I was thinking that I should review Salvation, Genisys and Dark Fate together, because then it’s two trilogies, in a sense… but then, no. Because Dark Fate definitely gets its own post.
Therefore, a few thoughts on Terminator: Salvation:
And then Terminator: Genisys.
- This is only the second time I’ve seen this film, too, and now I am surprised at myself. The DVD has a quote from someone calling it the best Terminator film since Judgement Day, and they’re not wrong.
- I was suuuuuper dubious about someone else being Sarah, and when I saw that they had re-done That Photo to make it Emilia Clarke I was very angry; like Hayden Christensen at the end of Jedi angry. However, Clarke made it work… and this Sarah is a very different Sarah, after all.
- Timeline? WHAT TIMELINE? Nah man, now we’re into the multiverse, and everything you thought you knew has gone out the window. (Theoretically.) And this is why there was no ‘watching in internal chronology’.
- Once again Kyle Reese is very much the focus, except this time he’s an adult… and rather than getting to be the hero as T1 Reese did, now he’s thrown into a very unexpected situation and he struggles to keep up. To his credit, though, he eventually does; and he usually pulls his weight along the way. I think Courtney was fine in the role.
- I really, really enjoyed the way that this film played with so much of T1, and even bits of T2. Everything from “on your feet, soldier”, to the molten metal… the arrival of the Model 101 (with a body double for Arnie, I’m told), and the punks, was beautifully screwed with. And Reese’s flight from a cop who turns out to be a T1000 – that was magic.
- I’ve decided the T1000 is my favourite Terminator. Way more interesting than the 101, and not as distressingly overpowered as the TX.
- I think, and I hope, that Arnie enjoyed playing this version of the Terminator. From “old, but not obsolete” to “Nice to meet you” [insert terrifying grin] – it’s such a glorious evolution for an actor, not to mention the character.
- Sarah was very interesting! She’s not quite as hard as T2-Sarah, but she’s pretty close; probably saved from absolute paranoia by not having been institutionalised. In fact she’s remarkably well socialised for someone largely brought up by a machine (and if you didn’t laugh when Arnie said “Sarah Connor, seat belt” as they are literally trying to escape an inferno, you were not paying enough attention). I love the gradual revelation that she deeply resents having known a lot about how her life will pan out; and I love her unreserved and defiant affection for Pops.
- And then there’s John Connor. This Connor (when he’s Connor-proper) is slightly more interesting than the Bale Connor, I think; and then to completely flip the tables and throw them across the floor by making Connor a Terminator… honestly, that’s just genius. Connor v Model 101 but now you’re on the side of the 101! Such a logical place to go, I guess, if you’re messing with the Terminator franchise; and I love it.
- So… Genisys is the unholy lovechild of Apple and Google, right? Synching across all of your devices and everything you know about yourself? Cool cool cool.
Salvation gave us a machine built from a man, who doesn’t know he’s a machine and doesn’t want to be and ends up working for the humans. Genisys gave us a man turned into a man/machine hybrid who knows exactly what he is, and works for the machines. And Dark Fate… well, I guess it’s the final, logical conclusion: to have a machine who knows he’s a machine become wonderfully human.