And another book sent by Charles! You can buy it from the publisher.
This anthology is both a mixed bag and a diverse collection – ah English, you are hilarious.
Some of the stories brought together here are absolutely brilliant. There are very few names that I recognised, and many that I hope will have their work picked up by and read further afield.
Of course, any anthology is going to struggle to please a reader with every story. So as expected, there were stories that really did not resonate with me here. Most of those were the horror stories – which is entirely to be expected, since that is not my vibe at all. In particular some of them leaned far too heavily on body horror for my tastes, so I simply skipped them. If that’s your vibe, then I’m glad for you that they’re included here. There were plenty of other stories here that did work for me: there are 35 stories included!
Some stories were clearly and obviously leaning into Filipino places, ideas, history, and language; I definitely didn’t get all of the references in those, but I got enough that I could appreciate the story. Others were, I guess, more “universal” – whatever that means, given the stories are presented largely in English. One of the fun things about an anthology like this is that the only connective tissue is the identity of the authors: there are no themes or ideas tying the stories together, so you have absolutely no idea what you’re going to read next.
Some favourites:
- Jose Elvin Bueno, “Cadena de Amor” – the narrator’s perspective here was intriguing, and the story tantalising
- Vida Cruz-Borja, “Call of the Rimefolk” – art, space, aliens, love, family. This story is magnificent.
- Exie Abola, “Shadow Sisters” – difficult to characterise, gut-wrenching if you’ve got siblings.
- Ian Rosales Casocot, “The Apologist” – I don’t like this story. It made me angry and feel powerless. It’s very well written and it reflects modern media too well for my liking – how rich people can get away with anything, and how PR works. More people should read it.
- Kate Osias, “The James Machine” – AI stories are still very Now. This is a simple story, in the sense that the narrative is straightforward and it doesn’t dive deep into philosophy; it’s also poignant and lovely, and the subtitles throughout are a masterstroke.
Highly recommended for getting a taste of what the Philippines is producing.

