Luna: Moon Rising
This book was sent to me by the publisher, Hachette, at no cost. It’s out now.
This is the third and final book in Ian McDonald’s Luna series, and it really doesn’t stand alone. New Moon and Wolf Moon (which apparently I didn’t review? must have been when I was stressed out) are both outstanding and terrifying and if you are interested in near-future, near-Earth speculation, with intensely human characters and scheming dynasties, you really want to read the whole series, so off you go.
There are spoilers for those first books, kinda be default, in what follows…
One of the awesome (and, ahem, anti-Ian McEwan) things about this series (and it’s not unique to it, of course) is the way that McDonald uses this alien, will-kill-you-in-a-moment place to work through human issues of greed, family, ambition, hope, friendship, pride… all of those things that storytellers have been mining for millennia. You’ve got battles happening with rovers and spacesuits in vacuum, and parkour in 0.6g (ETA: which is actually 1/6th gravity, not 0.6, ARGH thank you Scott), and as wide a range of marital and familial ties as can be imagined… and brutal corporate takeovers and arguments over inheritances and burgeoning romance. It’s so full.
Perhaps the most intriguing speculation of a near-future type is the way that McDonald imagines the Moon being regarded by Earth. The Moon is not a political entity; it’s a technological colony, for want of a better word, dominated by families who happen to come from different nations on Earth but who have little in the way of political or emotional ties to those places. But the Earth needs the resources of the Moon… but the families don’t want Earth interference… So Lucas Corta’s deal, to use Earth mercenaries and involve Earth politicians in the dealings of the Moon… that’s really quite problematic. I LOVE IT.
A few characters I really enjoyed:
Wagner Corta, the wolf, and his sort-of-bipolar playing out differently on the moon from how it might on earth. I like that McDonald refuses to ‘diagnose’ him fully, although I would be very interested to hear what those with a better understanding of mental health descriptions and experiences think of this. I also greatly appreciated the enormous dilemmas and sacrifices he goes through in the series, in terms of conflicting priorities.
Luna Corta: I kept forgetting just how young she was because of how much she had gone through, escaping with Lucasinho and so on, and she continues to be buffeted by issues beyond her control in this book… although she begins to show that she can take some control.
Ariel Corta: continues to be one of the weirder and least predictable of all of the main characters. Ignoring family on the one hand and working hard for them on the other, never an easy person to get on with, driven by astonishing determination and stubbornness… I’m not saying I’d like to be friends with her, because I think she’d terrify me in person because she’d see all my weaknesses. But she’s definitely someone to admire.
That makes it look like I’m all Team Corta, and I’m not really, it’s just that they feel like they dominate the book, and indeed the trilogy, more than I expected from the events of the first book.
If you’ve read the first two books you know the issues that need to be resolved in the book. If you’re anything like me, you won’t anticipate how it will play out. I was surprised by most of what happened. I will admit that the very ending was… really not what I expected. I’ve had to think about it a bit, but I think I see what McDonald was doing. And I’ve decided I like it.
This is a magnificent series and I’m so glad it exists. Now I can’t wait to see what else McDonald does.
It’s just such a winning combination.
And the thing is, this is the author who as far as I can remember refuses to use FTL in his stories. So for him to write a time travel story means that there won’t be any Delorean zipping around. Instead, there’s a short but relatively serious discussion about WHAT, exactly, can be ‘sent back’ through time, and a very clever example of what it might mean to change things in the past – what impact that might have on the future.
The story, naturally enough, dips in and out of the time stream. It starts in the past and goes to the future and moves between them beautifully, gradually building up a picture of what has happened for the future to be as it is, and the choices that people make that have an impact ‘upstream’. The slow unfolding is horrific and brilliant.
I liked the characters, I was horrified by the world, and I was intrigued by the method of time travel. This is a fabulous novella.
This book was sent to me at no cost by the publisher, Hachette. The trade paperback (which is lovely) is out now; smaller paperback in September.
I mean. HELLO. New Alastair Reynolds! I was so happy to get this to review. So hi, if you don’t know me I’m a massive fangirl, keep that in mind as you read I guess?
This is the sequel to Revenger, from about three years ago. You probably want to read that before reading this because it sets up the sister relationship that’s at the heart of the story, between Adrana and Arafura (now Fura), as well as the horror in which Bosa Sennen is held throughout the… well, world is the wrong word, but you know what I mean. The area in which the book is set. And that’s the other thing that the first book sets up: that these books are set many, many thousands of years in our future, and they live in the Congregation – which is our solar system having been dismantled and the stuff of the planets used to construct an uncounted number of smaller worlds. Also, civilisation has not been continuous throughout that time; humanity has swelled and fallen over that time, inhabiting more or fewer world, having more or less connections between the worlds, and with technology progressing or lapsing. Which is what allows for the many ships who travel between the worlds to visit the now-uninhabited ones and find ‘treasures’ which may or may not work for them, dating back to previous civilisations.
I guess it’s like modern Britons or Libyans trying to make the Roman aqueducts work.
Anyway, if you haven’t read Revenger I highly recommend it – clearly – as a space opera with deep roots in nautical adventures (including in the language, it’s all coves and sails and broadsides), starring a defiant young woman having mad adventures.
Spoilers for Revenger below this…
Her Silhouette, Drawn in Water
This novella was sent to me by the publisher, Tor.com, at no cost. It will be available from 21 May.
Vylar Kaftan’s novella opens with Bee scrambling through darkness, which is pretty much all she can remember doing. The official blurb reads:
All Bee has ever known is darkness.
She doesn’t remember the crime she committed that landed her in the cold, twisting caverns of the prison planet Colel-Cab with only fellow prisoner Chela for company. Chela says that they’re telepaths and mass-murderers; that they belong here, too dangerous to ever be free. Bee has no reason to doubt her—until she hears the voice of another telepath, one who has answers, and can open her eyes to an entirely different truth.
You can guess from the blurb that things are not as they seem, but you can’t guess the twists and turns of the plot – well, I couldn’t anyway.
The attitudes towards telepaths are a very interesting part of the story; as someone who grew up reading McCaffrey’s Tower& the Hive series (every. single. one), I’m always fascinated by whether ESP stuff ends up being celebrated, abused, shunned, or whatever. So that was something I enjoyed here.
Overall, though, I did not love this story, and I can’t put my finger on why not – which is a deeply unsatisfying thing to say in this review, I know, and I’m sorry. I think it’s partly around the pacing. For all that I am a big fan of fast-paced stories, I think this was a bit too fast; I didn’t feel like I got to know Bee before things changed, and then they changed again, and I was left feeling a bit cold towards her fate. There was also a lack of world-building that meant I didn’t quite get some of the actions of the characters other than Bee.
For all that, though, Kaftan has written a story with heart that confronts the issue of how humans react to difference. I did like Bee, and felt that her reactions – especially when feeling lost in the world – were beautifully realistic.