I am reminded, perhaps obviously, of Zombies vs Unicorns, the Justine Larbalestier and Holly Black anthology from several years ago. It’s the same sort of idea: which trope is better? Which sort of close-to-but-not-human species can authors have the most fun with, do most with, and so on? But more than zombies and unicorns, the authors in this anthology make powerful statements in their afterwords for why both robots and fairies can and do have such enduring power in our narratives. They are like us, but unlike. Robots are made by us; fairies live in parallel; both can be imagined to have legitimate grievances with humanity; both can potentially blend into humanity… and so on. Max Gladstone suggests robots are the future, and fairies are our roots.
So there’s a lot to explore in an anthology inviting authors to choose one of these archetypal features of our speculative fiction.
What surprised and amused me the most in this set of stories was the number of times authors decided to play with both. Seanan McGuire starts the ball rolling, and Catherynne M Valente finishes it; along the way, there are a couple of variations on Pinocchio that I didn’t always pick up – it’s not a significant story for me – as well as A Midsummer Night’s Dream; and other ruminations on how robots and fairies might be seen to fade into one another, one way or another. I really, really liked this aspect.
In fact, I liked this anthology in general. The stories are generally very well written, and there’s a marvellous balance of fun and heart-wrenching or somewhat horrifying, as well as often having significant points to make about humanity and how we interact with our world. McGuire’s views on theme parks were great fun to read; Ken Liu’s story on automation was chilling and brilliantly written (unsurprisingly). Sarah Gailey also contributed a supremely chilling story that I really wasn’t prepared for, and Madeline Ashby’s was haunting and lovely, and Maria Dahvana Headley got me with a rocknroll and fairies story that was always going to push my buttons.
Themed anthologies can be a fraught business. This one gets it right.