Tag Archives: books

Delirium Brief

This book was sent to me by the publisher, Tor.com, at no cost. It’s out in July 2017.

DeliriumThe Laundry, which has several novels about it now, is a secret government agency that’s a bit like the Men in Black but more high-tech because the Scary Things in the Night are often accessed via maths and/or technology. Computers may well summon extra dimensional beasties. Bob Howard started as a tech guy who fell into the Laundry accidentally and now he’s a fairly significant player in the organisation, although still a bit hapless sometimes. In this novel, someone from Outside (of the world) is trying to take over via minions and the very 21st century method of privatising government operations.

There’s unlikely alliances, dastardly deeds, unfortunate deaths, spy craft, domestic difficulties, desperate last-minute decisions, and some rather silly jokes. There’s also exasperation at the short-sightedness of governments and some deeply unpleasant actions on the part of the villains.

I’ve read a couple of the Laundry Files books and short stories in the past. When I first read them, I didn’t realise that they’re kinda Lovecraftian… because I am no connoisseur of Lovecraft. So that’s the first thing to know: if you like Lovcraftian stuff (with humour) and you haven’t read this series, you probably want to check it out.

If you loathe Lovecraft and all his derivatives, just stop reading now; it’s fine. This isn’t for you.

Not sure? Well that’s where I fit too. I wouldn’t deliberately read a Lovecraft homage, but – obviously – I read this. In terms of horror, it’s not so horrible. I mean bad things happen but the levels of violence aren’t any different from a lot of science fiction or fantasy. And there’s no creeping horror here – that is, I didn’t ever get tense and worried about what was around the corner, which is what puts me off a lot of horror. (I don’t enjoy being scared.) And you definitely don’t have to know anything about Lovecraft to read the book, since I have a passing knowledge of some names from his books and that is it.

Prior knowledge of the Laundry Files is useful for reading this, but not completely necessary; there are a few ‘as you know, Bob’ bits that basically fill in details of how the agency works. It does flow directly on from the previous book, which I haven’t read, but I managed to be going on with it.

It definitely kept me entertained, occasionally grossed me out, and half made me wonder if I shouldn’t go back and read more of the earlier ones…

Galactic Suburbia turns seven

In which we are seven years old! Get yourself some delicious cake and settle down to our International Women’s Day episode. You can get us from iTunes or at Galactic Suburbia. 

What’s New on the Internet?

Post-mortem on the first Octavia Butler book club hosted by Twelfth Planet Press! We had such a great time talking about Wild Seed.

Next up: Fledgling on April 2 2017.

Aurealis Awards shortlist is out.

Locus Recommended Reading List

CULTURE CONSUMED: REPEAT THE TITLE OF YOUR CULTURE

Alisa: Ken Liu; Women of Letters; The Arrival; Canberry; Courtney Milan – Trade Me & Hold Me.

Alex: Because You’ll Never Meet Me, and Nowhere Near You, Leah Thomas; more Bujold; Cooked (Netflix, 4 parts)

Tansy: Younger, Hidden Figures, shout out for Kickstarter campaign for new card game featuring the art of Tania Walker: The Lady & the Tiger.

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook, support us at Patreon and don’t forget to leave a review on iTunes if you love us!

TELL US ABOUT YOUR CAKE! IF YOU ATE CAKE WITH THIS PODCAST, WE WANT TO HEAR ABOUT IT.

Nowhere Near You

Unknown.jpegThis novel was sent to me by the publisher, Bloomsbury, at no cost. It’s out in March (RRP $15.99 paperback/ $11.99 ebook).

The following contains SPOILERS for Because You’ll Never Meet Me – which you should totally just go read if you’re into slightly angsty YA epistolary novels.

At the end of Because Ollie mother has died and he and his doctor are setting out on a road trip to meet other ‘freaks’… while Ollie wears what is basically a hazmat suit, where he is the hazard. Moritz has confronted his anger and the damage he did to Lenz and is trying to figure out how to deal with Owen.

By necessity, Nowhere Near You is quite different from the first book. Ollie is meeting people, so there’s that aspect – new people to talk to, and about, and new experiences – and of course he’s also interacting with electricity, which is a whole thing in and of itself. His sheer joy at experiencing a city and all the things that ordinary humans take for granted is a crazy delight to read. While Moritz is still at home, he’s interacting with new people too as he goes to a new school and meets… some good people, and some very dodgy ones. Again, of necessity, these new experiences change the two boys, and not always for the better. Both of them have incredibly awful experiences that reinforce their tendencies towards self-blame and depression, although again they both work hard to encourage the other. As they change they also have to confront aspects of each other that don’t always fit their view of the friendship, and I deeply appreciated Thomas’ care for her characters and desire for honesty in the way their friendship develops and overcomes those problems.

Once again the locations are deeply important, as both Ollie and Moritz interact with their places and try to understand their literal and figurative places within society. Other people become more important as they reject their hermit ways; again, parents of various sorts – biological, adoptive, foster – and various levels of emotional connection. It’s the other kids who are most interesting, though. Ollie meets some of the other experimental kids, and although you could probably read their various ‘disabilities’ as metaphorical I liked Thomas’ deadpan way of dealing with them: here’s who they are, what they can/not do, and they are real in this world and deserving of respect. Moritz mostly meets people who are ‘normal’ (caveats etc) and what I realise, on reflection, is that all of these people – experimented on and not – are as equally likely to be messed up, frustrating to know, or a complete joy, as each other. They’re individuals. I liked that a lot.

Also once again, there’s a lot of secrets that rear their less than pleasant heads over the course of Ollie and Moritz’s communication. And once again they both have their anger and both eventually deal with it. I really like how Thomas shows that being angry with someone doesn’t have to mean the end of a friendship. I think that’s about the most powerful aspect of the whole thing. Oh and also that being different doesn’t have to be the worst thing ever.

This was a delightful diptych and I look forward to seeing what else Thomas produces over the next few years.

Because You’ll Never Meet Me

Unknown.jpegThis book was sent to me by the publisher, Bloomsbury, at no cost. It was published in 2015 and they have sent it to me now because the sequel has just been published, and they were sending that to me as well. NICE MOVE BLOOMSBURY VERY CLEVER.

I had forgotten just how much I like an epistolary novel. I mean, I adore Freedom and Necessity possibly beyond reason, but that’s a pretty special case. Turns out it works nicely here, too.

Ollie and Moritz start sending letters – yes, actual letters, because Reasons – when Ollie is given Moritz’s address by his doctor. Ollie is a hermit for medical reasons and Moritz has a number of issues of his own such that while he’s not quite a hermit he’s definitely anti-social. Over the letters, the two develop a tight bond that’s mostly based on honesty, although their trust is tested at several points. They both keep secrets for a number of reasons – some good, some dubious. They take it in turns to be utterly depressed, often with good reason, and attempt to encourage one another. With varying degrees of success.

Look, yes, this book presumes that 14 and 16 year old boys are capable of and willing to write letters to strangers. It also presumes that said boys are willing to occasionally be emotionally open. These things can indeed be true. These things are not the least probable aspects of the book.

Ollie and Moritz’s letters are neatly separated by different fonts, which is a technique I have to admit to loving, as well as by tone. There is little fear of mistaking one for the other: Ollie is exuberant (usually) while Moritz is more formal. Their personalities are very different, due to their childhoods and their homes and their experiences. They make a lovely contrast. There are other characters: parents – biological and adoptive, loving and uncaring (those two sets do not always match); love interests; visitors; casual bystanders. The locations form a key part of the stories, as Ollie and Moritz (literally) navigate their worlds. But really it all comes back to the two boys.

This was an excellent novel. It’s YA… and I guess it has other genre elements but explaining those would be spoilers, so… just find out for yourself.

Bright Air Black

This book was sent to me by the Australian publisher, Text Publishing, at no cost. It’s out on 20 March 2017; RRP $29.99 (C-format paperback).

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This is a tale about Medea, which makes me happy she is definitely one of the more intriguing of ancient mythical women. Kerry Greenwood wrote a take on her ages ago, which I remember enjoying, and she featured in Robert Holdstock’s remarkable Merlin-and-Jason series (hmm… did I ever finish that? Must check). For the modern writer there must be a challenge in trying to understand what could compel this woman to leave her homeland, kill her brother, and eventually kill her children, and a tension is deciding whether to stay true to the “original” (HA) story, or to put a different spin on it – keep the children alive, for instance. Do you play Jason as a helpless fool or an arrogant one, Medea as loving and  betrayed or as cunning herself, and perhaps still betrayed – or the witch that she’s sometimes regarded as? Lots of interesting possibilities.

… and I guess those are some spoilers if you don’t know the Medea story.

Vann chooses to set his version properly far back in time, the 1300s BC; there is reference to Hittites, and Ilium, and Egypt. There are no Greeks; Jason and his Argonauts are the Mynae. Intriguingly, his descriptions of the voyage of the Argo back to Iolcus – which is more than a third of the book – is based on Vann’s own experience of traveling on a recreated ship of Hatshepsut’s time, with archaeologist Cheryl Ward, for a French documentary Building Pharaoh’s Ship.

First, let me mention the language. The copy describes it as ‘poetic prose’, which is apt. Bluntly it means there are lots of incomplete sentences and a few extended ones, and lots of adjectives and time spent on description. The gorgeous reality, of course, is not captured in that summation. For example:

Her father a golden face in darkness. Appearing in torchlight over the water and vanishing again. Face of the sun, descendant of the sun. Betrayal and rage. (p1)

and

The sail not a god itself but only the tracing of a god, a more responsive form of temple. Like fire to reveal Hekate. How can we know when we’re worshipping a god and when we’re worshipping only the sign of a god? Wind itself a sign of something else, and even fire, and white hides behind them? (115).

I’m not accustomed to reading quite such flowery language (which I mean positively), so it did take me longer than expected to read the book. It is wonderfully evocative and enjoyable, don’t get me wrong. And the other thing that I appreciated you can see in that last quote – Hekate. Korinth. Kreon. It’s also Iolcus and Colchis so I’m not sure if that’s annoying inconsistency; some Green scholar will have to let me know.

There are lots of threads that Vann is tracing through Bright Air Black (words from a translation of Euripides – the gods “turn the bright air black” in frustrating mortals). One is the role of gods, or lack thereof. Medea frequently calls on Hekate, who sometimes appears to answer in the form of fortuitous weather; but at other times Medea despairs of her goddess and appears to be at best agnostic. There is no magic here (probably); there is luck and poison and human trickery and the use of power. There’s some commentary on the role of those things in developing human society and how men (as a  rule) keep power.

This being Medea there is also commentary on the nature of feminine power. Medea has always been a weird girl, going off into the forest and not being afraid of the night; she plays on that and develops her reputation for fearlessness through her familiarity with the  unfamiliar and inhuman – forests, the sea, the night. And then she leaves her family for a foreigner. Medea herself ruminates on the power of women versus the power of men; this includes thinking about her own family, and the complicated genealogy whereby it’s unclear exactly who her mother and grandmother are – are they the same person? No one much cares; it’s the men that matter.

This is a pretty straight retelling of Medea’s story – if you know Medea, you know what’s going to happen. Vann has added motive and explanation, an investigation and justification of some events and a whole lot of description. It’s a great addition to the oeuvre of Greek mythological retellings.

Galactic Suburbia 160

In which the world is on fire but we’re still reading… get us from itunes or over at Galactic Suburbia. 

WHAT’S NEW ON THE INTERNET

Teen Vogue as tool of the revolution – why we shouldn’t be surprised.

Problem Daughters: check out this fantastic crowdfunding project for intersectional feminist stories.

GUFF race (until 1 April)
DUFF race (until 10 March)
Help support these fan funds! Alisa & Alex are hoping to go to Helsinki this year, while friend of the podcast Paul Weimer is hoping to come to Melbourne.

CULTURE CONSUMED

Alisa: Nora Roberts (Bride Quartet); Fangirl Happy Hour; Please Like Me; Travelers; Frequency; Designated Survivor; Younger
Alex: Parable of the Sower, Parable of the Talents, Fledgling, and Dawn, Octavia Butler; River of Teeth, Sarah Gailey; Istanbul: A Tale of Three Cities, Bettany Hughes
Tansy: Acts of Kitchen; Wicked (local performance); Heroine Complex, Sarah Kuhn; Ladycastle, Deliah S Dawson (writing) & Ashley A Woods (art); Unstoppable Wasp; Hawkeye; Moana (film & soundtrack), Buffy rewatch check in.

Tansy’s new literary gift shop business: Alice & Austen

Also, Tansy has a story in the latest issue of Uncanny Magazine: Some Cupids Kill With Arrows.

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook, support us at Patreon and don’t forget to leave a review on iTunes if you love us!

Fledgling

Unknown.jpegI had read that this was Butler’s vampire-cum-courtroom drama, and had also been given a hint that the opening section might make the reader be all WHOA WTH NOOOO. And it would have, so I’m glad I had a bit of context, which I’ll give below as a wee spoiler that might help some readers. This is, though, a Butler book, and in no way is this JUST a vampire or courtroom drama – not that either of those would have been bad. But the book also deals with racism, justice, and family in intriguing and sometimes uncomfortable ways. Also, unsurprisingly given Butler’s interest in anthropology, with vampire myth and ‘logical’ ways for vampires to actually exist.

So here’s the spoiler:

at the start, the focus character can’t remember anything and is eventually found walking along a road by a young man, in his early 20s. There’s immediately a sexual connection… and then we find out that our character is young. Like, looks ten or eleven.

End spoiler

And it’s squicky even with the anticipation, and I can’t help but wonder what was in Butler’s head: did she want to use this to challenge assumptions about appearance, or about black sexuality (because our character, Renee/Shori, is black), or… ? I don’t know. And it’s intriguing because it’s Butler and I trust her, BUT.

Anyway. There’s are similarities here between the Xenogenesis and Patternist novels. They deal with miscegenation and the ramifications of that – for the individual who is ‘mixed’ and for the society around them, seeing the benefits and drawbacks. They all deal with the Outsider in our midst, and that the notion of the Outsider takes on a multitude of forms within each of those books – sex, race, species, ability. And they also all present different ways of compromising, different motivations for compromise, and different consequences of it too. Butler isn’t interested in making life easy for her characters or for her readers. She wants us to THINK. She probably wants us to be horrified, too, and forced to think through that horror.

This won’t be my favourite Butler; I don’t think it’s quite as well written as some of her other work. Goodness the ideas and challenges are magnificent, though, and with so little published work from her I’m pretty happy to read whatever I can get my hands on.

Paper

Unknown.jpegI have loved everything I’ve read by Mark Kurlansky. So when I was in a small bookshop in a small town and saw a new book from him, I was pretty stoked. I half considered buying it as an e-version, partly because OH THE IRONY, but then my darling fawned her how pretty it is (and it really is very pretty, with rough-edged paper and all), so I bought the bard-back. Supporting small book shops for the win.

Tragically, I am disappointed.

I was trying to pin down exactly why the book didn’t work, and halfway through I realised: each paragraph felt like an extended dot point. Like he had all of these great ideas and fascinating points, mostly connected to paper, but… couldn’t quite nail the flow and structure. There are weird disjointed bits that entirely lack in connection, there are some fascinating bits about language and so on that aren’t clearly tied to paper, and… well. Disappointed.

I appreciated his discussion of the technological fallacy: that tech happens and then society follows. Rather, he argues, society creates a demand and THEN technology follows, playing catch up: why else is so much money spent on market research? So I liked that bit. However, as someone has pointed out to me, Kurlansky is entirely too linear in his perspective on the relationship between change and society. Civilisation just isn’t like that.

More serious than the lack of sequencing, though, were a few points where he was just… kinda wrong. For instance: he suggests that some people credit Ada Lovelace with inventing computers, and then reveals that actually she was inspired by Charles Babbage. And, uh, no. She invented the first computer language, and it’s no secret she worked with Babbage! … so this makes me a little concerned when he’s discussing those bits of history that I don’t actually have knowledge of. Because… can I trust him?

I gave it a four over on Goodreads because the ideas and the history really are fascinating, but the book itself as a piece of text ought to get a three.

River of Teeth

Unknown.jpegThis novella was sent to me by the publisher at no expense. It will be on sale at Tor.com on May 23.

HIPPOS. Hippos, folks. There need to be more hippos in my literature.

The foreword states that the American Congress debated importing hippos at the start of the 20th century, to resolve a meat shortage. I have no idea whether this is true. I presume it is; the foreword says it is. I could google it… but I choose not to, and live in the world where I believe that America actually considered ranching hippos. Because that’s way more fun than not.

And what’s even more fun than living in that world is this, Sarah Gailey’s debut. (Seriously? debut? kick. ass.) It’s an alternative history (which means it’s definitely not true, despite some recent definitions of ‘alternative’), pushing the date of hippo-introduction back half a century and imagining the consequences of actually hippo-ranching. Like cowboys riding hippos, and hippos going feral, and breeding hippos for stealth to help deal with the ones being raised for meat.

I’m just going to stop here for a moment and consider eating hippo-meat. Because… I dunno, the Anglo-Celt of my heritage just wants to gag.

Anyway, this is a crazy romp filled with wonderful characters and, as the name suggests, a whole lot of hippo-teeth-gnashing. Winslow Remington Houndstooth, putative lead and leader, is filled with desires for revenge and does his own share of teeth-gnashing. He rides Ruby: black, sleek, fast and deadly. Wonderful as he is, I adore Regina Archambault more: “Nobody ever suspects the fat lady”… who pickpockets and breaks hearts and helps save the day. She rides Rosa: three thousand pounds of albino hippo. Hero is also wonderful, and all about blowing stuff up (always the way to my heart), and the rest of the team fills out nicely. There’s a good villain (or two, or three…), so that’s the character side all sorted. There’s explosions, and card games, and feral hippos that are happy to eat people; romance, confusion, and a lot of crankiness and snark. OH THE SNARK.

You’ll want to get your mitts on this one, folks. It’s just way too much fun to miss out on.

Cooked, by Michael Pollan

images.jpegThis book was recommended to me by the sourdough baker whose course I took. It turned out that I had already one of Pollan’s books – The Botany of Desire, which was awesome and looked at various plants in light of the general idea of desire. (My biggest take away message: the Agricultural Revolution was the grasses using humanity to destroy the trees. Also that all edible apples are clones.)

This book is Pollan’s attempt to learn more about cooking, having looked at the gardening and the eating side for a long time. He divides the book into four sections: Fire, Water, Air, Earth. Or, basically: barbecue, braise, bread, and fermenting. Continue reading →