Macbeth: McKellen and Dench

Via YouTube: The Royal Shakespeare Company in Trevor Nunn’s Production of. A 1979 filming of an RSC production. (First post in this series.)
The weird sisters:
- First appearance:
- Witches are together while simultaneously Duncan is – praying?
- Maiden/mother/crone, basically. Maiden is played “simple-minded”.
- The witches disappear – I wonder how it was done on stage?
- Second appearance:
- Putting ingredients together by candlelight before Macbeth arrives.
- They take off Macbeth’s shirt and make him drink a potion; then wave puppet-things above his head to tell him about Macduff and Birnham Wood, etc.
Macbeth:
- First appearance: slicked-back hair, blood on face, excellent greatcoat.
- Speaks directly to the camera, rather than vaguely musing.
- Haughty and dismissive of Lady Macbeth immediately after his coronation/ before speaking to the murderers.
- No Banquo at the feast – just Macbeth hallucinating. McKellen plays him very manic in this scene – frothing at the mouth, hair wild.
- Hair still a bit wild when he goes to the witches.
Lady Macbeth:
- First appearance: cap covering hair; simple diamond stud earrings; plain black dress with long sleeves.
- Macbeth is clearly in love (and in lust) with her.
- Already starting to be worried while the murder is happening – starts at the owl. Rallies when Macbeth comes out with the knives, although is distressed by Macbeth’s ranting.
- Loses emotional control at the end of the feast/Banquo’s ghost scene.
“Unsex me here”:
- Spoken directly to the camera.
- Speaks quietly. almost whispering, crouching down – then briefly up, crying out, as if something has happened to her.
- Finishes with arms out-stretched, and a light shines on her face – as Macbeth arrives. At which point they smooch.
“Is this a dagger”:
- No dagger seen by audience.
- Speaks very quietly, and with a lot of fear at the start. As the speech goes on, he is convincing himself to do the deed.
- Murder is not shown.
“Out, damned spot”:
- Brilliantly acted. Weeping; carrying and looking at a candle.
- Heartbreaking wail.
“Tomorrow and tomorrow and tomorrow”:
- Not really that affecting, sadly.
- Sitting down, half clothed in armour; speaks to the camera.
Violence:
- Murder of Banquo is the first violence shown, and even then it’s just the indication of knives being used; Banquo not shown until the end, with blood on his face.
- Killing of Macduff’s family also relatively demure.
- Brief fight scene between Macbeth and Macduff, but nothing dramatic.
Setting:
- On stage: basically no furniture at all bar a few chairs. Very few props, even – a few candles, daggers, the shared cup at the feast, some paper. The puppets.
- Entirely dark background: faces stand out starkly. It’s almost black and white.
- Costuming: modern; very plain. Duncan in a white robe; Malcolm in a turtleneck white sweater; basically all other men in suits, mostly black. No one changes clothes throughout the play.
- Lady Macduff also in complete white.
Dialogue:
- Spoken clearly – as you would expect from an RSC production.
Other things:
- Starts with all actors sitting around in a circle, watching one another.
- Lots of very tight shots of faces – almost never see people full-length. People stand very close together.
- Duncan is frail, and looks saintly.
- It’s very distracting seeing well-known famous when they’re a lot younger. One thane (and the Porter?!) is played by Emperor Palpatine; Malcolm is played by Lord John Marbury (West Wing); Macduff is played by Robert Muldoon (Jurassic Park).
- The Porter has a neck kerchief, braces, no shirt, and the front of his trousers open; also a tattered flat cap. Winks at the camera at his most outrageous puns.
