Gone in 60 Seconds – 2000
Character name: Sway
Style: tough, a bit rough
Mannerisms: nothing memorable
Look: kinda working class? Blonde dreads. Tattoos. Very blue eyes
How the film promotes her: Jolie is second in the credits, after Nicholas Cage; the promo poster shows her (and her, uh, assets) prominently.
In the narrative: The first sight we have of Jolie is in the credits, in a photo frame.
The first real sight is under a car. First her legs, as she comes out from under the car under a trolley. Lips are prominent; blonde dreads are very obvious because despite working as a mechanic she hasn’t tied her back (!?). She dismisses Cage, her ex, completely; she initially refuses to participate in the boost.
Eventually, she turns up on a motorcycle in leathers, spectacularly, and says “I’m here for Kip”. Apparently Sway didn’t need to participate in the preparation for the car boosting. Probably because she actually has two jobs and therefore the chance, and necessity, to keep looking like she’s not a criminal. Unlike everyone else. Also, then the writers would have had to write script for her, which might have strained their abilities; she’s the only girl in the crew, what a surprise. She is at least presented as competent and skilled; also happy to fall into the “one of the boys” thing (“always was a sucker for a redhead”). If this were today, or it were a more edgy film, I’d suggest she’s meant to be bi – pretty sure that’s not the case in this sort of mainstream film from 2000.
Apparently she’s still heartbroken that Memphis left her. They eventually ride off into the sunset together; all it took was stealing some cars together and some barely-innuendo car talk.
Age difference with love interest: Eleven years (Cage older).
Other thoughts on the film:
J: Man this intro feels dated.
A: I love the music. (Meanwhile I can’t stand the brother. Delroy Lindo, though!! And a lot of the other secondaries, too. WHAT A YOUNG ECCELSTON.)
J: I have a love/hate relationship with Nicholas… but he’s really quite good in this.
J: Perhaps this was the wrong first film… Jolie isn’t very prominent.
A: Pretty sure it’s better than Hackers; this way we get to see her move from very secondary to headline.