I read this courtesy of NetGalley; it’s out in April 2022.
Glorious. Frustrating. Confusing. Breathtaking. Heartbreaking…
It’s hard to know how to talk about this book.
The first thing that needs to be said is that it’s unfinished. The author, John M Ford, died in 2006. He had been working on this novel, it seems, for many years – at least that’s what I get from the introduction, written by a friend of Ford’s, Neil Gaiman. And so… the book is incomplete. That is, there’s no conclusion; and I suspect there are bits that might have been edited for clarity if the author had, indeed finished.
And I nearly cried when I got to the end, because this book is just so amazing. Like, this could have been the start of one of The Great Series. I’ve read only one other Ford novel, and I think a few short stories; this makes me want to go back and read absolutely everything. Because if this is the standard, well – I’ve been missing out.
Aspects is set in an alternate world. It’s kind of Britain, I think, although it doesn’t seem to be an island. It’s kind of analogous to the nineteenth century – there are trains (the Ironways), for instance, and there’s a form of electricity but some people are suspicious. But chemistry doesn’t quite seem to work the way it does here. Religion is important, but it’s not a Christianity-analogue; there’s a goddess with several faces, and matching consorts. And there’s a Parliament, with Commons and Lords, but here’s the final difference to our world: the lords are lords of the land, of religion – and of sorcery, or Craft.
So it’s kind of steampunk, but it doesn’t really fit into what I know of that category, and it’s fantasy set in an industrial context. Honestly though it just defies categorisation. It’s a deeply political work – three of the main characters are in Parliament, and at least part of the narrative revolves around machinations there, like writing a new constitution. It’s a country struggling to figure itself out several decades after becoming a republic – and it seems that the previous monarchy had been imposed by a conquering race, although that’s one aspect (heh) that I never quite got my head around. Some of the characters have the ability to use magic, which is not without its difficulties, and it’s clear that was going to a significant thread if the book had continued. There’s a romance, with its own difficulties; and such a large array of characters, all with their quirks (and bringing diversity, too) that this should have – could have – provided many, many pages of just mesmerising story. And now I’m making myself sad all over again that I’ll never read them.
Ford’s writing can be profound: “Play keeps us happy and agile, in mind and muscle; sleep and good meals keep us alive. We can misspend time – hurting people, ourselves included, making the world worse – but to ‘waste’ time – to get no motion at all, good or bad – to do that one would have to be not at alive at all” (p172 of the e-version). While I was sometimes a bit confused about what was going on, I was always captivated by the writing itself and somehow convinced – even though I don’t know Ford’s work that well – that everything would eventually make sense. And I was largely right.