Year’s Best African Speculative Fiction (2021)

I read this courtesy of NetGalley.

As someone more au fait with anthologies than me pointed out, this anthology doesn’t have a introduction. So there’s no discussion of what speculative fiction is, let alone what African speculative fiction is. Which means that the answer to both of those questions is: These stories. All of them. These authors write that.

A few of these names – Sheree Renee Thomas, Tobias S Buckell – were familiar to me, but most were not. Part of this is that I don’t read a whole heap of short fiction these days, especially not the online magazines – it’s too hard – but it’s also partly about the speculative fiction scene that gets a lot of notice still being really white (I am not very wired into the whole scene these days anyway). Which makes an anthology like this excellent… because we’re a long way away from not needing such a thing, so don’t bring me the “but everyone’s work should be judged on merit” nonsense.

Anyway: the stories! This is a truly diverse set of fiction. There’s magic and there’s robots and there’s myths and there’s so-close-to-reality, and there’s horror (sometimes akin to the close-to-reality); there’s stories set in recognisable places and future places and past places and nowhere-places. Women and men and ungendered and who cares, families and not, hope and not,

I didn’t love every story, but I never do, with an anthology. And some of those were horror, which I pretty much always don’t enjoy. There was only one story that I got impatient with and skimmed over, which is a pretty good hit-rate in 360 pages.

This is great. I hope it’s the first in a long line of such volumes, as the cover page suggests.

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