awards that we nearly forgot to talk about:
Aurealis Awards
Ditmars
Tin Ducks
Chronos Awards

Livejournal not so live this week.

Feedback and Competition winners!

Swancon Preview

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!

Women of Other Worlds

Helen Merrick and Tess Williams had the chance to attend WisCon 20 in 1996. This book, which they co-edited, sprang directly from that experience. It’s a thick book – well over 400 pages – filled with fiction, poetry, and a variety of non-fiction pieces: some critical essays on authors or particular works, some collected correspondence, a few along the lines of memoirs. I haven’t read the whole lot yet, but the pieces I haven’t read are those that relate to work I’m unfamiliar with. So there are a couple relating to Lois McMaster Bujold, for example, which I’ll read when I’ve finally caught up with the world and read her stuff.

A complete review of the book would be… extensive, to say the least. But there are a few pieces that especially made me think. For a start, there were a few pieces of fiction that I didn’t really like. That’s an odd place to start a discussion of the collection, perhaps, but it was an important thing for me to realise and come to grips with. Part of me expects to always like everything in a particular set: all feminist SF, for example, or everything by Ursula le Guin… even everything SF, period. (This account for my dismay at not enjoying Terminal World by Alastair Reynolds as much as I had hoped, given my love of everything else he’s written.) So to discover that I didn’t like everything chosen by Merrick and Williams for inclusion was interesting, and gave me pause, and was ultimately quite useful in helping me think through my attitudes. There was much fiction I did like, of course, and one of those in particular was “Home by the Sea,” by Elisabeth Vonarburg. It’s a marvellous tale about struggling with identity, and family, and personal history, in the context of a vague environmental disaster. Kelley Eskridge’s “And Salome Danced” is also a brilliant piece, creepy and lush and subtle. Showing just how useful the internet has become in facilitating criticism, it’s followed by a essay comprising email correspondence from the Fem-SF list about that story, allowing for all sorts of interesting comparison and discussion.

As an anthology relating to WisCon, there are of course a couple of pieces relating to James Tiptree Jr, although – not unexpectedly – they’re neither straight biography nor criticism. There’s an excerpt from one of the cookbooks put out to raise money for the eponymous award, which is hilarious and sounds delicious and makes me want to buy the book, and Pat Murphy’s reminiscences about how the award got started. And Justine Larbalestier contributes an essay on “Alice James Raccoona Tiptree Davey Hastings Bradley Sheldon Jr”, and the stories told about that collection of identities, that makes me itch to go read the bio sitting on my shelf.

Judith Merrill, to whom the anthology is dedicated, finishes the anthology, with an excerpt from her memoirs, and a reflection on the compiling of the same. She had been a Guest of Honour at the con, and died before the anthology was completed. It’s another bio that I really must get my hands on, because she sounds like a most amazing woman, especially in the context of her time but really for all time. I’ve read hardly any of her work, and I’ve tried looking for one of her novels (Shadow on the Hearth), but she seems to be totally out print, which is tragic.

What Merrick and Williams show in this book is how different sorts of writing can work together to give an impression of a community, all its different aspects and ways of relating and divergences. It’s my sort of book; good fiction, good criticism, humour and an attempt to understand the world, or bits of it anyway.

Galactic Suburbia #19: the Greco-Roman issue

You can get us from iTunes or download us here!

While Alisa is away, Alex & Tansy play… in ANCIENT GREECE!  We talk awards, the end of publishing as we know it, stressful feminist debates, Vonda McIntyre, Twitter fiction, Stargate, and whether there’s enough Greek & Roman mythology in modern fantasy.

News
Tansy wins WSFA Small Press Award for Siren Beat;

Last Drink Bird Head Award Winners;

John Joseph Adams takes over from Cat Rambo & Sean Wallace as editor of Fantasy Magazine;

Realms of Fantasy dies: from Shawna McCarthy, and the publisher;

Wiscon committee disappoints through inaction (also here); and then finally moves to disinvite Elizabeth Moon as GoH (warning, many of the comments on that one are pretty awful to wade through); also here and here;

Paul Collins on how the ebook revolution isn’t working so well ;

Cat Valente on tedium, evil, and why the term ‘PC’ is only used these days to hurt and silence people;

Peter M Ball explaining how white male privilege uses requests for civility to silence the legitimate anger of others;

on Vonda McIntyre’s “Dreamsnake”, a controversial Hugo winning novel from 1979 which has been out of print for 10 years; and an interview with Vonda McIntyre about the book.

What have we been reading/listening to?

Tansy: Death Most Definite, Trent Jamieson; Blameless, Gail Carriger, Bleed by Peter M Ball, “Twittering the Universe” by Mari Ness, Shine & “Clockwork Fairies” by Cat Rambo, Tor.com.
Alex: Silver Screen, Justina Robson; Sprawl; Deep Navigation, Alastair Reynolds; The Beginning Place, Ursula le Guin; abandoned Gwyneth Jones’ Escape Plans; listening to The 5th Race, ep 1 (Stargate SG1 fan podcast).

Pet Subject

Classical mythology in modern fantasy. Can it still work? Do you have to get it ‘right’?

Book mentioned:
The Firebrand, Marion Zimmer Bradley

Medea, Cassandra, Electra by Kerry Greenwood

Olympic Games, Leslie What

Dan Simmons’ Ilium and Olympos

Gods Behaving Badly, Marie Phillips

Troy, Simon Brown

Margaret Atwood’s Penelopiad and Jeanette Winterson’s Weight, also David Malouf’s Ransom – along the same lines as Lavinia by Ursula Le Guin

Robert Holdstock’s Celtika, Iron Grail, Broken Kings

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs or on Facebook, and don’t forget to leave a review on iTunes!

Galactic Suburbia 15: live show!

Live from Aussiecon4, speaking from the entirely unsuburban wasteland of downtown Melbourne, Alisa, Alex and Tansy faced an audience of real people, and managed to keep their chatter to a 50 minute podcast. SHOCK. Some awards news, Worldcon gossip, what we are reading and our pet topic: female heroes in SF & Fantasy. You can download it from here or get it on iTunes.

News

World Fantasy Nominations announced.
Sir Julius Vogel Awards.
European SF Society Awards.
Our favourite bits of Aussiecon4 so far.

What have we been reading/listening to?
Alex: Beastly Bride, ed. Ellen Datlow and Terri Windling; Legends of Australian Fantasy, ed. Jonathan Strahan and Jack Dann; Secret Feminist Cabal, Helen Merrick;
Tansy: Shades of Milk & Honey, Mary Robinette Kowal; The Hunger Games, Suzanne Collins; Who Fears Death, Nnedi Okorafor
Alisa: Death Most Definite, Trent Jamieson.

Pet Subject: Female heroes in SF/F

As ever, please send feedback to galacticsuburbia@gmail.com or to our Twitter account – @galacticsuburbs. We’d especially love to hear your response to our “live” episode, or your highlights from Aussiecon.

Over the next week we’ll be putting up a series of mini-eps from the convention, including our post-Ditmars round up, our post-Hugos round up, a omg-the-convention-is-over round up, and an interview between Alex and Phil & Kaja Foglio of Girl Genius fame. Was Jake Flinthart correct to accuse her of giggling? Find out!*

On a personal note (stolen from Tansy), thanks to everyone who came to the panel, or talked to us at the con about Galactic Suburbia. We were blown away by how many people have listened to us, bought books we recced, and wanted to say hi. Extra special mention to Celia, who apparently DID have an awesome Worldcon, and to the woman who recognised Alisa & me gossiping in the row behind her at the Hugos, because SHE KNEW WHAT OUR VOICES SOUNDED LIKE.

* the answer is yes

Aussiecon4: overall impressions

I really enjoyed this con. I don’t imagine I will ever get to another worldcon, unless NZ wins for 2020 or Australia gets another in the next 15 or so years, so I’m immensely pleased that I can say I’ve been to one. I got to most of the panels I was interested in, and most of them were really worthwhile, so that’s a good result. I also managed to hang out with most of the people I really wanted to, and I met some new people – both those of whom I’m fans and ‘normal’ people, too. I thought the venue was basically great – I liked that there were people from the convention centre itself all over the place, to direct the lost and be security, hanging around. Selfishly, I liked being able to get there from my house in only about half an hour by public transport. And you know the other things I liked? I liked the itty con booklet with the programme in it, and the newsletter Voice of the Echidna which came out I think ten times over the con – what a great idea.

I’ve come away with some things to think about, of course. One of those is how to be a woman, and how to be a feminist, in this sort of community. Fortunately, that’s getting easier. The other thing, which I’d already started thinking about thanks to Merrick’s Cabal, is actually how much of a FAN I am or want to be. I’m not sure I want to be as inextricably involved in the fannish community as some people at the con seemed to be, not least because most of my current friends are not in that community and I wouldn’t want to lose them. Additionally, I don’t think I want to invest the sort of energy or emotion that appears to be required to actually become a FAN. There is no Big Heart Award on the horizon for me, that’s for sure. But – as this con has pointed out – it’s perfectly possible to be on the periphery and still get a lot out of cons, and being a small-f fan, so I think that’s where I’ll stay. Happily.

Aussiecon4: Day 5

By the last day of a con, everyone is starting to get a bit weary, and understandably so. There were a number of people who were particularly… weary… post-Hugos. Me, I was doing fine. So I completed my not-stalking of Alastair Reynolds by going to his book reading, and I’m glad I did because he chose a short story he’d written for Barclays Bank, on the issue of data security, which is unlikely to get much exposure elsewhere. The story was good, but seriously: can you imagine being asked to write an sf story for non-sf readers working in a bank on data security?? Tough gig . Oh, and that came after another little fangirl moment, when I was chatting to Jonathan and got to meet Garth Nix….

The only other panel I got to was the second half of one on maps in fantasy writing, with three writers who all do their own maps. One of them was David Cornish, whom I’d met a couple of days before, having interviewed him for both Snapshot ’07 and Snapshot ’10. The discussion was actually more interesting than I’d expected, about what to include and why, and the sheer number that these three, at least (Cornish, Ian Irvine, and Russell Blackford), produce for their own interests and the sake of the narrative which never then appear in a book. Reading list: The Selected Works of T.S Spivet (which I’ve been meaning to get for ages).

The rest of Monday involved helping Alisa, Terri, and Tehani pack up their section of the dealers’ room, with able assistance from Mitch and Rohan. After the bazillion boxes were loaded up and taken down to the loading bay, and picked up by the freight company, Alisa and I staggered back to Tansy and Finchy’s place with Trent in tow to debrief somewhat, after farewelling Tehani with hopes that she wouldn’t get done for excess baggage. And then I managed to get home not tooo late.

Bonus extra Aussiecon4 day
Although Monday was officially the end of Aussiecon4, Tansy and Alisa and I managed to draw it out for another few hours by catching up on the Tuesday to record some final, face-to-face Galactic Suburbia. So we did a Hugos round-up, like we did for the Ditmars; and then we did a worldcon wrap-up too. Our subscribers are going to be totally overwhelmed….

Aussiecon4: Day 4

Sunday was the biggest day for me in terms of panels I wanted to attend – and because it ended with the Hugos ceremony.

It began with a panel on far future sf, and was framed by Clarke’s so-called law, that any sufficiently advanced technology is indistinguishable from magic. There were some completely different points of view on the panel, which was awesome (although it was made just a little less awesome by the fact that all five were men, and made me wonder: who are the women writing space opera/far future sf? I’m reading Marianne de Pierres’ Sentients of Orion series, and I know there are some women in New Space Opera 1&2, but… I must find more). There was discussion over whether the quote was a sociological comment, whether it becomes a false premise as soon as a culture has a notion of technology, and whether it’s a concept that just keeps getting pushed further and further out by the word ‘sufficiently’. Reading list: Matt Hughes, GD Nordley, Gene Wolf, Robert Reed. (Yes yes, Alastair Reynolds was on this panel; he said great things.)

From this panel there was rushing to a packed seminar room for a panel entitled The Case for a Female Dr Who. One bloke, four women; one anti, four in favour. Paul Cornell is totally up for it, and seemed particularly taken with the idea of Julia Sawalha. Me, I’d like Helen Mirren, or Judi Dench; I am less convinced than everyone else seemed to be by the idea of Emma Thompson. It essentially turned into a discussion of how rather than the why, because most people seemed very comfortable with the basic premise. I do think an older woman would be more interesting, in a whole range of ways, than a younger woman. Reading list: Chicks Dig Timelords. Also: serious Doctor Who Fans are just a tiny bit terrifying. But I didn’t learn my lesson, and also ended up at a panel reviewing the latest season. The panellists discussed what they liked, or didn’t; attitudes towards Matt Smith as the Doctor, and Amy, and River; whether the show is/should be for kids, adults, or ‘family’; and how annoying it is when the sonic screwdriver becomes a magic wand to get the script writer out of any tight spot….

I next attended a panel on the history of Australian women in sf, both in writing and fandom. Lucy Sussex talked a bit about the nineteenth century, then Helen Merrick skipped to the 50s and 60s, then Alisa talked about what she’s found about the last decade or two. Gina Goddard talked about the last thirty years in fandom, and it was a little depressing to hear that while some things have changed – there were kids at almost every panel I went to, and no one seemed to have a problem with that – still some things have not changed. Reading list: Helen Merrick and Tess Williams’ Women of other Worlds; Lucy Sussex generally, plus her edited She’s Fantastic (bought the next day!); Sylvia Kelso; Tess Williams. Also at this panel Tansy and I were inspired to get to Wiscon together sometime in the next 5-10 years, dragging Alisa with us….

The next bit of the afternoon was, if anything, more hectic. I’d been expecting to go off and have dinner by myself and come back for the Hugos, because most of the others had invites to various exclusive parties. But Tehani ended up not going to the Orbit party, so she told me to go in her stead, for which I was humbly grateful although sad for her! So I ducked off to the loos and frocked up (gotta take every opportunity); ditched stuff in the dealers’ room rather than carrying it around, then hared off to a panel on Big Dumb Objects in sf (um, yes, another Alastair Reynolds panel…). This is the sort of sf I really enjoy, tied as it so often is with space opera, and I was really pleased to hear the panellists talking about the character options that are available and interesting to explore when you use a BDO. Reading list: Niven; David Brin?; Ringworld; Riverworld?; Robert Reed, stories about the Great Ship; Pohl; Farmer, World of Tiers; Ken McLeod; Charles Sheffield; Chalker; Larry Gibbon?; Cordwainer Smith; The Wanderer. Again, all of these are male, which makes me even more determined to find the women writing similar sorts of things.

The evening’s entertainment started with a party sponsored by Orbit, which involved Hugo nominees and others swanning around, dolled up, drinking when they could reach the bar and eating a small quantity of food. Again, I got to meet some people, and had other famous people pointed out to me. But really, this was all in anticipation of the main event: the Hugos ceremony.

Terri, Alisa, and I got a good spot from which to watch the ceremony, and Alisa tweeted the entire thing – which led to her missing the cover of Horn flashing up as part of the 2009 wrap up (link), all of which was hugely exciting. Before that, though, the woman in front of us – listening to us gasbag excitedly – turned around and announced she recognised our voices from Galactic Suburbia! Hilarious. Anyway, Garth Nix was a great MC; the ceremony went smoothly, most of the acceptance speeches were short and made the winner look good; most of the winners were ones of which I approved (which is important, obviously). Highlights: Cheryl Morgan liveblogging as she walked up to the podium to accept the Hugo for Clarkesworld’s semiprozine win; Frederick Pohl winning, at 90, a Hugo for Best Fan Writer for his blog (to match Hugos for writing and editing, and his grandson’s Hugo too); Peter Watts accusing the audience of costing him $20 because he lost a bet by winning.

After the Hugos, we brought the party back to Tehani, who had balanced the books while following Alisa’s tweets; we sat around eating junk food for a few hours, just chewing the fat. It was, again, wonderful.

Aussiecon4: Day 3

I’d be lying, and everyone who was there would know I was lying, if I didn’t say that the most exciting thing about day 3 was getting to meet Alastair Reynolds. Minor fangirl moment. I got to chat about astronomy with him, as well as about his writing, and of course got his autograph. So that totally made my day week….

The first panel I went to was Tansy’s on the plight of female superheroes. Sadly, it was largely derailed by the bloke on the panel, who somehow hadn’t realised that a panel on that topic might be intended as a feminist critique of the institutionalised misogyny of the comic books industry, as well as other interesting topics. I’m not a comic book reader, although I might be if I thought there were better representations of women; even so this panel was disappointing.

Spent the next while in the dealers’ room, helping a bit but mostly hindering, and meeting more interesting people. Then I went to the Girl Genius radio play, which I’d been a leedle concerned about because all of the roles (except Agatha, played by Kaja, and some random ones played by Phil) were played by con attendees. But I should not have been concerned: they were, largely, excellent. It was hugely entertaining, there was some audience participation (GENTLEMAN ADVENTURER!!!), and all in all it was a brilliant part of the con.

I rushed out of there to a panel on feminists writing fantasy, which had a really good range of women speaking: some young writers, and some older; some writing ‘traditional’ fantasy and some deliberately flouting traditions. They talked about female characters, sex scenes, male characters, and their own inspirations. Reading list: Delia Sherman, Alaya Johnson.

The evening’s entertainment was a low-key affair. Alisa and I accompanied Tansy back to her apartment to record a short (for us) Galactic Suburbia ep about the Ditmars. We left Tansy with her loving family and went down to Tehani&Terri’s apartment, for dinner and gossip and general relaxing. It was really really nice.

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