The Eternal Kingdom

Unknown.jpegI received this as a review copy from the author, at no cost.

This is the third and last book in the Children trilogy (see here and here) by Ben Peek. It does not stand on its own because it is building on, drawing together, exploding, and generally messing with ideas and characters from the previous two books. If you enjoy epic fantasy with rather grim repercussions for its characters, detailed world building and surprising twists, then just stop reading now and go grab the earlier books. Seriously, it’s worth it; this is the sort of trilogy to read when you really want to get your teeth into a set of characters and be thrown completely into their lives. And look – the series is finished! So you don’t have to worry about being left in the lurch!

So, when we left the series last time the new god had just broken through properly and was causing some havoc. Where ‘some’ is ‘a significant amount’. And following through with our newly-named god, as she tries to claim paramount status in a world that’s not really sure if it wants her and what that would actually mean for the world, is the focus of the whole book. The looks different for different characters of course: Bueralan has his very personal struggles as well as being caught up in the politics of a new god, while Ayae isn’t particularly happy about being an intermediary between different groups and the other immortals are largely unknowable and definitely have their own agenda. And then there’s Heast, and the other characters we’ve come to appreciate over the earlier two books… the ones who aren’t dead yet, anyway. Well, mostly the ones who aren’t dead. Death has a somewhat… permeable… nature here.

I’m not going to lie, there are some unpleasant things that happen to characters throughout this  book, and I was never sure who was going to survive and who wasn’t. It’s a measure of the books, though, that I cared about that fact. And I did. I really did. When the Innocent, murdering sunuva that he is, appeared on any page I was worried (and he appears quite a lot in this book, so I spent a lot of time chewing my [metaphorical] nails). And the new god, who has definitely shown herself to be largely reprehensible… well, continues on that track but of course maybe she’s not all that bad and ARGH how do I figure out what to actually think? Curse you Peek and your morally grey characters and novels!

You will probably find that this series plays on your emotions. You may find yourself yelling at Peek (I’m sure he can handle it) and various characters (most of them deserve it). If you buy just the first one… well, I am not to blame if you have to go and buy the next two in short order.

Galactic Suburbia 168: Live from Melbourne!

In which we Continuum all the Continuum! Our live podcast, recorded on the afternoon of June 11 2016, with us still buzzing, inspired and surrounded by cake. Alex has a travel announcement. Alisa is knitting. You can get us at iTunes or Galactic Suburbia.

Continuum 13! We were there!

Seanan McGuire’s Guest of Honour Hour

Likhain’s GOH speech on YouTube & written version. (We hadn’t seen this when we recorded so don’t mention it in the episode but PLEASE read/watch it.)

Rivqa Rafael’s Continuum tweets Storified.

Mother of Invention: our campaign is past $11,000 and still going!

CULTURE CONSUMED:

Alisa: Hidden Figures; The Happy Place; Disney on Ice: Frozen

Tansy: Heathers: The Musical/Heathers, Wonder Woman

Alex: Wonder Woman; The Blacklist; Hugo reading: Ninefox Gambit, Yoon Ha Lee; All the Birds in the Sky, Charlie Jane Anders; That Game We Played During the War, Carrie Vaughn;

Q&A: we answer your questions & take on your conversation topics. Thanks SO MUCH to our darling audience, who filled our seats, howled when we needed you to, came up with questions, and stayed blissfully quiet the rest of the time. If you hear a moment of odd, no-context-provided hilarity, just assume something funny has happened involving one of the Galactic Suburbia Gentleman’s Auxilary, or that someone is gesturing with cake.

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook, support us at Patreon – which now includes access to the ever so exclusive GS Slack – and don’t forget to leave a review on iTunes if you love us!

Galactic Suburbia 167

In which we launch new projects and Discover a new/old love for Star Trek. Bet you didn’t know how much we love Star Trek. You can find us on iTunes or at Galactic Suburbia.

What’s new on the internet?

Nebula Weekend means awards and other announcements!

Tansy announces the impending Kickstarter for Mother of Invention: A speculative fiction anthology of diverse, challenging stories about gender & artificial intelligence.

Alex reveals the cover of Luminescent Threads, the new book about Octavia Butler coming soon from Twelfth Planet Press.

Continuum Preview! Check out the program, because we’re all over it. The whole GalSub team will be at Melbourne for this year’s Continuum — if you’re planning to be there, block off three hours for our Galactic Suburbia-and-Twelfth Planet Press extravaganza including a fundraising bake sale and a pre-launch party for Luminescent Threads. (It’s like a baby shower but for a book, and you don’t have to bring gifts)

CULTURE CONSUMED:

Alisa: Santa Clarita Diet S1; Anne with an E; Luminescent Threads edited by Alexandra Pierce and Mimi Mondal, Twin Peaks.

Alex: Moana; Doctor Strange; Arrow; For the Love of Spock; Silent Invasion, James Bradley

Tansy: Percy Jackson & the Lightning Thief; The Murderbot Diaries, Martha Wells; The Sarah Jane Adventures (check out Tansy’s appearance on the Sarah Jane themed Splendid Chaps here)

All of us: Star Trek Discovery Trailer! We have a lot of feels.

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook, support us at Patreon – which now includes access to the ever so exclusive GS Slack – and don’t forget to leave a review on iTunes if you love us!

Octavia Butler cover reveal

Haven’t really talked about this much in these parts, but I’ve been working on a second book this year! This one is in honour of Octavia Butler, a groundbreaking science fiction writer: amazing stories, provocative ideas, and (it appears) the first African-American woman to make a living from science fiction. And this is the cover!!Luminescent threads Cover LR RGBl.jpg

The book comprises almost 50 original pieces – letters and essays – to and about Butler, encompassing a bunch of different issues and themes and responses. You can see the list of contributors at the Twelfth Planet Press site. It will also include some reprinted material.

I’m really pleased with how the book has developed, and I am in love with the cover.

Mother of Invention

Mother of inventionTansy, Rivqa: I hear you have an exciting new project coming up. Care to share what it is?

Hi, Alex! We’re about to launch a crowdfunding campaign for a new speculative fiction anthology of artificial intelligence stories: Mother of Invention.

So tell me about this title. Who came up with it, what’s the point, and so on?

Artificial intelligence stories, from the very beginning, have always been dominated by the idea of a male creator ‘giving birth’ to robots or intelligent computers. This in turn means that we end up with a lot of artificial intelligence narratives with a sexy female robot, or a disembodied voice played by Scarlett Johanssen. Starting with Frankenstein (though even going back to the Ancient Greek Pygmalion/Galatea myth) the stories so often centre around the idea of what happens (or what goes terribly wrong) when men create life. Is Susan Calvin the only iconic female creator of artificial life in our whole genre? We’re happy to be ‘well, actually’d on this one, but she’s definitely outnumbered by her male counterparts.

To be honest, the ‘isolated dude builds/interacts with sexy robot girlfriend/daughter and/or angry robot/computer son who wants to kill him’ tropes have become the SF equivalent of ‘middle-aged college professor has affair with younger female student’.  And just because (some) women can have babies biologically doesn’t mean they can’t build robots or super-smart imaginary friends as well as, or instead of, creating life the squishy old fashioned way.

We wanted to challenge the gender dynamic of artificial intelligence stories, and rather than focus on the ‘why are all robot women sexy and adorable’ trope, we thought we’d let some fantastic writers explore the idea of what kind of artificial lifeforms women, and other under-represented genders, might create.

As for the title… it took us ages to find something that captured what we want, but ultimately the quote ‘necessity is the mother of invention’ gave us the answer. When it comes to artificial intelligence stories, the motivation is often just as interesting as the ‘how it all went terribly wrong’ part, and we’re interested to see how the gender of the creator in these stories will affect what they build, and who they make.

The anthology will be published by Twelfth Planet Press… why go with them?

Twelfth Planet Press have a reputation for smart, thought-provoking projects and for challenging the gender dynamic of SF publishing, so they were absolutely our first choice. We’ve both worked with them before, though mostly at the fiction writing end of things, so it’s exciting to be getting our teeth into an editing project this time around.
We want to follow in the footsteps of Kaleidoscope and Defying Doomsday, which were both fantastic, diverse anthologies with strong political concepts behind them.

Do you have a stash of money up your collective sleeves to pay the authors for the project, or do you have some other plan?

Crowdfunding is our plan! With a project like this, a crowdfunding campaign has a lot of benefits to it, particularly that you can create advanced buzz for the book, and also gauge the interest of the readers. If we can’t make our target, then we don’t have enough interest to make the book viable, and it’s better to know that up front. The best thing about crowdfunding is that we are able to comfortably pay the authors (and editors and designers and artists and everyone) professional rates, which is often a hard ask for an Aussie small press budget.

Twelfth Planet Press has run a couple of very successful crowdfunding campaigns for anthologies like this one, and each time that has helped to bring international awareness to the book which is hugely important. We may be working out of the Australian suburbs, but we want to get this book into the hands of readers all around the world.

This will actually be the first time Twelfth Planet Press has worked with Kickstarter rather than the locally-based Pozible, so that’s an exciting adventure. It will be interesting to see whether it makes a difference to international reach.

Are there any authors associated with the project yet?

Yes, there are! We’ll also be opening for general submissions after crowdfunding closes, from July-August 2017.

Our core team of Mother of Invention authors are Seanan McGuire, John Chu, Kameron Hurley, Nisi Shawl, Sandra McDonald, E.C. Myers, Justina Robson, Bogi Takács, Rosaleen Love, Cat Sparks and Joanne Anderton. We also have an essay coming from Ambelin Kwaymullina, which we are very excited about.

Do you have dream plots or ideas you’d like to see reflected in your slush pile?
Version 2

Tansy: I’m not gonna lie, I kind of want at least one super smart sexbot story and/or a gender-reversed Stepford Wives story. So many robot-as-person stories are about beauty and perfection and the unrealistic expectations on human/artificial female bodies, so I’d love something that turns that around to look at the potential sexuality/sensuality of artificial male bodies. I’d also love to see stories that look at how women socialise and connect to each other, and how intelligences that are created by women might reflect that. I’d definitely like a range of ages of the creators — a 96-year-old woman and a 15-year-old girl are going to create a different intelligent software, presumably. What would you get if they worked together?

I also really want stories that challenge our premise, challenge the gender binary, and allow for a wide, inclusive definition of what gender means anyway. Artificial intelligence is a theme that invites a complex exploration of gender (or an absence of gender) beyond just the creator themselves, so it would be fantastic to get stories that do this.

rivqa.jpgRivqa: While I’m sure we’ll be including some ‘AI turns evil’ stories, I’m personally more excited to see stories that explore our creators’ creations in more subtle ways. In particular, autonomy interests me as a writer and a parent. At what point do we let go of our children, whatever their nature? What does it mean to make an autonomous AI, whether purposefully or accidentally?

Like Tansy, I’m excited to see how our authors use the theme to explore gender identity and expression. Would a female, genderqueer or agender creator necessarily invent something different to a cis male creator? Or is that just playing into the kyriarchy’s hands in a different way? I can’t wait to see how our submissions subvert the tired old trope of the cis male inventor, because I have no doubt that they’ll do so in a multitude of ways.
At a simpler level, I’m just looking forward to reading stories from people who love robots as much as I do, because I think they’re awesome.

What’s the timeline for all of this?
It all starts in June 2017, just a few weeks from now! We’ll be crowdfunding for the whole month. We’ll then have our open submission period and be reading, selecting and editing for the rest of this year. We’ll be delivering crowdfunding rewards from early 2018, with the book itself delivering to supporters in June 2018.

We also have a stretch goal planned for a companion series of gender and artificial intelligence essays which would, if we reach the target, extend beyond the original timeline.

Tansy Rayner Roberts is a writer, Hugo Award-winning podcaster and pop culture critic based in Tasmania. Her award-winning fiction includes the Creature Court trilogy and the Love & Romanpunk short story collection. Tansy has edited various magazines and books, most recently the Cranky Ladies of History anthology which was crowdfunded in 2014. She also regularly assesses manuscripts for the Tasmanian Writer’s Centre.

Rivqa Rafael is a writer and editor based in Sydney. Her speculative fiction has been published in Hear Me Roar (Ticonderoga Publications), Defying Doomsday, and elsewhere. In 2016, she won the Ditmar Award for Best New Talent. As an editor, she specialises in medical and science writing, both short and long form; she has also edited memoir, fiction and popular magazines.

Galactic Suburbia 166

In which we debate the all important question, how much zombie vomit is too much zombie vomit? you can get us from iTunes or over at Galactic Suburbia. 

WHAT’S NEW ON THE INTERNET

Clarke Award Shortlist

The End of Tropes Vs Women

Sleeping With Monsters Book coming soon!

CULTURE CONSUMED

Alisa: Rogue One, Santa Clarita Diet

Tansy: Guardians of the Galaxy Vol 2, Beauty & the Beast, Legion Ep 1, “Making the Magic Lightning Strike Me,” John Chu in Uncanny Magazine

Alex: The Dark Forest, Cixin Liu; Gemina, Amie Kaufman and Jay Kristoff; The Glass Universe, Dava Sobel; other people’s culture consumed (Asher, Kathryn, Meredith)

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook, support us at Patreon – which now includes access to the ever so exclusive GS Slack – and don’t forget to leave a review on iTunes if you love us!

The Silent Invasion

UnknownI think this is the first James Bradley book I’ve read, which is… a thing. If this is an indication of his calibre, I shall rectify that.

This is a near-future Australia. The entire world has been affected by alien spores that Change animals, plants and people – not everyone, but many of those who come into contact. And the spores  seem to particularly like it hot and humid, so there’s been an exodus of people from the tropical parts of the world. Of course, this hasn’t been particularly well received by the temperate parts of the world. There are walls. And camps. And suspicion of foreigners.

All sounding a bit familiar, isn’t it.

The heart of the book is Callie, an adolescent whose father Changed some years ago and whose young sister is now exhibiting symptoms – because even in temperate Adelaide, you’re not safe from the spores. Rather than allow Gracie to be taken to Quarantine, Callie decides to run away with her to the Zone: the part of Australia that’s been sectioned off by a mighty Wall, to the north of which the Change runs riot. Cue adventure and desperation and bravery and hardship.

What is perhaps most intriguing about this book is the prologue. I mean, I really enjoyed the book, and Callie is a gutsy character, and I liked the depiction of Australia. But the prologue? It makes it clear that this desperate adventure across southern Australia is only the beginning of what will confront Callie across the trilogy. Because in the opening paragraph, she mentions “this alien beach,” and being “under a sky so full of stars that even the night shines”. There is something much weirder going on than just another version of the Triffids, or a slow invasion story. And while I enjoyed the look-after-the-sister story, I am really intrigued by what’s going to happen to Callie to lead her to this alien planet.

Bring on the next book.

Timekeepers

Unknown.jpegEven if you’re not that history books, but you are a keen observer of the world and how it works, this is a book I can highly recommend.

There were times (heh) when reading this that I wasn’t quite sure what book Simon Garfield was trying to write. Some of the things that he writes about didn’t immediately appear to connect to the idea of time. But when I considered the blurb, I decided that Garfield did indeed know exactly what he was doing. This is a book that considers the idea of time from a multitude of angles: “our attempts to measure it, control it, sell it, film it, perform it, immortalise it, re-invent it, and make it meaningful.”

I really, really enjoyed this book. Garfield writes in lovely, sometimes whimsical ways – not that his ideas are less than scientific when required, but that he has a lovely turn of phrase to make some difficult concepts approachable. And I really did enjoy the different ways that he approached time. I already knew about trains and train timetables essentially necessitating the development of time zones, but I didn’t have a problem with it being reiterated; I adore that he included discussion of the French Republican calendar and its attempt to decimalise, rationalise, time. Including questions of the metronome and how to play Beethoven’s Ninth and why a CD fits as much as it used to is just marvellous, and the question of just how many times someone can be shown, in film, hanging from a clock is one I had never considered. Also, the idea of a film that goes for 24 hours and is comprised of snippets from other films that together make 24 hours, each shown at the appropriate time of the day? Madness and genius have rarely been so close together. And that’s barely scratching the surface of the ideas that Garfield explores: how to make a watch, the four-minute mile, the modern drive for efficiency… yeh. This is a varied, delightfully jumbled, exploration of a topic that consumes a lot of modern Westerners.

Garfield is not suggesting he’s written the definitive book on time; far from it. There’s a wonderful Further Reading section that I’m afraid to look at because this is a rabbit hole I could very easily fall into. But it is a good introduction to pointing out that time is a lot more subjective, and invented, and dependent than we sometimes think.

Reading this is a good way to spend some time.

 

 

The Dark Forest

Unknown.jpegBook 2 of Cixin Liu’s trilogy that started with The Three-Body Problem.

You could probably read this without having read the first book – it’s been ages since I read Three-Body Problem and I didn’t remember a whole heap – but honestly, why would you? It’s such an amazing book that if you’re considering reading these at all (perhaps because the third one has just been nominated for a Hugo Award, which the first book won), seriously just go and read both of them.

So the world is going to be attacked by an alien space-navy… in four centuries. Meanwhile emissaries from those aliens are already here, because somewhat hand-wavy-science, and they’re both halting humanity’s exploration of science and potentially listening in to every single conversation we’re having. So what can be done to try and deal with the aliens, and not have them sabotage humanity’s plans? (The aliens have their human tools, of course, too.) You nominate four people to be Wallfacers: people who have authority to do anything as long as they justify it as “part of the plan”… and they don’t have to explain anything, because if they explain it then the aliens might find out.

Because nothing could go wrong with that plan.

And that’s only part of what this novel is about. There’s also love and loss and trauma and sheer human effrontery. It takes place in the near-isa future and then a few centuries after that. It mostly takes place in China with a few bits elsewhere. Lots of it is from the perspective of Luo Ji, who would really rather it wasn’t, thanks all the same.

Some of the things I really enjoyed and/or was intrigued by:

  1. The acknowledgement, and exploration, of the idea that when confronted with an alien enemy, one of the likely responses is defeatism. Even in the armed forces. This is actually quite refreshing, given how often Hollywood blockbusters like to present (usually American) soldier-heroes.
  2. The general lack of draaaamah. When things go bad, people react, but there’s not pages upon pages of people feeling sorry for themselves. Nonetheless, these are still generally real and believable, if restrained, characters who I enjoyed reading about and did feel that I got to know (somewhat, anyway). (And I’m not only referring to the Chinese characters when I say that; the USan and other characters also don’t go in for massive theatrics.)
  3. Shi Qiang. About the only main character to transition from Three-Body to this, and I love him. He’s so quirky and shrewd and insightful and human. (I can imagine Miller, from the Expanse, and Da Shi getting together and drinking way too much and sharing police stories for hours.)
  4. Zhang Beihai. What even was going on with that narrative arc? Fascinating and unexpected; every time he appeared on the page I didn’t even bother trying to figure out what was going to happen. Because I knew I would be wrong.

This is a great science fiction novel and I’m completely stoked for the third, although I can’t really fathom where it’s going to go. Do not read this unless you prepared for some pretty hard-core science discussion, and if you’d rather that your fiction has in-dpeth discussion of character motivation and lavish character reflection. Do read if you enjoy a brilliant SF story with breathtaking ideas.

Galactic Suburbia 165

In which we feed our feedback back to you, with a side order of cheesecake! You can get us from iTunes or at Galactic Suburbia.

WHAT’S NEW ON THE INTERNET

Aurealis Award winners announced.

Ditmar prelim ballot

FEEDBACK:

Flea’s YouTube channel

Books mentioned in feedback:
Good Night Stories for Rebel Girls
Roller Girl
The Better Homes and Garden New Cookbook
Joy of Cooking
Amanda Downum’s Necromancer Chronicles
The Three Body Problem by Cixin Liu

CULTURE CONSUMED

Alisa: S-Town; Sharp Edge, Marianne Delacourt
Alex: Babylon’s Ashes, James SA Corey; Harry Potter; Samovar
Tansy: Harry Potter + fanfic, Drop Dead Fred

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook, support us at Patreon and don’t forget to leave a review on iTunes if you love us!