What, did you think I was kidding about leaping into Picard?
So… this was awfully lumpy.
Things I loved:
I love Raffi. I love that Picard’s arrogance is shown to have terrible consequences for those around him, I love that she is broken and that she is consciously trying to put herself back together again, I love that she has enormous emotional reserves for those around her and that she’s also very angry about everything that’s happened. I love how complex she is. I love that she is so badass.
I love Elnor. An Australian accent in space!?!?!?! I love that he gets to just… say whatever is in his mind, I love his mad skillz, I love the way he makes decisions. He’s just generally awesome.
I love Rios. I love his ridiculous 5-part holograms with their ludicrous accents. I love his skills, his development from wannabe mercenary to something else, I love his general attitude and his relationship with Raffi.
I love Seven. That she is not in a catsuit and that she continues to just generally be awesome. I love that she is shown to be complex, to have had a complex life since getting back to the Alpha Quadrant, and has learned some serious skills in snark.
I love old Riker and Troi. So cute. Less convinced by the kid, but whatever. I guess including them is basically just fanservice, but even I – as a not-massive TNG fan – enjoyed seeing them.
I really liked that it was actually Hugh, as the Director! Definitely fanservice there but it made even me happy. It’s a neat call-back and despite his fate, I’m glad we saw him.
I kinda liked Narek. I know, I KNOW, this shows terrible taste on my part. But… he’s an intriguing character! Mostly! Competing principles are compelling! Not that he deserves to be in the front of the image I’ve chosen, though: that really should be Soji.
I don’t mind Picard as a character. Look, I’ve seen a fair range of TNG; I don’t know all his complexities but I know enough. I think this does a good enough job of capturing the man – although I’m sure there are some people who are pissed that he’s shown to have epic levels of arrogance and selfishness (… I think they were obvious in the original show, personally). I quite liked that they showed him in his less than perfect humanity (ahahaha; little in-joke there). Having to deal with not everyone jumping at your beck and call – well, not immediately – made this just that bit different.
So there were good bits. I liked the idea of a captured Borg cube, I was intrigued by the idea of synthetics being banned, and there were some really great cinematic bits. But goodness the plot was just… lumpy. Also, the sound mixing was dreadful; there were lots of bits where I found the dialogue really hard to hear, and then explosions were LOUD.
Part of the problem is just how much is going on in the plot. Romulans and synthetics and Borg and secret police and people harvesting Borg and Picard having brain problems and… etc. I like a complex story, I really do, but this felt like a bunch of different plot lines that didn’t get properly woven together – like someone had LOTS OF IDEAS and they REALLY WANTED all of them to be in the show JUST IN CASE it didn’t get renewed. And yes it felt like it was happening in all-caps.
I didn’t mention Soji above. I liked her well enough? But she wasn’t my favourite character. And this made me sad. It should have been a show that was overwhelmingly, for the second half anyway, about her developing as a person when she discovers her life is a cover-up. But I don’t think she gets much character development, overall. I don’t know what could have been changed; I do know that I was left feeling like she wasn’t hugely different from when we first meet her, and that doesn’t make much sense.
When I first watched the credits, I thought it looked like Picard was being put together. And then there’s the stuff with Data, and then the vague intimation of a brain abnormality, and I had a wild assumption that Picard was himself going to turn out to be a synthetic – or had been replaced by one at some point. And then I shook my head and told myself not to be daft. And then the last ten minutes happened. Whoa.
Will I watch the next season? Of course; eventually. I don’t think I’ll be keeping Prime in anticipation, or getting it as soon as the first episode airs. But I am cautiously intrigued to see where it goes next, especially if Rios and Raffi stay on board (and what was that cutesy little hand-holding between Seven and Raffi?!).
And then it just… ended.
Don’t get me wrong; I really am glad they got back to the Alpha Quadrant. I’m glad the writers had an opportunity to make that happen when, I assume, the show was cancelled (for all their faults, I think here of Firefly, and to a lesser degree Jericho). But. Wow. What a last episode. What a sudden, screeching halt. I guess if it had to be done that way, it was fine?
Don’t get me wrong #2: two Janeways? Who disagree with one another? I can’t be sad about that.
Janeway: I adore the fact that she’s just so damned complicated. I really, really didn’t like her for the way she went after that rogue Federation ship to the detriment of all. And the time she basically condoned genocide. And several other very dubious choices. But they were never choices she was forced into – that is, she actively chose those things, and believed she was right; it wasn’t a state of helplessness. And it was never being “emotional” in a silly woman stereotype. I am perversely pleased that I got a chance to be legit angry at her. I do not regret to watch all of Voyager mostly so that I had a chance to understand this pivotal character in Star Trek.
Chakotay: nothing will ever remove my pure love for this character. Nothing. He is a marvellous 2IC, he got some great storylines, and there’s basically nothing I would change.
Janeway/Chakotay: never in my life have I shipped a non-canon couple as completely, as wholeheartedly, as I ship these two.
I have taken to reading J/C fanfiction.
Seven of Nine: given my words above, you might think I am angry at Seven by the end of the show. You would be wrong, not least because I am capable of divorcing a character from the narrative choices made by showrunners. I do not like the Seven/Chakotay romance idea, but that’s largely because of the age difference (not necessarily a problem but made more problematic by her relative youth as a human) and the abruptness of it all. I was intrigued by the idea of her “practising” with a hologram of Chakotay (and can’t fault her choice), and choose to believe that she was continuing the experiment. ANYWAY, aside from all that, I do feel resentment that Seven was basically a long-running experiment herself, along the lines of “how long can we keep an actress in a catsuit OH LOOK AS LONG AS WE LIKE.” I liked a lot about Seven’s narrative arcs: her growth, her experiences, her comments on the rest of the crew… usually…
B’Elanna: I continued to enjoy her a lot, too. I like her attitude and her honesty and her competence.
B’Elanna/Tom Paris: dear God I came around to B/T. I can’t believe it.
Naomi Wildemann: I will never understand the seeming necessity for including a child character. That said, if there had to be one, Naomi was usually ok. I didn’t enjoy the one ep where she was hiding on the holodeck with the kids’ characters blah blah, but overall she wasn’t written too saccharine.
Neelix: eventually blended into the background, I guess? I still don’t really care for him but he did have some good moments. And quite a good end to his narrative, I thought.
The Doctor: continues to be a pain in the butt.
Harry: continues to just be a bit bland. Sorry, Harry; you are a henchman, not a leader.
Tuvok: I love that Tim Russ got to show a few moments of not being Vulcan; it made Tuvok all the more remarkable as a character. Like Seven, I like Tuvok for the contrast he provides with the rest of the crew, as well as for his own contributions.
I spent… a lot of the last few months pretty obsessed with Voyager. Clearly; seven seasons is a lot of television. And now it’s done. I feel somewhat bereft! (well, I would be feeling more bereft were it not for the admission made above about J/C…) This is the first Star Trek I’ve watched end to end, aside from Disco, which of course is not yet finished. I crammed seven years into about four months, which I would probably not repeat, but again – I don’t regret it. It was fascinating to see narrative choices, and reflect on late 90s tv choices, and all of those sorts of things.
And now that I’m done with Voyager, I can start of Picard.
Previously, on Star Trek: Voyager… (my take on it anyway).
I’ve just started season 5 so I thought I’d offer some more ruminations.
I continue to love Janeway. I think I particularly love that I don’t always like her and the decisions she makes – she’s allowed to be flawed, and occasionally vicious, and the sorts of things I dislike in other captains: egotistical, mildly imperialist, and so on. I am unconvinced by the number of away missions she herself leads, and especially when she and Chakotay both go. Really? you’re taking your entire command structure to an unknown planet? That seems… unwise. Anyway, “Night” is an amazing episode for suggesting Janeway may not always cope, although the fact that it comes back to her being all self-sacrificial due to guilt was a bit passe. She’s had a few awesome Ripley moments, too, which I enjoyed very much. She can be both a cerebral scientist and a gun-toting soldier.
I have nothing much to add about Chakotay. My love for him remains pure and unsullied. The opening of “Worst Case Scenario” therefore had me very worried, at the idea that he would be a mutineer, although it was clear something hinky was happening… the revelation about the holodeck story and how that all plays out is magnificent. “Year of Hell” was exceptional and I was hugely impressed by the stress everyone, but perhaps especially Chakotay, was put under… although less impressed by the “it was all a dream!” retcon. “Unforgettable” made me deeply uncomfortable because I was never entirely sure that the alien who claims Chakotay used to be in love with her was actually for real. At this point I can absolutely see why there are people who ship Janeway and Chakotay; especially after their little holiday alone on a planet that kept them alive. I am reserving judgement.
I was so sad that Kes left, especially so abruptly. I was particularly sad that it happened literally as Seven of Nine arrived, making it seem like only so many women are allowed to have the screen. Kes had some great episodes – I am very ambivalent about “Before and After”, though: while I enjoyed Kes having centre stage, I was unconvinced by either the Tom or the Harry relationships. In fact I found them a bit squicky. I’m glad the show had a place for someone like Kes, even if she didn’t continue for the whole series.
And so, Seven of Nine. My first question is about how Jeri Ryan felt about acting in a body stocking with her underwear clearly visible. I think she’s fantastic, and working in that sort of situation just makes her even more remarkable. I was grumbling a bit about the costuming and then discovered that apparently her appearance on the show made ratings rise 60% so… yeh. Guess that worked out for the show and Ryan just had to put up with it, right? I think Seven is a fabulous character. I love her development as a character, and as a human; I love her struggle with human inefficiencies, like politeness, which let’s face it a lot of us get impatient with occasionally. “One” was fantastic in the way it examined what it would be like to go from part of the collective to completely alone; almost every interaction between Seven and Janeway is a delight to watch.
“Retrospect” nearly made me stop watching the show. In it, Seven exhibits anxiety during a routine medical, and the Doctor works with her to uncover repressed memories of having been assaulted and Borg nano-stuff taken from her by an alien Voyager is currently trading with. Said trader denies it all, there’s a chase and the trader ends up dying. People start by believing Seven, but then everyone gradually changes their mind. The analogy to rape cannot be ignored, and neither can the all-too-familiar story of a woman’s word being ignored. Seven’s distress is ultimately dismissed. There is no further help for her in dealing with the memories – and even if they’re false, they’re still present and still distressing. All of that is horrifying and basically had me sitting there thinking “this is 45 minutes explaining why #MeToo was necessary.” And then, to top it all off, the show ends with a focus on the Doctor, not on Seven: the Doctor feeling remorseful about trying out his new psychologist subroutine, and “oh no maybe I did something terrible I feel so bad.” So the show manages to make a rape-analogous narrative coming back to being about a man and his inadequacies.
I decided I would keep watching, obviously. And there are a lot of good reasons to do so – not least Seven herself who keeps being awesome (although I am ambivalent about the episode “Drone” where she kinda gets a weird version of the Magical Pregnancy).
I have little more to say about the rest of the crew. Tom manages to be slightly less annoying as things progress although he’s still a pain in the butt; the way he treats B’Elanna infuriates me. B’Elanna continues to be awesome, Harry is fine but rarely stands out, Neelix is never going to be a favourite. I remain keen to watch the rest of the series and look forward to discovering what happens to them all. I assume they get home but I have no idea how!
I am accustomed to not being completely up to date, but some might say this is ridiculous…
The only Star Trek I have watched in full is Star Trek: Discovery. (I’ve also seen all of the movies, though.) This isn’t for any specific reason; The Next Generation was on tv too late when it was first on, and I don’t even remember DS9 or Enterprise being on tv. The original series was also not accessible on tv, as far as I can recall, when I was a kid. I think Voyager must have been on tv but looking at the dates, I can see it was the end of high school and then uni for me – and most of that time I didn’t have access to a tv that I could watch whenever I liked.
Anyway. Here we are. I now have Netflix, and time when I want to knit and therefore watch something undemanding, so… Voyager it is. I’ve just finished season 2.
Janeway: I mean. Of course. I didn’t know she was a science officer! That’s so cool. I love that she likes going down to Engineering and still getting into the science. I love that she is complicated and sometimes makes decisions I don’t approve of. Her hairstyle is outrageous and must take ages to do every morning. I love that eye-roll every time the Kazon make disparaging remarks about women. And I love that no one on the ship ever questions that a woman can be captain. I remain unconvinced about her choice of sleepwear.
Chakotay: one of the aspects that is sometimes good, and sometimes cringeworthy, is the way Chakotay is treated. I love that he is of Native American heritage, that he embraces that heritage – and that he is shown to have had difficulty with it as a child – and that no one ever has an issue with it. I don’t love that his heritage is exoticised more than anyone else’s background is (no comments about being part human, part Klingon, for Torres); I am uncomfortable about some of the things that seem stereotypical to my eyes (but I’m Australian, so maybe I just don’t know enough?). I did love the moment that Chakotay thinks Tuvok is giving him a bow and arrow and is acerbic about his people never having used them (and then Tuvok shows that he’s Tuvok and says the bow is for himself…). ANYWAY: I love Chakotay. A lot. I love his calm, I love his humanity and generosity, pretty much everything.
Paris: urgh. Just like another Paris I could mention. Has had a few redeeming moments, I guess, but I do not love this character. I’m told this is a common attitude. And apparently he gets better? We’ll see.
Neelix: as for Paris, although possibly more annoying. I’m prepared to put up with him since it means we get Kes.
Tuvok: I really like Tuvok. I assumed I would since I’ve liked basically every Vulcan I’ve come across (yes, even Sarek, in a stay-over-there, I’ll-just-watch kinda way). Tuvok’s complexities are a delight, and I always enjoy the calm manner in which he smacks all the emotionally crazed beings down. When I first saw the episode name ‘Tuvik’ I was dreading it, because I assumed that the combination of Neelix and Tuvok would be played as a farce… instead it turned out to be one of the most complex and thoughtful episodes to date. I choose to think that’s mostly because of Tuvok.
Kes: sometimes a bit too on the sappy end for me, but overall – what a delight. Calm, thoughtful, generous; I like when she gets a real storyline but I’m happy whenever she turns up, even simply as the Doctor’s adjunct.
The Doctor: his attitude still annoys me but as a stereotype of a physician, you have to admit that it’s accurate. I have been fascinated by the way his personality has been allowed to develop as he’s been compelled to interact with people far more than his programming ever intended.
B’Elana Torres: another of my favourites. Not least because her engineering talk with Janeway allows some episodes to pass the Bechdel test, which is always a pleasure. Another complex character who gets to be competent, honest, thoughtful… the episode where the human and Klingon aspects were divided was fascinating.
Harry: not my favourite character, but not for any specific reason. He’s had some great narratives, and I do enjoy his ingenuity. I also appreciate the diversity his presence brings to the bridge, and the humour. Sometimes he even manages to tone down Paris. Not often, though.
I’ll be honest, it was an image like this that made me very keen to watch this Apple Original tv show. Women in space!
And then I discovered it was the creation of Ronald D Moore, aka the dude who brought back Battlestar Galactica.
And then I discovered that it was an alt-history version of the space race.
… and really that’s all I want to say about the show above the cut, because if you haven’t heard about what the opening thing that makes it alt-history, I really firmly believe it’s best to go in unspoiled. Just know that the show is in many ways deeply grounded in history – to my eye, the costuming and sets are wonderfully historical, and the background politics etc are largely on point. But there is one, and then a resultant cascade, of changes that make this show a magnificent what-if. I genuinely held my breath at key moments in the narrative, and I was horrified and delighted and shocked and joyful. It’s well worth watching.
I first read Richard Morgan’s Altered Carbon not long after it was published. I’ve read a few of his other books, too, and I really like his style. For reasons of “I have too many other books on my pile”, I haven’t got around to reading the rest in the series… although having been reminded of the book by the Netflix series, I’m going to remedy that this year. I’ve just re-read Altered Carbon itself.
Because my memory was fuzzy, I went into the show with only a vague memory of characters and plot. Which was good, actually, because it meant that I got to be surprised by plot twists and be immersed in the world-building.
I loved both the book and the show. This post contains spoilers for both, because I want to compare them.
I had heard some people complaining that the tv show was more simplistic than the books – which didn’t surprise me, although I couldn’t recall if I agreed. Having now re-read the book (and watched the show, um, twice), I disagree. Yes, the show has reduced some of the complexities, but in other ways it introduces more, and different, complexity. The two are actually quite different. It made me think of a film or tv show and its reboot: there are characters in common, and similar or identical plot beats, but with definite differences – perhaps to account for when it’s made, or directors’ stylistic differences, or whatever.
So the show is, I think, more racially diverse. (See this article for some good points on that topic and also some good points about the violence against women, which would be a whole other post for me and is covered here pretty well. DON’T READ THE COMMENTS.) It changes Kristin Ortega to be of Mexican(ish?) descent – in the book she’s described as having cheekbones courtesy of a Native American ancestor, which is weird and maybe racist? I’m Australian, I’m not sure of the nuance there – but otherwise doesn’t mention her appearance. (More on Ortega later.) The show makes Elliot and his family black – which is interesting but also changes the plot somewhat, since the whole point of why Bancroft wanted to have sex with Elizabeth Elliot is a physical similarity to his wife (who is white and blonde in both). Quellcrist’s physical appearance isn’t mentioned in the book, as far as I noticed, nor the race of other Envoys, so having at least some of them be not-white was positive.
What I think is the most stark difference between the two is the emphasis on family. In the book, we learn that Takashi had a difficult home life, but very little detail. We see that Laurens and Miriam Bancroft have a fairly distant relationship, and that Elliot loves his family, but they get little interaction on the page. In the show, though – what a difference. I adore the fact that Ortega’s family gets so much time (although I am a bit cranky about her being made so much shorter than Riker/ Tak, since in the book they’re almost of a height; I did enjoy the actor in the role, though). The familial argument about whether it’s a good idea to re-sleeve Grandma for a family celebration puts the whole issue of Catholics’ opposition to stacks etc into great relief. I also just love how MUCH Ortega we get in the show, even though she is clearly obsessed with getting her boyfriend back and clearing his name (which I do understand). In the book, she really is just there as suspicious support for Tak. Even her mum gets a bit of character development! That’s so cool!
Tak’s family also gets a great deal more depth – and maybe that’s coming from the other books, I’ll find out soon. But seeing his relationship with his sister, and then making Reileen be that sister grown up, is deeply intriguing. I wasn’t entirely convinced by her motivations in the show, although towards the end it started making a bit more sense… but it’s still a really interesting difference. It’s not like the Reileen in the book has much more character depth, so it’s a change not a loss.
The Elliots are far more present in the show than in the book – Vernon Elliot has zero to do with Tak and his mission in the book, unlike the show where he becomes an unwilling and not very helpful assistant. And we never meet Lizzie in the book; she’s just mentioned as waiting to be re-sleeved. So I love that she gets to have a hand in her own vengeance (much as I disapprove of violent vengeance in the real world…). The book has Ava Elliot be re-sleeved in a white body, but still female, while in the show she’s given a white man’s body. Part of the point of Tak’s training is that re-sleeving happens so often it’s meant to be straightforward, but that’s not the case for most humans – especially when they haven’t chosen it. What I was impressed by in the show is that although Vernon Elliot is initially bewildered and maybe horrified by the body his wife has been shoved into, he does come to grips with it and they do share intimate moments. And to my eyes, it’s not shown to be homophobia or transphobia, but more about that very specific experience of an unexpected body for his wife. (Trans folk etc should feel free to point out where I’ve missed stereotypes and so on, because I wouldn’t be surprised if I have.)
Even the Bancrofts, dirty Meths that they are, get more family exploration in the show. We don’t ever meet a Bancroft child in the novel, but two of them feature in the show and the son is a significant bit-part.
Perhaps the most intriguing change with Tak is his relationship with Quellcrist Falconer – and again, maybe this is coming from the later books, but it’s definitely not in this first one. It humanises him in a way that I think is really fascinating, since he commits such dreadfully violent acts and is himself subjected to terrible violence. Visually, to have a contrast with his time with Quell I found quite affecting. I think I have more sympathy for TV-Tak than I do with book-Tak, because there’s more emotional depth to hook into.
A curious change that I’m still trying to think through is the change from having the hotel be the Hendrix to one themed around Edgar Allan Poe. The Hedrix’s avatar is rarely a Jimi Hendrix lookalike (not until near the end, in fact), so I don’t think this is a case of erasing a black character. Perhaps the creators of the show thought that the AI of a Poe-hotel would be more likely to get into the spirit of an investigation? I have no idea. Also, the show creates the AI poker scenes and arguments from whole cloth, which I think is deeply interesting… and perhaps fits into the notion of family being a connecting theme across the episodes…
Finally, the book doesn’t have the Hello Unicorn! backpack, which is clearly a problem. (I found this article while looking for a picture.)
The Sum of All Fears * Sherlock Holmes (movie)* Sherlock Holmes: A Game of Shadows * Like Water for Chocolate * Logan * Iris * Robin Hood (2010) * Hidden Figures * Last Cab to Darwin * Maya Angelou: And Still I Rise * Moana * Doctor Strange * For the Love of Spock * Wonder Woman * The Mummy (2017) * The Fate of the Furious * The Zookeeper’s Wife * Kong: Skull Island * Fantastic Beasts and Where to Find Them * Searching for Sugarman * The Hobbit: The Battle of the Five Armies * Thor: Ragnarok * The Last Jedi *
The Italian Job (2003) * Arrival * The Expendables 2 * Gone in Sixty Seconds * Master and Commander * Gladiator * Spy Game * The Abyss * The Martian * Under Siege * Escape Plan * Arrival (yes, again) * Rogue One * Mad Max: Fury Road * Ghostbusters (2016) * Sahara * The Mummy * Mission Impossible: Rogue Nation * Rogue One (yes, again) * Wonder Woman * Ocean’s Eleven * Iron Man * Iron Man 2 * Iron Man 3 * Grease 2 * The Poseidon Adventure * The Towering Inferno * Thor * Thor: The Dark World * Men in Black * Men in Black II * Men in Black III * Jurassic Park * Charlie’s Angels * The Dark Knight Rises * Charlie’s Angels: Full Throttle * Ocean’s 11 * Ocean’s 12 * Ocean’s 13 * Star Wars: A New Hope * The Empire Strikes Back * Attack of the Clones * Revenge of the Sith * The Force Awakens * Harry Potter and the Prisoner of Azkaban * Interstellar
Dirk Gently’s Holistic Detective Agency (Netflix 2016) * Ascension * A Series of Unfortunate Events (Netflix) * Arq * Person of Interest (season 2) * Person of Interest (season 3) * Person of Interest (season 4) * Chef’s Table (season 1) * Person of Interest (season 5) * The Blacklist (season 1) * The Blacklist (season 2) * Agents of SHIELD (season whatever we’re up to) * The Blacklist (season 3) * Orphan Black (season 5) * The Good Place (season 1) * The Blacklist (season 4) * Wynonna Earp (season 1) * The Expanse (season 2) * Glitch (season 2) * Doctor Who (season what, ten?) * Cake Master *
Some Doctor Who bits and pieces.
Alex and Tansy pull apart the recent school-set Doctor Who spin off TV show Class, with its YA tropes, teen diversity, squicky alien creatures and fascinating parent-kid dynamics. But mostly we rave about the awesomeness of Quill. Because she is the best.
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Molly * Paper Giants: The Birth of Cleo * X-Files (reboot) * Sonic Highways * Once Upon A Time (season 1) * The Night Manager * Carmilla (season 2) * The Expanse (season 1) * Agents of SHIELD (season 3) * Orphan Black (season 4) * Trepalium * Revolution School * Games of Thrones (season 4) * Game of Thrones (season 5) * Games of Thrones (season 6) * The Americans (season 1) * The Americans (season 2) * The Americans (season 3) * The Durrells * Once Upon A Time (season 2) * Once Upon a Time (season 3) * Person of Interest (season 1) * Carmilla (season 3) *
Fringe (season 2) * Fringe (season 3) * Fringe (season 4) * Pride and Prejudice (BBC) * Jericho (season 1 and 2)
Dallas Buyers Club * San Andreas * State of Affairs * Captain America: Civil War * Deadpool * The Hollow Crown (Richard II, Henry IV parts 1 and 2, Henry V) * Ghostbusters 2016 * Frozen (um, without most of the singing) * Batman v Superman * Sherpa * Pride and Prejudice and Zombies * The Art of Flight * X-Men: Apocalypse * John Carter * The Huntsman: Winter’s War * Miss Peregrine’s Home for Peculiar Children * The Congress * Tinker, Tailor, Soldier, Spy * Only Lovers Left Alive * Lover Come Back * Underworld: Awakening * Jason Bourne * Suicide Squad * Star Trek Beyond * Independence Day: Resurgence * Rogue One *
Mad Max: Fury Road * Sahara * Aliens * Indiana Jones and the Last Crusade * Chronicles of Riddick * The Fifth Element * The Avengers * Ghostbusters (original) * The Edge of Tomorrow * Thor: The Dark World * Captain America: The Winter Soldier * Independence Day * Alien * Top Gun * Beverley Hills Cop * Beverley Hills Cop II * It Might Get Loud * Bridge of Spies * Crimson Tide * Stargate (the movie) * The Edge of Tomorrow * Underworld * Underworld Evolution * Blade Runner * Mr and Mrs Smith * Enemy of the State * Pacific Rim * RED
Each week on a Sunday afternoon, join Alex (of Randomly Yours, Alex) and Katharine (of the unpronounceable Ventureadlaxre), as they re-watch the Australian-American sci-fi show Farscape, notable for the Jim Henson animatronic puppets, the excellent mish-mash of accents, and the best OTP ship of all time.
Season One, Episode Sixteen: A Human Reaction
A: Aw, John is still talking to his dad… and then Pilot sees a wormhole! With Earth at the end!!
K: I wonder if I’d be like that. I get along great with my mum, but… I don’t think I’m hopeful enough to think there’d be any point? He’s quite a good age to only be starting to get grey hairs, isn’t he? I do like how dismissive they all are about us though – no red moons indeed.
A: I like my grey hair.
Oh Aeryn. She’s clearly so torn about not going with John… and possibly about John leaving…
K: Go on, Aeryn! An adventure is an adventure, right?