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The Tragedy of Macbeth (2021)

Via Apple.

The cast is wonderful, the filming is fabulous, and I love it very much. This might be my favourite Macbeth.

The weird sisters: 

  • First appearance:
    • The first speech is just narration to a black screen… until suddenly it’s a cloudy sky, with three birds circling, and then it’s NOT the sky but sandy ground.
    • Brief interlude to Duncan hearing about the battle, and then back to the witches…
    • Except it’s not a trio: it’s one woman, a contortionist with an amazing voice and honestly she’s the most terrifying witch I’ve seen yet.
    • She seems to be on the battlefield, and she squawks like a crow – the symbolism is glorious.
    • And when she speaks to Macbeth, she’s in front of a pool of water – with two versions of her reflected. And her voice is echoed to sound like more than one person…
    • And then her two reflections leave the pool and come to stand next to her!
  • Second appearance:
    • Three figures in the ceiling, looking down at Macbeth – he hasn’t had to go looking for them.
    • There are multiple voices, but only one face.
    • “Double, double” is put here, as a way of calling the witch’s master. All ingredients thrown into a pool of water that’s in the castle.
    • The emphasis on “no more” was some ominous foreshadowing.

Macbeth: 

  • First appearance: walking out of the sun, into our view: that’s a symbol. In appropriately worn medieval-ish battle dress
  • Second appearance: There’s love for Lady Macbeth, but it’s more restrained than in some other versions. Possibly because they’re much older?
    • I think this is my favourite version of the “he’s here in double trust” speech. Washington isn’t a coward, he’s being rational and thinking it all through.
  • I like Washington’s thoughtfulness as Macbeth. I do think it’s about age; he would be much less convincing as an impetuous, ambitious man. Which is not to say that he is emotionless: his anger at the idea that Fleance might be the reason he has soiled his soul is real.
  • Macbeth seeing Banquo, post-death, is preceded by a crow flapping down the hall… and then when he is fighting Banquo, it turns out to be a crow. Like the crow the witches appeared to turn into at the start….
  • Unravelling terribly as the English army approaches.
  • He’s so tired by the time the English arrive. And resigned to fate. The way he hears that Macduff was untimely rip’d… again, I think it’s age.

Lady Macbeth: 

  • First appearance: Long pale dress walking down a long, bright corridor. Hair is a crown.
  • Her use of fainting is beautifully timed.
  • As queen: she is now in a dark dress, beautifully embroidered. Hair still up in a crown, with an actual crown added to it.
  • After the Banquo hallucination, she gives Macbeth a cup of wine and adds a drop of… something… and then the next thing we know, it’s “Tomorrow” and Macbeth wakes up and sees the witches. So… playing into Lady M as a witch herself…
    • And then when she comes in to him, her hair is in a rough plait and very messy.
  • We actually see her once more, briefly, just before the army arrives – and Ross sees her too, and approaches her… menacingly…
Continue reading →

Great Scott presents: Crimson Tide

Unknown.jpegCrimson Tide

Tony: 1995

Every fortnight (ish)* my beloved and I are watching a film by either Ridley or Tony Scott. We’re watching in chronological order. There are, of course, spoilers.

A: The captain of a US nuclear missile sub is as powerful as the president of the US or Russia? Really?

J: Ok – A proper movie tonight – Simpson / Scott.

A: the setting: a Chechen ‘rebellion’ and Russian government has been suspended… civil war in Russia, basically. OOH Cuban missile crisis analogy. And starting with a kids’ birthday party is NEVER a good sign, man. Never.

J: Dramatic opening, rain, political intrigue … heavily armoured base…

A: The CO (Cranky Gene Hackman) interviewing a new XO (Serious Denzel)… already possible cracks appearing (former raising an eyebrow at the year at Harvard…) – and then jokes from other officers about the captain going through XO. That’s what we call BODING. Continue reading →

Unstoppable

Unstoppable is close to being the perfect action flick, even though it doesn’t have Bruce Willis in it.

  • It’s “inspired” by true events, which gives it a slightly more gripping and horrifying feel than your generic action-adventure.
  • There are trains going to high speed.
  • There are helicopters getting close to trains going at high speed.
  • There’s a little bit of family drama: just enough to give the viewer an investment in the main characters, not enough that I started to fall asleep and/or expected Elijah Wood to turn up.
  • It has Denzel Washington to make up for the lack of Bruce Willis.
  • There are trains going at high speed.
  • There’s a mad dude with a pony tail who drives a red pick-up really, really fast.
  • There’s conflict between a (black, female) subordinate and a (fat, white, male) superior.
  • It’s a rooky/retiree buddy flick, but the conflict between them is neither overplayed to tragic Greek proportions nor downplayed to non-existence.
  • It’s less than 100 minutes in duration.
  • It knows when to end.

Seriously, I loved this film. It has highs, it has lows, it has comedic and blood-draining-from-the-face moments. Chris Pine is quite good, and Washington is… Washington. I could watch that man even if he was acting as a football coach. (Oh wait, I have. Numerous times.) It’s no Oscar contender, but for excitement and entertainment it’s a winner.