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Memories and Miles

Tehani and I continue our read of the Miles Vorkosigan series. This review contains lots and lots of spoilers! (Previous conversational reviews here.)

TEHANI:

Well, where to start? I think this is one of the most powerful of the Vorkosigan books, for so many reasons. Having said that, it’s probably one that suffers for being read in chronological order, because it follows Mirror Dance, which is just brilliant and so emotionally draining!

ALEX:

I finally feel, with Mirror Dance and Memory, that here are books that I could really imagine reading again. I mean, I loved Cordelia’s books a LOT, and can imagine re-reading the entire series over the years, but these two felt like a massive step up in… complexity, I guess? In narrative depth, maybe. I’m quite sure that I have missed some of the subtleties going on, which I will enjoy on a second read. I quite liked this after Mirror Dance, because while it’s emotional and fraught it’s quite different – and this is another demonstration of Bujold’s complexity as an author, which I keep being impressed by.

TEHANI:

Memory is very confronting in its own way, where Miles deals with the fallout of having died, and the long-term consequences of

this. It leads him to not only bring about his own downfall, but brings about a massive life change, leaving us, the reader, to come to terms with what could Miles possibly DO after having lived such a wild ride to date. No way could he sit at home just being Count’s heir!

ALEX:

Oh yes, I knew that no way was he going to end up being the lad-about-town with Ivan.

You know, when I said I thought Miles would take Illyan’s job, I didn’t want him to actually leave the job…

TEHANI:

I know! Illyan has been such a staple of Miles’ (and Aral and Cordelia’s) life, it’s hard to imagine how the Empire will run without him!

Fortunately, Bujold doesn’t leave Miles on the shelf, and so he embarks on a new vocation, one which gives him even MORE power and authority than he had before, more than even he could have imagined. It’s a very sweet scene when he steels himself to beg Gregor for a post-discharge promotion to captain, and is given an Imperial Auditorship! Not thinking big enough for once! 

ALEX:

I realised when he was granted those powers that of course, this was really the first book in which Auditor powers had been explained at all… but I never thought, from the conversation at the ballroom, that Miles would end up having those powers, even temporarily! I loved the scene with Miles putting ALL of his medals on, including the Cetagandan one – and that it made Miles Vorkosigan feel like he actually had some worth, apart from Miles Naismith. I think this has been the most intriguing part of Miles’ character arc so far: that he has genuinely divorced Naismith and Vorgkosigan in his head, that the latter is jealous of the former… exactly how that would impact on someone of barely thirty is a bit horrifying, actually.

TEHANI:

That’s such a good point – Cordelia mentioned in an earlier book that she worried for Miles’ sanity if he ever had to give up the little

Admiral. Here, we have to worry too, because it’s not something he copes with immediately (and I love that Ivan, poor Ivan, has to deal with this).

Memory gives us a chance to see more of some backstory characters – Miles comes home to Barrayar and this means we get to play with Ivan, Lady Alys, Gregor and of course, Illyan. I love how Bujold draws her people together, and how we learn more about them over time. Lady Alys starts out as a young wife way back in Barrayar, and look how far she’s come (and still further to go!) past the overbearing mother/aunt of Ivan and Miles’ early life.

ALEX:

I like that she keeps the supporting cast so consistent, with new people only brought in when necessary and quite appropriately. Also, I just knew where things were heading as soon as Illyan described Lady Alys as a reliable woman. Ha! Old people making out! Hilarious. Bujold likes pairing off her minor characters, which makes Ivan and Miles look very left out! I mean I know Miles Naismith is ‘with’ Elli, but it’s clearly not going to be a permanent relationship, which Miles certainly longs for and even Ivan may be sort of interested in…. Also, POOR GALENI. Having your ladylove stolen by the Emperor has gotta hurt. I was pleased that they made Gregor and Laisa’s relationship gooey but also sensible – and that both Galeni and Gregor came out well, which sometimes doesn’t happen when there are love triangles.

TEHANI:

It’s also fun to see Miles assemble his own household. It really is the first time Miles has had to be a grownup, running a house, dealing with cooks, cleaners and all the daily minutae of this. He is, as always, very clever at getting good people, recognising in others what they may not have seen in themselves, and I think this is lovely to see in a domestic setting.

ALEX:

Domestic Miles! I loved it! And the fight to keep Ma Koti was a really awesome little side-play.

TEHANI:

The plot in Memory is a twisty mystery, with the usual red herrings and wrong turns, which forms the backbone of this change of life story (not just for Miles, for Illyan as well, and to a lesser extent, the Dendaari and Elli Quinn). Bujold again demonstrates her mastery of writing in yet another form.

ALEX:

For me it was one of the classic “I bet it was him ooh no he’s let off the hook ooh maybe it WAS him!” mysteries, and cleverly done too. I was VERY sad about what happened to Illyan.

TEHANI:

I love this book, which lays Miles bare, to possibly his lowest point, and forces him to reinvent himself. A definite favourite!

ALEX:

yup, it’s ranking up there for me too.

Mirror Dance: Bujold gets very crunchy

Tehani and I are getting towards the pointier end of the Miles Vorkosigan series – me for the first time, Tehani along for the ride. We’re having great fun discussing them as we go along. Many, many spoilers. (We have discussed Cordelia’s Honor, the Young Miles OmnibusCetagandaEthan of Athos, “Labyrinth”,  “Borders of Infinity” and Brothers in Arms previously.)

TEHANI:

Mirror Dance brings back Mark in full bloom, building on the seriously conflicted character we met in Brothers in Arms and making him the catalyst for a whole new era of Vorkosigan adventures. While Miles is away from the fleet (enjoying some Elli-time!), Mark swings in and masquerades as Admiral Naismith, commandeering a vessel to undertake his own vendetta. With predictably horrible consequences. Which lead to further terrible events, that force Mark to both confront his fears and also step up and become the man he needs to be.

ALEX:

ohhhh, NOW I understand your comments about Aral and his love for Cordelia! Cordelia’s own dissection of Aral’s predilections – that he prefers soldiers, and that she was attractive because of that… and, although she doesn’t make the connection obvious when she’s speaking to Mark, she therefore solves the problem of children and inheritance. This is a very cold analysis! That Cordelia is fine with it – comfortable, even indifferent – is I guess because of her Betan heritage, which is indifferent towards non-hetero forms of sexuality. I guess, too, that since she fell in love with him at the same time and it wasn’t like she had to convince him to accept her, what does it matter who else he’s attracted to or exactly what makes her attractive? It works, and that’s all that matters.

I had been longing for more Cordelia, so this was an awfully nice interlude on Barrayar, even if it was fraught and difficult!

TEHANI:

Cordelia is fascinating in this book. She’s so pragmatic and stoic about everything that happens, which is totally in character, but makes you wonder how much is going on beneath the surface. I mean, her son is dead and MISSING, her husband has a heart attack and almost dies, she has this new son who is, let’s be honest, somewhat hard to get used to, compared to Miles, and yet, she just copes! And it’s all completely believable. She’s totally my hero.

ALEX:

Yes, Cordelia is much the most self-controlled of the family, and the most accepting too. I love the comments throughout from various people about how they’d have to account to her for what they’d done to or for her son… and they mean Mark, even before he’s met her.

Anyway… I finished this book a week ago and it has taken me this long to write down my thoughts because, well, it was a really hard book to read in many ways. What Bujold does to Mark! Oh my.

I really liked the structure of this book, and was especially appreciative when we found out about the Barrayar dance called the mirror dance. Miles and Mark do indeed mirror each other for much of the book – I will have to re-read at some stage to really see some of the deeper resonances which I am sure are there. Flipping between two characters is obviously not new (hey, I’m a Lord of the Rings fan from way back), but Bujold uses it brilliantly. And again, it’s a different sort of narrative structure from previous books – she really didn’t want to get bogged down.

TEHANI:

The mirror dance is a nice touch and shows how clever Bujold is. I love too the trouble Mark has with interacting with women – if you remember, Miles was very similar in the early books! It wasn’t until Elli that he really began to feel comfortable in his own self with the opposite sex! Hmm. And even then, I suppose he was Admiral Naismith and not himself! So Miles Vorkosigan with women is still a problem (and one I’m enjoying now, in A Civil Campaign – no spoilers!) 🙂 

ALEX:

The Miles story is the easiest one, I think, even though he is actually dead for a large chunk – and wasn’t that a shock to the system!

TEHANI:

Shock? What! It was HORRIBLE! It was like Bujold went, oh, well, I’ve got this OTHER character now – we don’t need THIS Vorkosigan any more… ARGH! And then to LOSE him! Elli’s reaction in this was the most heartwrenching – even though she doesn’t want to marry Miles Vorkosigan, she totally loves Miles, and her decisions and actions here are very telling.

ALEX:

Yup, absolutely. I continue to love Elli!

The early part of his story is interesting and all, but it’s the coming out of amnesia that is seriously intriguing, and shows that Bujold knows exactly what she is doing with him. His automatic expectation that people will listen to him – even when he doesn’t know who he is! – and other visceral responses are I think an indication of just how innate all of that is to Miles as Miles. The fact that Mark does not have those responses gives an indication, at least for me, of just how much Miles is a product of his environment.

TEHANI:

Too true! Mark was pretty much a slave who Miles freed, whereas Miles fought for everything he had and forced it to happen through strength of will. Chromosomally identical, it’s fascinating to see their differences here!

The relationship with the doctor is interesting – Bujold doesn’t let little things like ongoing relationships get in the way of the story, does she!

ALEX:

No indeed. Once Miles has a bit of self-confidence – at least as the Admiral – sex sex sex… 😀

And then there’s Mark. When he managed to con Bel (if only briefly) and go off to rescue some clones, I was wondering just how Bujold turned this story into a novel the length it was – I wondered whether it would be like The Vor Game, with what seemed like two different halves of a narrative. But no, things went badly… Miles comes to the rescue and is killed because he won’t abandon his brother, and then eventually Mark is kidnapped in his own attempt to rescue his brother. Ah, mirrors. Before the kidnapping of course we have Mark on Barrayar, and isn’t that revealing and compelling all on its own! I loved the bits with Cordelia and Aral coming to terms with Mark and their different reactions – Aral being more like his own father than he is probably comfortable with – and Mark finally seeing what it might be like to be part of a family. I cannot BELIEVE that on top of Miles dying Bujold then damn near killed Aral, too! And then to have Mark tortured! … well. The torture was of course a really horrible part of the narrative. Bujold handles it skilfully and sympathetically with regard to Mark, I thought – that is, I didn’t find it gratuitous in description, and the idea of Mark splitting his personalities (just like Miles has done under slightly less fraught circumstances…) promises some very interesting future ramifications.

TEHANI:

Bujold is mean to her people. MEAN. And this book has so many bad things happening to good people, which is different from the past books I think – bad things happen, of course, but not in such numbers to our favourite characters!

It’s very easy to forget that Mark has had a lot of training in a lot of things – he’s not ever going to be Miles, but he was TRAINED to be Miles, and that included a simulcrum of the military training Miles undertook. I liked the scene where Mark almost kills some Barrayans inadvertently, because it reminds us not to underestimate him just because a) everything he’s done so far has been a debacle, and b) he’s not Miles.

ALEX:

It was a very good point, that one – that he may not be Our Miles but he still has a lot of things going for him.

I was so pleased with the way the book finished, too. Miles and Mark on near-equal footing, Mark happy with being – having consciously chose to be! – heavier than Miles… yeh, I can really see this series going some interesting places.

TEHANI:

And now you’re on to Memory. If you thought THIS book was hard to process, just wait!

ALEX:

oh great!

The Bujold discovery continues: Ethan, and a touch of Miles

Tehani and I continue our conversational review of the Vorkosigan series here with Ethan of Athos and the novella “Labyrinth” from the omnibus Miles, Mystery and Mayhem. This is my first time reading Bujold, Tehani’s nth. (We have discussed Cordelia’s Honor, the Young Miles Omnibus, and the novel Cetaganda previously.) Spoilers aplenty!

ALEX:

This novel started enjoyably enough, if weirdly, what with the discussion of uterine replicators – it is an unusual enough thing to encounter in SF that imagining a roomful of the things with an attending physician is weirder for me than reading about FTL! Anyway, things then got even weirder, and for me way harder to read, when it’s revealed that these replicators are being used because Athos is a world populated entirely by men.

TEHANI:

It’s really clever, the way it starts out. We know about uterine replicators because of Cordelia’s story (and Elena’s too, in fact), and so we naturally assume these are simply gestating children for some parents of the “usual” type. It’s quite a shock when we find out differently! It was a good introduction to the world though, setting us up to be fond of the main character.

ALEX:

The opening few chapters, those set on Athos, were quite a trial for me to read. The misogyny was so believably portrayed that, were this my first encounter with Bujold and/or I thought it was written by a man, I would probably have given up in disgust and never touched the series again. I swallowed my bile and continued because I figured a) Bujold deserved some trust after the characters of Cordelia and Elena, and b) neither Tehani and Tansy would have put up with that sort of crap. Turns out, thankfully, that this was a fair decision. Of course.

TEHANI:

Of course! Would we steer you wrong? I think (our friend) Alisa might have stumbled into that problem though – have a feeling it may be the books she tried to start with, which really isn’t a good idea. Readers, be warned! Ethan of Athos is NOT the place to start reading this series!

ALEX:

Whoa, I cannot imagine starting with this book.

TEHANI:

Having said that, I didn’t have the same reaction as you. For some reason, I wasn’t offended that this was a lifestyle choice made by a group of men a couple of centuries earlier. I guess I read it as that while yes, some of the men making up the colony originally might have been women haters, others would have joined for different reasons. And many years later, there is that whole whisper game that’s gone on about what women are like, causing both inaccuracies and naivity in the current generation. Ethan’s own reaction probably demonstrates that best, when he reads the scientific journal and can’t tell which articles are by men and by women! (Hilarious, by the way, in light of recent discussions on just that!). I was more cross that the children growing up on Athos weren’t educated about the outside world, and women, in any sort of way other than to dismiss or demonise them. Hmm, maybe that’s what you mean!

ALEX:

I think I find the very idea of men wanting to escape from women in this permanent way – since that’s what the planet is all about – irrational and offensive, when they also want to ensure continuity of their genes. They’re not giving their sons the chance to make the choice for themselves. There are some lines that really struck me – the “revolted silence” that greets the idea of growing female fetuses to harvest their ovaries, for example. It is a revolting idea, but the men are revolted by the idea of women being present in any real way on their planet. The way that some of the characters spoke of genetic choice I also found uncomfortable.

Anyway, the ovaries that Athos has been using for 200 years to develop their foetuses from are coming to the end of their productive lives. Ethan is an… obstetrician, I guess… who discovers that the replacements they’ve purchased are not what they thought. In turn, he gets sent on a mission off-world, to get some more. This of course means that he has to deal with that sin-inducing entity, Woman. His first encounter on the station where he disembarks is with just such a personage… who turns out to be Elli Quinn! Tehani, she is back in my life, just as you promised! Ethan ends up getting involved in a Cetagandan mess concerning genetic experiments with telepathy. He learns that women are not (necessarily) the enemy – although he does end up going home, to Athos, and mostly happily.

TEHANI:

Yep, it’s an overdose of Elli! She’s so awesome, and I think this book is fantastic because it really sets her up as an intelligent and resourceful person all on her own, not just as a sidekick to Miles. Well played Bujold!

ALEX:

Yeh, I am definitely an Elli fan.

Athos as a planet is a really interesting place. I’m very interested to hear, Tehani, what you think of it coming from a mother’s perspective. Like I said I found the misogyny hard to deal with. As a society, though, I was fascinated. The idea of earning social credits so that you can become a Designated Alternate – and the idea that being a parent is actually, hugely, valued in society. Ethan’s shock and horror that parenthood should be treated as unpaid labour was quite welcome coming from a male character! The idea also that celibacy is an accepted part of society was nice to see, as was the genuine love for children and Ethan’s desire to have a large, connected family.

TEHANI:

I think the actual societal model is brilliant! There are some people who really shouldn’t have kids, and parenthood is definitely undervalued in our society – to have both issues dealt with (in what I think is actually a very smart and sensible model) was a delight. Somebody make that world with women and I’ll be there! 🙂

ALEX:

Cetaganda does not come off well in this story at all. Their genetic experiments are shown as just that, experiments, and the idea that they might just possibly be serving an admittedly somewhat dubious greater purpose – as demonstrated in Cetaganda – is barely alluded to. This is one of the disparities between the two stories.

TEHANI:

See, this is where it fell apart a bit for me. Terrence and his background simply don’t fit the Cetagandan societal mould set up in Cetaganda! Here’s a quote (from p 319 in the paperback omnibus) to demonstrate:

“Is Cetaganda – controlled by women or something?”

A laugh escaped her [Elli]. “Hardly. I’d call it a typical male-dominated totalitarian state, only slightly mitigated by their rather artistic cultural peculiarities…”

It goes on to talk about genetics projects headed by men, sponsored by the Cetagandan military. In Cetaganda though, genetics is the sole province of women, right? And telepathy is NEVER hinted at!

Later (p 373), this conversation takes place:

There was no talk at all of ever admitting him to the ghem-comrades, the tightly-knit society of men who controlled the officer corps and the military junta that in turn controlled the planet of Cetaganda, its conquests, and its client outposts.

It all just feels WRONG given what we know from Miles’ adventures on Cetaganda – which surely Elli knows too!

Ethan of Athos was published about ten years before Cetaganda though, and therein lies the problem. Bujold obviously changed her mind about how she wanted Cetaganda to work between the two books, but reading them in close proximity makes the continuity issues very apparent. I like the Cetaganda version better (as I mentioned in the last review) and I think comparing the two, it’s pretty easy to see why Bujold changed track there. Terrence’s Cetaganda, what we see of it, seems just another male-dominated society, whereas the exploration of the society we see in the novel Cetaganda gives us a very different norm.

Bujold’s afterword in the Miles, Mystery and Mayhem omnibus which contains these stories is interesting for her discussion on the way she let the Cetagandans evolve in their own book, rather than just being the “rather all-purpose bad guys” they started out in the earliest stories. She also talks there about extra-uterine replication and genetic engineering, themes in all three books to one extent or another, making it a great wrap up to the sequence!

To be fair, I think the Cetagandan glitch one of the very few continuity problems with the Vorkosigan saga as a whole, so maybe I’ll simmer down and just let it slide now 🙂

ALEX:

It is indeed an interesting look at lack of continuity. I’d be interested to know what sort of notes Bujold kept!

Miles does not feature in this story personally. He does get several mentions, though, as Quinn reflects on her ?love/admiration? for him, and the role that she is playing within the Dendarii Mercenaries as an information agent. It’s a curious part of the Miles universe in that sense, and I can’t help but wonder whether Bujold considered a series featuring Quinn in her own right…. 

TEHANI:

OOOH!! What a GREAT IDEA!! Let’s write to her and ask her for that 🙂

I liked the ending of this book – I think Ethan shows tremendous but believable growth throughout the story, and his admiration of Elli is expressed in the most important way he can. Perhaps taking Terrence back with him and the little hopeful romance projected are a bit trite, but overall, it works pretty well.

ALEX:

I was shocked at first by Ethan’s request/suggestion that he take one of Elli’s ovaries, but came around to your point very quickly – that it’s an expression of immense respect, actually. Terrence is the character we haven’t spoken of much yet – he’s quite the enigma, since Elli and Ethan have slightly different takes on him and the Cetagandan has a very different view. I actually wondered, towards the end, whether the Cetagandan was telling the truth and that Terrence would actually end up betraying Ethan, so I was pleased to discover that he was on the up and up. And I didn’t think the romance was that trite, in the end.

 

The Omnibus is complemented by the novella “Labyrinth” which rounds out quite nicely, I think, a discussion of genetic engineering in the Vorkosigan universe. Miles gets employed to pick up a disaffected geneticist from Jackson’s Whole. Things (of course) go somewhat awry, and Miles ends up having to retrieve a genetic package… which is secreted in the leg of a genetic experiment… which is locked in a dungeon at the bottom of a very nasty man’s research facility. The genetic experiment turns out to be a fanged, clawed and 8-foot-tall 16 year old girl.

TEHANI:

And isn’t it fun how Miles’ adventures ALWAYS go awry? One of my favourite things about the books.

ALEX:

SO MANY DISASTERS. 

I enjoyed this story, and it was nice to get back to Miles relying on his wits to get things done – and, this time, actually finding that his lack of height is af advantage, when having to crawl through ducts. I will admit to being a bit uncomfortable about Miles’ sexual encounter with Taura – no matter that she’s huge, she’s still young! And I’m not comfortable with the idea that sex can be used quite so (ahem) mercenarily – not and have both parties apparently enjoy it. Yes yes, perhaps I am confused in my attitude towards this bit; I’ll be the first to admit it!

TEHANI:

Yep, I struggled with that too. So many reasons this is not cool. From one angle, if you squint, it could be said that Bujold is using Miles like women are often used in books – as a sacrifice on the altar of sex in order to get to a higher goal. But yeah, Taura is so young, and naive, and unsophisticated, that it’s just icky. It also makes me wonder why, exactly, the character had to be this age? Miles is 23 in this story, and it’s something that bothers me a lot – if there’s no real reason the character couldn’t be a year or two (or three) older, why not make them that? I mean, Taura has a shortened life span, so making her 16 means Bujold can get more years out of her I guess, but really? It’s her own world building she’s dealing with! And while we aren’t going to read Falling Free in the reread (it’s not a Vorkosigan book, it doesn’t count I tell ya!), Bujold does the same thing with a character there too, which also squicked me (and is one of two main reasons I don’t really like the book – the other being, it’s not MILES!). So yeah, not cool, especially when it’s avoidable. If Bujold gets so much right, should we fuss when we have a problem with one thing?

ALEX:

I guess it’s disappointing to find these sorts of issues in books that we otherwise enjoy – I don’t like finding flaws in those I admire!

Anyhow, I also enjoyed this story for its greater exploration of Bel Thorne, the Betan hermaphrodite, and other Dendarii. I can see the crew developing in further stories, and I look forward to it greatly.

TEHANI:

Ah, Bel. I’m a fan of Bel – it is such a complex character, and Bujold draws it so well. Its emotional and physical journey is a highlight. Overall, I liked Labyrinth, and, no spoilers, but this story actually sows a lot of seeds that will grow hugely over the coming books!

ALEX:

Of course it does. Look forward to their growth and harvest!

Cetaganda: a conversational review

Tehani and I continue our very enjoyable review series of the Miles Vorkosigan saga with the first story from the third Miles omnibus – the novel Cetaganda. (We have discussed Cordelia’s Honor and the Young Miles Omnibus previously.)

ALEX:

I really enjoyed this story! Miles – and Ivan – are sent on what ought to be a relatively boring diplomatic mission to bear witness to the Cetagandan Empress’ funeral, and of course things go haywire from the first moment. Mischief certainly seems to dog Miles’ footsteps. There’s an attempt to frame him as part of a conspiracy against Cetaganda (Barrayar’s longstanding rival) and several attempts to wound and/or assassinate him – as a result of which Miles ends up investigating a potentially enormous Cetagandan conspiracy, involving the genetic inheritance of that race. Miles falls in love (well, in lust), goes to parties, gets hurt, and meets the Emperor… pretty much a standard fortnight, as far as I can tell, for him. There were a goodly number of twists and mysteries and surprises to keep me guessing and intrigued – it was much more a detective story than a space opera. It just happens to be set on an alien planet with a whole lot of genetic engineering going on (those kitteh plants are just weird). I allowed myself to be carried away by the story and didn’t spend too much time trying to outthink Miles (or Bujold), so the ultimate revelation – that it was a haut woman married to a ghem man, conspiring with a planetary governor – was a surprise, albeit one that made perfect sense.

TEHANI:

I was certain I remembered this as one of my least favourite Miles books, but on rereading, I found it really enjoyable. I think I know the source of my mistaken assumption though – it is very much, as you say, a detective story, with barely any space opera-ish events! Nothing wrong with that, but when read in the wrong order (ie: after a bunch of action-packed Miles adventures), it was a little tamer by comparison…

ALEX:

I can understand that coming at it from a more adventurous story would be weird. For me, it worked – The Vor Game isn’t exactly packed with space battles.

On the gender politics: I though the revelation and discussion of the intricate power balances within Cetagandan society were really interesting from a gender point of view. Miles’ surprise at the power that the haut women had, and the way in which it manifested, was perfectly appropriate: he wasn’t surprised they had it, but the way they had it, I think. The very idea that they have power over the development of the ghem and haut genetic development is a neat twist on the idea of maternal responsibility for children, I think. I’m not sure what to make of the ending, in light of this – the Emperor ‘marrying’ the Handmaiden, attempting to gain control over it? Will Rian give up control, or is the power structure too embedded?

TEHANI:

That’s a good point and I hadn’t really picked it up! I think that Miles, for all that he has grown up in a male dominated society, is pretty damn accepting of women in powerful roles (mainly thanks to his mother, no doubt). So you’re right, that was expressed well here, and it was mostly Miles trying to adjust his own notions of what an imperial society looks like, and who has the power.

To me, it seemed that Rian cemented her power base by “marrying” the Emperor, and I really couldn’t see how it would benefit him more than her. However, it was a smart move by the Emperor, at the same time!

ALEX:

hmm, perhaps you are right about Rian. Perhaps it’s both being pragmatic about how best to deal with a dangerous situation, and do what is best for the haut, which seems to be the overriding concern for both anyway.

On Cetagandan society: there have been references to the ghem and haut in other novels, if briefly, so it was good to get some greater understanding about what the heck is going on in this society. I still can’t say that I entirely understand it! It’s a fascinating way of thinking about genetic engineering as a way for society to express itself, and as a way of bettering itself too. Miles has some interesting insights into their collective attitude towards expansion which I still need to think about; there’s certainly an assumption – on Miles’ part as well as the Cetagandans – that expansion must happen, but quite why this is so imperative is opaque to me. One of the unfortunate things about the name choices is Bujold’s habit of saying “the haut Rian,” because I couldn’t help but read that as “the hawwwt Rian”…

TEHANI:

It is a really interesting way to consider genetic engineering. Expansion I think is a theme right from the beginning of the saga though – after all, Cetaganda invaded Barrayar when it was rediscovered; Cordelia and Aral met on opposites sides of a planetary claiming of Sergyar. It’s almost like the Wild West – who can claim the most planets, even when (like Komarr and the Betan colony), they are barely livable! But expansion is the reason Earth went a-colonising in the first place I guess, and despite all other advancements, humans are STILL overpopulating their habitats.

We need to talk more about the portrayal of the Cetagandan society when we look at Ethan of Athos – this book was written nine years AFTER Ethan, even though it precedes it in the internal chronology, and I think it’s one of the few places where Bujold mucks up her consistency with all the popping around. I like what she does with Cetaganda here better, for the record.

ALEX:

Ethan of Athos, up next!

On the characters: I so knew Maz was going to end up with the ambassador. Saw it a mile off. I enjoyed Lord Yenaro immensely – the idea of scent-work being a worthy art to pursue is delightful. Rian was… I was going to say impenetrable, but that gives all sorts of nasty implications. She was appropriately hard to fathom, I guess. I liked that she was mysterious and that it made sense for her character. Having Miles fall in love/lust with her makes sense, because of her great beauty and her untouchability. Miles continues to develop here, although it was hard to remember how young he was supposed to be – so much has happened to him! And Ivan isn’t nearly so annoying as he threatened to be in earlier books.

TEHANI:

I loved Maz! And I loved that the Ambassador loved Maz. I think it’s a very clever thing Bujold does with her minor characters – it’s very subtle and I wonder if you’ll notice it. Frequently there’s some little side story or a throwaway characterisation that shows about how some Barrayaran person or other has taken a step outside the old-fashioned, quite restrictive societal norms of the planet. Look out for these! They are showing the progression and modernisation of the planet from a sideways view!

I also loved Ivan in this. You need to watch Ivan closely too, as the series progresses. I want to talk more about him, but I won’t, til you’ve read some more books 🙂

ALEX:

ooooh you are giving me such teasers! I did wonder whether she was going to keep Ivan in a cute-Obelisk kinda role, or whether he would develop greater diplomatic insights as time went on. On Maz etc, t’s so nice to see secondary characters actually having a life outside of their interactions with the principal cast.

Questions: will Miles indeed have more to do with the Emperor Giaja? Will Miles ever be allowed to leave the planet again? What are Elena Bothari and the Dendarii Mercs up to??

TEHANI:

You know, I can’t remember if Miles runs across the Emperor (or Rian) again! Could they really STOP Miles from going space-side? 🙂 As for the Dendarii, just wait… 🙂

ALEX:

ARGH. Mooooore Miles to come!

Miles grows up: my Bujold discovery continues.

Tehani and Alex forge on to the end of the second Vorkosigan omnibus, watching Miles grow up and cause havoc. Alex falls further in love with the universe and Tehani watches gleefully. Spoilers! (We’ve reviewed Cordelia’s Honor here, and The Warrior’s Apprentice here.)


Tehani:

“The Mountains of Mourning” was an early foray into the Vorkosigan world for me. It was available for free from the Baen e-Library and I downloaded it, among a bunch of other stuff. It’s a novella, not a novel, and it is somewhat different to most of the other Miles books. It’s a rather introverted story, in which Miles is given an opportunity to consider the Vor aspect of himself and what it means, at the same time as confronting some ingrained social issues in his society that relate directly to him. “Mountains” gives us a rather more thoughtful Miles than we saw in The Warrior’s Apprentice, and fills out a bit more of his personality, and, again, grounds his honour more solidly. It’s a sad story, but one that ultimately fits in very well with the overall world-building.

I really enjoyed “Mountains,” and thought it worked nicely in the omnibus. It provides a clear bridge between Warrior’s and Vor Game, and allows some great insight into Barrayar home life. I was interested to see the degree to which Bujold makes the mutant-horror real in the life of the Barrayar hicks. I had neither expected that we would meet such back-country types (it’s certainly not typical in space opera), nor that the revulsion would be so real. I enjoyed the characterisation of Harra, the mother of a murdered ‘mutant’, and hadn’t actually expected the culprit to be her own mother; it was nice not to see the husband being responsible. And, of course, it grounds Miles more solidly, as you say, Tehani.
 
Tehani:
The Vor Game switches speeds again, and does it twice! This feels like two books squished together, because the first and second halves are quite different stories. In her afterword (in the omnibus edition Young Miles) Bujold says people often think that the second half of the book, the more military space opera bit, must have been tacked on to pad out the first half (which was published alone in Analog (??)). It’s not so, she says, as the novel was always written as published. It’s a fair thought though – the initial story is of Miles, newly graduated from the Imperial Academy, given a backwater Barrayar-bound posting to prove that he can submit to authority rather than subvert it. If you really look at it, nothing much happens, plot-wise. Yes, Miles is almost killed (accidentally), he finds a body (accidentally) and he stops a mass torture scenario (on purpose), but all that is quite incidental. It is all designed to set up the second half of the book, which sees Miles return to space, legitimately, under the instruction of ImpSec, and take back his Dendarii mercenary fleet (not quite as legitimately). It’s full of the action and adventure that I associate with the Vorkosigan Saga, but which I’m realising, through this reread, is not always the biggest part of any of the books! 
 
BAHAHAHA Miles kidnaps the Emperor!!
 
Ahem. That Gregor turned up in this story, having got himself captured by unwitting contractors, and then Miles turns up accidentally… yeh, that was hilarious.
 
Anyway, yes, there is certainly a change in speed in this book, and I can understand why it might feel like two stories. However, with the continuation of the Metzov character – which I honestly had not expected, and led to groan aloud in horror when he appeared as Cavilo’s right-hand man – it doesn’t feel like it’s unconnected. If anything, it probably reflects the reality of life for an ensign who gets sent willy-nilly on assignments!
 
Kyril Station is horrendous, and that whole section of the book was just one horror on another. I was initially disappointed by the reality of the drowned body, but I guess it was better than having genuine mystery chase Miles around – that might have strained credibility a little too far. It’s a nicely realised base in all, and with Miles parading around on drain duty Bujold gets to describe the realities of the place in more detail than she might otherwise. I do wonder whether this base will turn up again…
 
Tehani:
One of the most appealing parts of The Vor Game is the unfolding aspects of Miles. He’s such a complex character that watching him evolve, grow and really let loose is a great delight. It’s easy to forget, having read all the books and become used to it, that his manic manipulating is something he almost fell into, rather than a strategic gift he always had. I also really enjoyed seeing the relationship between Miles and Gregor – the genuine friendship, tempered by remembrance of the past and concern for the future, is superbly written, and is a counterpoint to the relationships we see of the older men in the books, such as Aral and Illyan
 
Manic manipulation is EXACTLY the right description. Mad Miles is about right too. It really, really is like watching someone who in reality is stumbling, but making it look like they’re running. From one obstacle to another… and ending up paid three times for his efforts. There was a bit less emphasis on his disability in this book, which was interesting, although there was one mention of his neck bones being coated in plastic which startled me! Miles’ reaction to Elena was more muted than I had half expected, and yes his relationship with Gregor is great. It also highlights the differences between Miles Vorkosigan and Miles Naismith, on which there is a fair amount of emphasis in this book. I can see this being a major source of difficulty, and skilful character building, in the later books – especially if the Dendarii do end up doing a lot of covert work for Barrayar, and Miles has to interact with ImpSec both as himself (Lieutenant) and as Admiral!
 
Tehani:
The character of Cavilo is problematic. In some ways, she’s Miles’ own mirror – highly intelligent, cunning, strategically brilliant. She would have to be, to end up in the position she is in (again, somewhat of a mirror to Miles). But she lacks Miles’s sense of integrity, and of course this means she is also self-centred, deceitful and disloyal. I would have liked to see more of Elena, or something at all of Elli Quinn, in this book, to redeem the balance of this dishonorable female character, particularly as we don’t really have any insight into the reasons WHY Cavilo is like she is. At least in The Warrior’s Apprentice, we can’t hate the elder Elena for her murder of Bothari – we understand it, even if we know murder is wrong. Cavilo gives us no such reason not to despise her just for being a manipulative, self-centred bitch. I kind of would have liked one.
 
Oh yes. Very problematic. Actually, she wouldn’t have been so problematic if she hadn’t appeared to try and seduce Miles the first time she meets him. Then, it would have been less like Scheming Seducing Manipulative Woman, and more like Scheming Manipulative Mercenary. In other words, even more like Miles’ alter-ego. The thoughts she leaves Miles with – that he might end up like her – are intriguing, and haunting indeed. Like you, I was disappointed there wasn’t very much Elena here, although I did like the development of her personality – particularly the marked lack of deference towards Miles. 
 
Tehani:
Yeah *sigh*. I wonder if Bujold would have written Cavilo the same way if she wrote that story today?
Questions: WHO IS ELLI?? Did you just let slip something there, Tehani?? Also: will Kyril Base feature again? What on earth is Miles going to do with the Dendarii? Will Cavilo return? And will Miles make Simon Illyan go white-haired by the end of the series?  (Let me guess, he dies in the next book…)
 
Tehani:
No! Hmm, maybe? Elli is Elli Quinn (mostly referred to just as Quinn) who was the mercenary whose face was obliterated in The Warrior’s Apprentice. Miles took her to his Betan grandmother and paid for her facial reconstruction. Um, and yes, she only had a bit part really in that book, but has a much bigger role as the series goes on. So it really makes no sense that she’s not actually in this one. Has always bugged me. Sorry if I spoiled you for her! You’ll like her, I promise 🙂 As for the rest, you’ll just have to wait and see!
Oh, THAT Elli. Yes ok, I remember now. I hadn’t expected her to play a role later so I forgot her name  🙂

Bujold: the saga continues. Or begins.

Tehani and Alex continue their conversational review of Lois McMaster Bujold’s  Vorkosigan saga – Alex for the very first time. Spoilers ahead. (We have previously discussed the omnibus of Cordelia’s Honor here.)

Young Miles omnibus: Warrior’s Apprentice.

Tehani:

Warrior’s Apprentice was actually one of the last Vorkosigan books I read, despite it being the very first Miles book in the internal and publication date chronology. I probably couldn’t tell you which book I actually started with, but I know Young Miles (which contains this novel) was the last omnibus I worked through on my first time read. It was quite strange at the time, reading it with all the knowledge of what was to come but absolutely fascinating to see where the split personality that is Miles – Lord Vorkosigan of Barrayar, and Miles – Admiral Naismith of the Dendarii mercenary fleet, really began. It absolutely encapsulates everything we come to know of this mad little man – the fly-by-the-seat-of-his-pants ingenuity, his hyperactive intelligence, his sarcastic dry wit, his absolute faith in the abilities of those around him to do everything he thinks they can and more. We as the reader can’t help but fall in love with him as he careens from crisis to crisis, almost falling flat on his face more times that we can count but with that incredible brain working ten steps ahead of anyone else.

Well, that answers my question about the significance of the mercenaries! I figured they would continue to crop up; it seemed like too much perfect setting-up to simply have them only play a bit part in the continuing saga. Your assessment of Miles is spot on, and I think his faith in others is one of the more interesting aspects of his capabilities as a leader. It’s a much more realistic view, for a start. I guess you could argue that it allows Miles to get away with stuff that he really shouldn’t, and perhaps he could be seen as grasping too high/too fast; but really the ability to inspire others, and knowing when and how to use others (in good ways) is key to any leader actually succeeding. I was amazed by the careening – it was like watching someone who is just on the brink of falling flat on their face but instead manages to turn into semi-competent running. Also, the speed with which he went from washed-out wannabe officer to recruiting his first fellow-washouts was hilarious. Watching the development of the Dendarii force was mesmerising… like watching an avalanche and not knowing whether this is a good thing or a bad. It’s so unlikely, and yet… it works.

Tehani:

In this book, we get our first glimpses of the darkness that dogs Miles, a counterpoint to his hyperactivity and seemingly endless hubris. Always the outsider on Barrayar, set apart by his physical deformities as well as his intelligence and questioning mind, Miles suffers greatly when facing rejection or personal failure. This ties into both his sense of honour, instilled by his family and his social environment, and his own desire to prove himself. In Warrior’s Apprentice, he faces down defeat and finally feels like he’s made something of himself. But of course, what he’s made is completely made up! It’s a fascinating premise, and the action and characterisation, of even the most minor characters, is what makes it work.

Honour is clearly going to play a seriously large part in the whole series – the Cordelia books set that up, of course. I was amazed by the fact that he failed his physical, and deliberately within those first few pages! Not exactly an auspicious start for a hero. And the continuing darkness that, indeed, dogs him, is fascinating. It too lends Miles a sense of reality; he’s closer to three-dimensional because of it. I’m going to be really interested to see what Bujold does with that. I can see ways that it could be done badly – wallowing, or using it as a mark of a hero, getting repetitive or eventually letting it slip away without explanation… I hope none of those come about!

I’m assuming at this point that one of the reasons for Miles’ despondency in later books is the loss of the lovely Elena. Their relationship was a really fascinating one. I had assumed from early on that Elena and Miles would end up growing up together, and was curious to see where that went. I was saddened that it didn’t out with her! I really liked the honesty of Elena’s reaction to Miles’ declaration of love, though – that she would be swamped by him, which is I’m sure a fair assessment. To see her develop as a character, and to see Miles encourage her in that even as it means she’s growing away from him, was a really nice touch of character development. It must be said that Elena’s wedding to someone else was not the moment at which I had tears in my eyes, though. No, that was reserved for Bothari’s funeral. It was heartbreaking! And I was surprised that she got rid of him so early in the series, but I guess it would have been awkward for a cadet in the Imperial Forces to have a bodyguard all the time. Connected with Bothari is the other rather raw moment of emotional honesty: when Miles stupidly tries to bring Bothari together with the original Elena. Her hatred and revulsion of Bothari are so appropriate, and it was nice not to have an author thinking that should be smoothed over for … I don’t know what reasons can be used there, but I know it’s been done.

Tehani:

Oh, Bothari! I always forget that he dies here because Bujold lets him live large in Miles’ life in future books, simply by way of the enormous presence the Sergeant had in his early life. It was a spectacular way to demonstrate that no-one is safe in Bujold’s books, no matter how much of a staple they might appear, and also a very apt way to resolve (sort of) Elena’s mystery. To be fair, it also ties into helping Elena say no to Miles’s mad proposal – knowing the truth about her origins could have only strengthened her knowledge that realistically, a marriage to Miles would in no way be condoned on Barrayar. And Elena too was brought up with the same strict sense of honour that surrounded Miles, so it was something she could no way get around. Poor Miles – with the mother he has, only a certain type of girl is ever going to appeal to him, but finding the one who can cope with him, and his background, is never going to be easy!

I was impressed by Bujold’s treatment of Miles’ disability in this book. I had wondered whether it would simply pop up when it was narratively convenient, but the reader is hardly ever allowed to forget it – like Miles – not because it’s being forced down your throat but because she keeps reminding you that his legs drag, or limp, or that he’s slow and wears braces, and so on. It’s genuinely a part of the story, and that’s really really nice.

Also, one of the nice things I picked up – eventually! – is the fact that the pilot is Mayhew: presumably the same Mayhew who has a cameo as the pilot gulled into helping Cordelia escape Beta Colony. Nice tie in!

Tehani:

Ooh, I never figured that out! I’m a terrible reader – I am hopeless at noticing cameo characters!

I continue to be hooked. Questions raised: where will the Dendarii fleet end up next? What assignment will Miles end up with at the end of his training? Will Elena feature in the later books?

Tehani:

Again, I only answer one questions – YES, we will have more Elena! 🙂

The discovery of Bujold: Cordelia’s Honor

Alex has never read anything by Bujold. Tehani is a long-time fan. Welcome to a conversation of discovery and re-reading that will undoubtedly include a lot of squeeing, spoilers, and misdirected guesses from Alex. Also a fair bit of meta-commentary, since we can’t help ourselves. There will be spoilers.

Cordelia’s Honor (sic) omnibus: Shards of Honour, and Barrayar. 

I can’t believe Bujold has never had an Australian print run; are we really that small a market that someone with so many Hugo nominations hasn’t been formally brought to our attention? I only heard about the series from Tehani and Tansy, who raved about it. I am actually quite happy, and lucky, to be able to read these in books in internal chronological order (barring any prequels she may see fit to write!), although a little sad that I don’t get the joy of reading this omnibus as a prequel, since I’m sure most long-time devotees of Miles were immensely excited to read his parents’ story. I’m also immensely pleased that I have so many more books to read, already published, and am not in the position of my friends who pounced on Cryoburn like so many starving wolves. I hadn’t realised just how hooked I was, by the way, until I finished Shards of Honour in two days and just kept ploughing right on into Barrayar almost without realising…

Tehani:
It’s quite amazing really that this is the first Vorkosigan book (Falling Free, set some centuries prior to the Vorkosigan period, is set in the same universe, but isn’t a Vorkosigan book, so I don’t count it) in both internal and external chronology. Such a huge amount of world- and character-building happens in even the first few chapters, without ever being info-dumpish – it’s an astonishing feat for an author, and just one of the things I adore about Bujold!
 
I absolutely agree. The universe Bujold has created puts me slightly in mind of the Hainish universe of le Guin – people have been (re)discovered and brought (back) into a galactic-wide society. There is a mention of the Time of Isolation, from which it’s obvious that there’s been some galactic community in the past from which some planets, at least, have been sundered for some period of time. In Barrayar we discover that that planet has only been brought back into communion 80 years ago, which seems a remarkably short period of time for that planet and society to acclimatise to galactic standards and norms – which some individuals actually haven’t managed. 

The characters:
Meeting Aral and Cordelia like this, for readers of the Miles-proper books, was surely a fascinating experience. It makes me wonder whether they are known as the Butcher of Komarr and the Killer of Vorrutyer to Miles’ acquaintances, in the later books? 

I like Cordelia. I was surprised by how quickly Bujold had Cordelia and Aral fall in love, but I guess it was a case of extreme circumstance. 

Tehani: 
It seems the romance between Cordelia and Aral does happen very suddenly, but I think it works, in this instance. Aral’s stumbling proposal is very sweet in his hesitancy, and Cordelia’s reaction to it is wonderful in the way it defies the normal expectations of romance tropes. The relationship development could be viewed to support the idea (posited in the movie Speed!) that pressure forces ties to form more quickly and of stranger bedfellows than the normal course of daily life allows. But the characterisation shown for Cordelia and Aral really allows the reader to see the inherent connection between them.

Aral may have other motives (conscious or unconscious, it’s difficult to judge here – I’d be interested to hear what you say on this, without the benefit of having read the later books!), but his genuine admiration for Cordelia’s strength, wit and intelligence is obvious. In turn, Cordelia is drawn to Aral despite her clear distaste for the society he comes from. This mutual connection is not for the usual romance reasons: there is not an instant physical response – neither are described as classical beauties! – nor is there immediate, unwarranted, trust. Instead, in just a few chapters, trust is earned, insights into each other unfold, and although it takes place in a short span of time, the relationship seems real. It’s a very skilled piece of writing that delicately subverts the romance tropes to become a believable developing relationship.

I can’t so far tell that there might be other motives on Aral’s part to falling for, or choosing, Cordelia. The sap in me hopes that I never get dissuaded of that romanticism!
 
I really liked that Cordelia is old! – well, by romance standards anyway; 33! Practically haggard! And surely beyond romantic entanglements… I particularly enjoyed the sense of duty and responsibility and common sense that attended this positively elderly romance – connected with the quiet desperation in their eyes. But back to Cordelia – she’s strong, and smart; a little bit broken by the past but resilient; a good leader, and someone I could definitely enjoy knowing. I admire her resourcefulness and was appropriately shocked by her ruthlessness on a few occasions.

Aral is awesome. Again, older; and it may be somewhat heretical to make this comparison, but I can’t help seeing the similarities between him and Eddings’ Sparhawk. World weary, largely unflappable, no beauty, violent when necessary, intensely loyal and honorable. I like the humanity that Bujold shows in his sensitivity to Cordelia, and towards his men too. He and Cordelia complement each other nicely, I feel. Having Aral be bisexual was an immensely interesting choice, too – up to that point I’d had no idea that this would be anything but a universe where heterosexuality was the only acceptable mode (maybe the Miles books are full of non-hetero sexuality and this is something Bujold fans expect; again, I look forward to finding out). 

Tehani:
Sparhawk, yes!! I agree, some readers might find that heretical, and the books the two appear in could not BE more different, but there are definite similarities in their characterisations!

It’s so wrong, isn’t it?

 
Bothari is… complicated.

And Miles? Well, I really hadn’t expected that he would be – what’s the right word? malformed? Not completely physically perfect, anyway. I think I had assumed I was getting myself into a series where the hero was a fairly typical hero, to be honest. Although I was shocked by the attack on Cordelia and Aral, and the fact that theantidote had such an impact on the fetus Miles, I admit that I expected that the doctor’s work would come out perfectly and the Count would have to eat his words. To have him born with bones so fragile that one breaks in the first 30 seconds, and the Count then renouncing familial ties (although that’s somewhat resolved in the epilogue)… I realised at that point that this was not going to be the sort of series I was expecting. 

Tehani:
I think Miles’s imperfections are part of the reason we adore this world so much. That he has so much to overcome from the very beginning makes him far more fascinating than if he’d been handed looks, ability and brains on a platter! You’ve moved on into Barrayar here, which while second in internal chronology, was actually the seventh book published, and it’s really interesting that Bujold went back to fill out the circumstances surrounding Miles’ birth. These two books work really well as a duology, which is brilliant given they weren’t written or published in order!

I really am amazed that they were written so far apart. They flow so seamlessly together! It really would have driven me wild to read them out of order. Also- yes, I can imagine that Miles’ imperfections are very attractive, in a hero. 
  
The worlds:
Barrayar and Beta Colony are (literally) worlds apart, and I’m now wild to find out where Miles spends most of his time – at one quarter through Barrayar I guessed Beta Colony, because there’s so much more on Barrayar that it seems like it might be filling in gaps for readers. Barrayar is a fairly recognisable military-dominated world – recognisable from other SF/fantasy that is – with attendant philosophies and values. It’s Beta Colony that fascinates me, though, because it is a more classically science fictional world: uterine replicators, hermaphrodites, parental licenses, a liberal view on sexuality… yet all of this takes place of a planet that’s happy to use drugs on someone to get information, is unwilling to believe their officer’s testimony, and has a President that apparently no one voted for. Deliciously complicated. I can’t wait to find out more.

Tehani:
Oh, so MUCH more to come for you! 🙂

The narrative itself:
I really enjoy being thrown straight into the action when it’s done well – which is something I can’t define – and Shards of Honour definitely manages that. Traitors, unlikely alliances, honour… so much goes on in what is a relatively short book. I was horrified by the actions of Vorrutyer, of course, and Bothari doesn’t really make those circumstances any better… but Aral bursting in on the scene is marvellous, and would surely play well on screen! The reception of Cordelia at home, and then her efforts to get away without betraying herself or Vorkosigan, are nail-biting indeed. I jumped straight into Barrayar after Shards, so I admit they muddle together in my head – but I love the vision of Cordelia turning up unannounced as Aral starts on a binge, and that their relationship just goes on from there. Civil war is always an interesting narrative mode for setting up alliances and world politics, and for outlining personalities too. I enjoyed the action bits of Cordelia and Drou etc running off to rescue the replicator with Miles in it, although it did feel just a little out of place – direct violence and action had been removed from the story for what felt like a long time. It was nice to have the conclusion with the Vorkosigan family making some attempts at reconciliation with each other, and I’ve no doubt this sets things up for the rest of the series.

Questions I’m left with: will Bothari and Elena feature in the Miles books? What about Kou and Drou (gotta say, that’s a bit tacky), Piotr, Gregor and Ivan? Will bone density continue to be an issue? Do we visit more than just Barrayar and Beta Colony? Will I continue to be hooked??

Tehani:
I can only answer one of those questions without venturing into spoiler territory so I’m just going to go with the easy one – YES, YOU WILL CONTINUE TO BE HOOKED! 🙂

Awesome 😀

Probably our favourite bit from the books:
Cordelia could not hear what they said to each other, across the garden, but supplied her own dialogue from gesture and expression, murmuring, “Aral: Cordelia wants Drou to play. Kou: Aw! Who wants gurls? Aral: Tough. Kou: They mess everything up, and besides, they cry a lot. Sergeant Bothari will squash her—hm, I do hope that’s what that gesture means, otherwise you’re getting obscene, Kou—wipe that smirk off your face, Vorkosigan—Aral: The little woman insists. You know how henpecked I am. Kou: Oh, all right. Phooey. Transaction complete: the rest is up to you, Drou.”

Lots of Ce’Nedra, and a few other people: the Belgariad, book 4

See Tehani’s post for the comments she gets!

Castle of Wizardry: Book 4 of the Belgariad

David Eddings

Spppooooillllers!!

Me

This may have the dumbest title in the whole series. I don’t anyone ever calls Belgarath a wizard. And what exactly is meant to be the castle – the stronghold at Riva? That’s just ridiculous. I choose to believe that some editorial knob decided that it was the sort of title that would appeal to the BFF fans, and ignored the fact that it doesn’t represent the storyline at all.

The big OMG REVELATION of this book is that OMG REVELATION Garion is actually Riva’s descendent and therefore the rightful Rivan King!!! And most importantly that means OMG REVELATION that he has to marry Ce’Nedra!!!! And most importantly to her, scullery-boy Garion now outranks her!!!!! Oh, the drahmah.

Heh. I don’t remember whether this really was a revelation to my 13- or 14-year-old mind. I’d like to hope not, but even today I try to cultivate something of a ‘don’t anticipate the storyline’ attitude: I like being surprised, so if I can help it – especially if I think it will spoil the book or movie – I try not to figure things out in advance. Of course, sometimes I can’t help it, and sometimes it’s more fun being smug that you had it figured out waaay in advance.

TEHANI

I didn’t read this til I was at least 19 or 20, so yeah, totally knew all the big “surprises” WAAAAY before they were revealed! But I’m the opposite of Alex – I love figuring out stuff in advance. It’s kind of like when people tell you stuff that’s embargoed and you get to feel all smug that you know something other people don’t. Well, kind of the same, cos, yanno, there’s all those OTHER people who figured it out first. Or read the book before you. And the author… Well, it makes ME feel good anyway!

Me

So, yes. Garion discovers that he is rightfully a king. All of that whinging and feeling sorry for himself ought to stop now … although of course it doesn’t. I actually really like the revelatory scene itself, with Garion still uncomprehending and Errand finally completing his errand, and everyone excited – and Ce’Nedra devastated. Eddings never mentions it, but I always imagined her as having read too many Arendian romances and really quite enjoying the pathos of “oh I love him but we can never be together.” And then, all of a sudden, she gets what she wants … but not how she wants it.

TEHANI

It’s true! It’s like a Shakespearian tragedy as far as Ce’Nedra’s concerned, but then all of a sudden she’s told she CAN have what she wants, and that kind of takes lal the fun out of it!  She does do very well with coming to terms with it – and turning it to her advantage. Definitely a product of her upbringing there…

Me

I love Errand, the little boy who managed to steal the Orb. I love the fact that he makes everyone wet their pants by offering the Orb to them out of the blue. The idea of a genuine innocent is of course a fascinating one, particularly when you think about the fact that Errand was brought up by a man who had sold his soul to a malignant god rather than the pure one he’d originally served. You’d think that would make Zedar incapable of not corrupting the boy. And what about the circumstances in which he grew up? Are we to assume that Zedar cared for him so well that he never misbehaved to get more attention? – or does that behaviour not count? Of course, we find out in the next series that Eddings is a cheat, when it comes to Errand, but still; interesting questions.

TEHANI

I wondered the same thing when I reread – between Ctuchik and Zedar, surely he’d HAVE to be exposed to some corruption. Although was it mentioned at some point how confining and challenging it was for Ctuchik to contain himself from his usual debauches? Regardless, there is the “cheat” aspect revealed in the Mallorean, and, well, Errand is just so CUTE!

Me

One of the tangents of the gang turning up at Riva is Garion’s reunion with Lelldorin, now sort-of married to a Mimbrate woman, whom he would formerly have sworn off as an enemy. What I love about their little story is that it has all the elements of a classic medieval romance … and it’s just so ridiculous. Eddings plays it with a straight face, but it just gets more and more insane, until it’s quite obvious that he’s totally gaming the reader. I love it.

TEHANI

All the relationships in these books are fun though – there’s always something that sets them apart from the norm just a little, and the couples all have their little quirks. One thing that bothers me, and I think you’ve mentioned it before, Alex, is the way the women all seem to have some little (or big!) manipulative tricks that make it seem like they are always the ones controlling the relationship. Ariana does it to Lelldorin, Ce’Nedra does it to Garion (and her father), Polgara does it to Belgarath (and everyone), Taiba does it to Relg, the Queens do it to their husbands, and so on and so forth. Which is a bit sad, because while it’s intended (I guess) to show how women are just as able to control their lives as men, despite outward appearances, what mostly comes across is that women have to be scheming and deceitful to get what they want…

Me

Getting back to Ce’Nedra, I really really like her part in the last quarter or so of this book. Garion, Belgarath and Silk are off on another journey, but Ce’Nedra womans up and organises a great big damn army to distract the Angaraks away from his and his vital mission. I love her armour, and that she makes the armourer give it bigger boobs than he had originally forged. I love that she gets so nervous before giving speeches that she feels sick. I love the dramatic speeches, the Churchill-esque eloquence, and then – the cold-hearted, calculated, bitchy climax – the way she manipulates both her father and the Tolnedran legions is absolutely, totally, gold. Although, seriously? All of that at barely sixteen years old?

TEHANI

Hey, we just had an Aussie girl sail around the world on her own at 16… Certainly I can see Ce’Nedra succeeding in this with the backing of the Kings and Polgara, and when you consider she was raised as the daughter of an emperor, it makes sense that she has the statesmanship to come up with the idea and have the nous to pull it off. This is my favourite Ce’Nedra of all the books I think – she’s really shown off to great effect in this section!

Me

The book as a whole has a different feel from the others, and it’s largely the “breaking of the fellowship” effect. We get to see Belgarath being compassionate towards Vordai, the witch of the fens – but we’re not stuck with the three boys off gallivanting. Instead Polgara and Ce’Nedra have – no, they don’t have. They compose the Tantrum to End All Tantrums, and then get on with actually leading the West, rather than traipsing around. I really, really like that we get more of an insight into the kings and how they relate to one another – I still like Anheg a lot. It’s also quite remarkable because we actually see serfs, if only briefly. While they’ve been occasionally noticed in the background – and, in a smart-alec way, Garion has previously overheard the two serfs whom Ce’Nedra meets – it’s a nice touch that Eddings actually includes a little story about how the serfs end up in her army. Of course, being in the army is actually a horrible, horrible thing, and the main (aristocratic) characters couldn’t usually care at all about the people dying in droves around them. But the fact that Eddings condescends to include this little vignette is nice.

TEHANI

Have to confess, one of my favourite things about big fat fantasy is the multiple viewpoints of characters all living separate lives until they come together, so this book is just up my alley! While it’s been a separation, rather than different storylines, the back and forth between events really works for me!

Me

There is no climax in this novel. It’s a classic middle-of-the-series book, moving all the pieces into place for a resounding finale. Which is fine, if you have the final book to hand.

TEHANI

Which fortunately, we both did! Onwards, to the “end”!

Galactic Suburbia 16

Galactic Suburbia can be downloaded from iTunes or our blog

In which we have apparently learned the art of conversational restraint! Clocking in at a miraculously tidy 45 minutes, the Galactic Suburbia crew discuss publishing news, a bunch of great new books, and read some feedback.

News
Strange Horizons Fundraising Drive.
Tehani’s post on open short story markets in Australia.
Aqueduct Press now releasing several of their titles as ebooks.
Ticonderoga to publish Year’s Best Australian Fantasy & Horror; editors Liz Gryzb & Talie Helene.
MindMeld best female characters.
Alisa and Tansy on Coode Street podcast.

What have we been reading/listening to?
Alex: Liar, Justine Larbalestier; White Cat, Holly Black;
Tansy: Cryoburn, Lois McMaster Bujold; Kiss Me Deadly, Tricia Telep (ed)
Alisa: Love Songs for the Shy and Cynical; Tomorrow when the War began; new segment (whcih i will start next ep)

Pet Subject
Feedback!
from Jason Fischer & Thoraiya Dyer, plus a shout out to Celia from Worldcon!

Please send feedback to galacticsuburbia@gmail.com or follow @galacticsuburbs on Twitter

Journeying onwards and leaving endings hanging: The Belgariad Book 3

You can find Tehani’s post over here, if you want to see what comments she gets. More spoilers ahead!

Magician’s Gambit: Book 3 of the Belgariad
David Eddings

Me
Ce’Nedra gets to star in this book a bit more than the others, and I’m sure she loved that. Firstly, I think it’s totally awesome that Durnik, of all people, gets to be the one to peg her for being lovelorn over Garion. It’s really a very cute scene, and Ce’Nedra’s dreadful acceptance that she belongs to the Empire and therefore cannot make her own choices in that regard is somewhat heartbreaking. Additionally, of course, it’s immensely amusing for the reader that she keeps refusing to understand who and what Belgarath and Polgara are, and the adventure that she’s got herself involved in. It’s like Eddings is allowing a sceptical reader – a reader who hasn’t been totally suckered by the story yet – someone to identify with.

TEHANI
I hadn’t thought of it that way! But you’re right, Ce’Nedra’s naivety in the ways of the gods does permit a certain scepticism in the reader. I like that we get a view here of Durnik as actually being rather wise in the ways of relationships – he’s always been portrayed as intelligent, but rather backwater and perhaps a bit stodgy, but his observations here offer another side to him, which is rather important later on.

Me
I think you’re right about Durnik. I found myself liking Durnik more and more this time around, partly I guess because I know how it all turns out, but also because I’m finding the ‘normal’ characters a bit more appealing than the exceptional ones, a lot of the time.

There’s a lot of journeying in this book. Firstly, the band has to go through Maragor, perhaps the most sobering of all the lands in this imaginary world. Grolims may butcher people all day every day – but they’re Angaraks, and we have no sympathy for them. Here, although we’ve never met a Marag, we know enough that their slaughter was totally unwarranted: especially with the heavy hint that the Tolnedrans did it for the gold, not to stamp out their ritualistic cannibalism. The concept of a god who weeps eternally is a staggering one.

TEHANI
It’s not a very flattering portrayal of the Tolnedrans, and this is interesting in terms of the rest of the nations. Nyssians are not shown in a very good light, but we as the reader are still able to find them likeable in some way – in fact, all of the other Western nations, while generally “good”, are given faults of some kind (however slight), but we find them quirky rather than not nice. With the extermination of the Marags, Tolnedrans are painted with a completely different brush, which is quite unusual, particularly as one of our main characters is from that background. Or is her Dryad nature what save Ce’Nedra? Or perhaps the message is that she overcomes such an acquisitive heritage?

Me
That’s a very interesting observation. I don’t think the Dryad aspect is emphasised enough – and we don’t know enough about them – for that to be the mitigating factor. So I’d go with the idea that it’s meant to show how much she changes. Huh. Paints her in a much better light, doesn’t it?

Also in this section we finally learn a bit more about Garion’s ‘friend’ – the one in his head – and exactly what this entire adventure is leading up to. I have to say I find the idea of a universe that has a purpose (although no guiding intelligence), and that purpose getting divided because of a little accident, one of the weaker parts of the whole plot. I have no problem with two destinies battling it out; I’m a Christian, I can do dualism. But that there was an accident, which managed to split the purpose? That just seems … silly. Especially if there is no overarching God to take notice of that accident. Anyway – I accept it for the plot-device it is, and continue.

TEHANI
It sometimes seems a bit of a cheat really – I wonder what mistakes Garion would have made if it weren’t for the meddling voice in his head?

Me
I’m sure someone has written that fanfic… or they should, if they haven’t ☺

We get to visit the Vale of Aldur, for the first time: it’s like hearing about someone’s house for ages and finally getting there. Seeing Polgara surrounded by adoring birds humanises her, I think, in a bizarre way. Garion’s attempt to move the rock – by lifting it, so that he ends up almost burying himself in reaction – is hilarious, and I really like that their magic actually does have physical repercussions like that. And have I mentioned yet how much I adore Beldin? I love him. I love his crotchetiness, I wish Eddings had actually written his oaths down, I love his insulting nature and that (we find out eventually) it hides an intellect both enormous and immensely caring. He makes me happy.

From the Vale the troupe heads to Ulgo, with another of the more interesting groups of people in this world, and one that I can’t think of an analogue for. It’s curious, too, that they are less stereotyped than others. Admittedly we meet fewer Ulgos than members of other races, but nonetheless: Relg is a fanatic, but he’s clearly marked out as being different even from most of the other Ulgos in that respect. The trip into Ulgoland is marked by wonderful monsters, and I think Eddings did very well in this area. Flesh-eating horsey-looking critters? Respect, man. And we get to ditch Ce’Nedra for a while, leaving her with the Gorim. Aw, poor man! No, wait: the way he deals with Relg? He can deal with anything.

TEHANI
I’ve always felt like the Ulgos are analogous with Jewish people (and my little Wikipedia link suggests that too!).

Leaving Ce’Nedra behind also lets Garion miss her, I think, which obviously eases him into his feelings a bit more. Not so much in this book, but in the next…

Me
Finally, the adventure leads to Cthol Murgos. Various adventures ensue, and my favourite may be the encounter with Yarblek, if only for the facts that Polgara deals with his Nadrak ways – thinking she might be for sale – with such aplomb, and for the way she tells everyone else to keep their indignation to themselves.

TEHANI
That whole gender thing with the Nadrak people is a really interesting one – on the surface it looks like women are treated in a fairly negative way, but then you see Polgara take control of her situation and you start to wonder about the practice, and it’s eventually revealed (in a later book) that it’s most definitely the women who are in control, despite outward appearances.

Me
You know, I think the Nadraks may be one of my favourite groups of people, for exactly the same reasons that I adore Silk.

During their time in Gar og Nadrak, Relg has to rescue Silk by taking him through rock, and it’s not often you get to see Silk totally and utterly at a loss.

TEHANI
And that going through rock thing bothers Silk for quite some time to come – it REALLY puts him out of sorts! Gets a bit belaboured by the end of it, in fact…

Me
Belaboured is putting it mildly!

Finally, there’s the epic battle between Belgarath and Ctuchik, which is actually not so epic. That is, in concept it is, but Eddings doesn’t draw it out nearly as much as he might have. I’m in two minds about whether I would like to have seen more , or not. And the fact that Ctuchik essentially destroys himself … well. It’s a bit of a cheat, but it does make sense. I guess.

TEHANI
This book is pretty violent overall – lots of random Murgos being killed because they’re in the way of the group. It’s all rather bloodless though, which is probably why I never realised just how brutal the series is in general until this reread – lots of characters killed “off screen” and even those who cop their serve right up front don’t really seem to have an impact. I actually found the way the main bad guys have died to be more bothering, often because of the reaction of Garion and the others to how it happens.

Me
The fact that they are largely callous and coldhearted about it? Yeh, bothered me too.

TEHANI
There were some new (to become ongoing) characters introduced in Magician’s Gambit who bear notice. Yarblek, who Alex already mentioned, comes to be quite pivotal and who I like for his brassness, and Errand, the innocent raised by Ctuchik to steal the Orb. I tried to read the character of Errand with fresh eyes when he’s introduced in this book (which is a bit hard, knowing how his storyline concludes), to look at him as he’s presented, and to view his initial part in the story without consideration of where he ends up. Conclusion? He’s a little cutie! I love his seriousness in his efforts to hand the Orb to random people, and I love that he’s foreshadowed from the beginning to be important later.

Me
I too tried to see Errand with fresh eyes, and in some ways it’s easier this time around: last time I read it, I hadn’t been around young kids for a while! Makes it easier to imagine him as the cutie he’s described as when you’ve got a point of reference.

This book really does feel like the middle of a series, and that’s not necessarily a bad thing. We know all the main characters; now we get to see them interacting and meeting new people. We know the basic aim of the plot, and indeed the book finishes with the retrieval of the Orb, which for a while appeared to be the main point. But it finishes with Our Heroes in a building that’s crashing down around their ears, and the suggestion that there is yet more to do for this particular adventure to finalise itself. I’m so very glad that I wasn’t reading this series as it was being published, because the ending – everyone heading out of the citadel – is immensely unsatisfying if you can’t immediately go and read the continuation.

Which is, of course, what I did.

TEHANI
Ahem, and so did I. To the exclusion of much else, including these reread notes! Got very distracted by story and forgot to be critical! Will try harder…