The Descent of Monsters
I was sent this as a review copy by the publishers, Tor.com. It will be available on July 31.
I could have had a review copy of Yang’s double novellas, The Black Tides of Heaven and The Red Threads of Fortune, but they came through when I was feeling a bit rushed and… look, I didn’t click the link, and I regretted it, ok? Because then they exploded and everyone was raving and I thought, yes I will get those eventually. And then I got the opportunity to review this sequel, and someone mentioned that not having read the first two made this one make less sense… so I bought Black and Red, and read those, so I could read this. Which is a long way around to say that all three of these books are excellent and amazing and you should definitely go buy the first two and then read this when you can. I do think that this one requires knowledge of the first two to make the most sense.
On which: in theory you can read Black and Red in either order. I read Black first and I cannot imagine doing it the other way around, maybe because my historian brain really insists on chronology. Your mileage, etc.
Tor.com calls this “silkpunk fantasy” which I guess is because it’s Asian-inspired instead of European-inspired. I don’t really know the origin of silkpunk, although I’ve come across it before (and yes I know silk originated in China). Interestingly, while I would classify it as fantasy it also has some elements of science fiction – this one perhaps more than the previous two – because one of the chief problems is that a research facility has committed atrocities and has also, um, kinda been destroyed. I don’t tend to think of people writing about research into magic-y sorts of things. (If you’ve got more recommendations about such ideas, SEND THEM MY WAY. Turns out this is something I really, really dig.)
This novella is written from a few different perspectives, using different styles – straight narrative, letters, official reports. The official investigation is being stymied because it’s not in the interests of the government to have it all come out, but the investigator refuses to give in. And this leads to characters from the previous novellas being dragged in, and wraps up some of the ends that I didn’t even realise were loose, especially from The Red Threads of Fortune.
Yang’s work is just… different from a lot of other stuff I’ve come across. The world building is fantastic – both the world itself, and the way it’s described. The characters are complex and refuse to be pigeon-holed; ‘diverse’ has almost come to be a non-descriptor, but it’s so relevant and important here. Motivations are complex, relationships are complex… it’s just great, ok? Black Tides is on the Hugo ballot this year. I won’t be surprised to see this on the ballot next year.