I mean, it’s called All Systems Red, but everyone’s just calling it Murderbot.
Cleverly written, intriguing plot, and a narrator that I really, REALLY want to hear more from.
I had heard a lot about Murderbot before I read this. Remarkably, it actually lived up to the hype. Written almost like a diary, it allows the reader into the mind of a robot who has been tasked to look after some explorers – who don’t realise that their robotic servant has no control chip, and is therefore choosing to look after them rather than simply and blindly following instructions.
It’s a reflection on autonomy, and choice; on how we treat those in subservient positions, the uncanny valley,and identity. It is also a mighty fine story that kept me engrossed and makes me leap for joy when I know there’s at least another three in the series to come.
This novella was sent to me by the publisher, Tor.com, at no cost. It will be on sale in January 2018.
Binti has changed: she changed by leaving home, she changed through her dreadful encounter with the Meduse, through her time at university, through her discovery about the truth of the Desert People. One of the major issues that she continues to deal with in this, the third and final story, is the ongoing consequence of those changes. Personally, and in her relationships with family and her wider community, and indeed the world. While there are broader things of concern going on, this is really the heart of Okorafor’s story and I really love it. She ends up feeling so many connections to so many people and groups; the question of how you please yourself, or everyone, is of ongoing concern.
Aside from her own personal tussles, this book is also focused on the ancient feud between the Khoush and the Meduse, which Binti discovers herself in the middle of. It’s been in the narrative since the start, since it instigated the events that made Binti who she is. Okorafor looks at how two large political entities might confront one another, as well as how that impacts on the non-involved around them.
All three Binti stories are wonderfully well written. Okorafor writes dialogue beautifully and she evokes the desert, here, powerfully. I do feel that this is the least satisfying of the stories overall, mostly because the conclusion felt slightly rushed and there were a couple of connections that didn’t flow as well as I expected. Nonetheless, it was a hugely enjoyable read and I definitely recommend reading all three.
Another novella that I received from the publisher at no cost which I have been remiss in reviewing. Also, another novella where it’s definitely better to have read the previous stories, although not as necessary as for Sarah Gailey’s work.
Returning to Lychford, once again things are amiss with the boundaries between the worlds; this should come as no surprise (poor little village). This time, there are also significant fractures in the relationships of the three witches who must hold the place together. This, of course, leads to more problems – and the most interesting part of the story, as far as I’m concerned. The problems facing the town are definitely significant and I always enjoy the different ways Cornell dreams up to imperil the place. But these stories wouldn’t be nearly as intriguing if that relationship element were missing. All three of the women are outsiders in some way; that has played some role in the previous stories but perhaps most of all here, especially for Amber. The struggle to fit in, the question of whether that’s necessary, the actions of other people in all of that… . I liked that the tensions of how different people cope with things, and that different people experience different issues, weren’t ignored. I’m being a bit vague here but the revelation of the problems to be confronted isn’t something I want to spoil.
The Lychford books fall into that category of stories where normal life goes on for most people while a few go to extraordinary lengths to keep it like that. Here, those few are a female priest, a wannabe Stevie Nicks, and a cranky old woman. I’m really enjoying that the location is a sleepy little village, and the way the three women interact.
A belated review, as I read this at the start of a long holiday and I really didn’t feel like writing. Which isn’t fair to this novella, which is excellent, and I got from the publisher at no cost.
Firstly, it must be said that this is a direct sequel to River of Teeth. If you haven’t read that, and I highly recommend that you do, this isn’t going to make a whole lot of sense. It picks up a few months after that story ends (dramatically), and there are some spoilers for it ahead…
If you liked River of Teeth, and want more about those characters, this is what you need. Things aren’t all happy and joyful, but you proabbly didn’t expect that. It’s a story much more about the characters than the first one; that point is what the characters want and how they get it, rather than Houndstooth putting together a team as in the first. That said, there are still jobs needing to be done; they’re just secondary to and in service to the personal objectives of the various characters.
There are still hippos. And danger. And banter, although a bit less than in the first I feel becuase things are a bit more dire.
I’m pretty excited to see what else Sarah Gailey produces.