Bootstrap, by Georgina Young
Received from the publisher, Text, at no cost. It’s out on 19 July 2022, $32.99.
As a time travel/ romance set in Australia, this book is fine. A pretty slow start – there’s a lot of setting up of the small town and the two main characters – but the second 2/3 is pretty well paced. There are some quirky ideas, the characters are believable (and recognisable, for Australians at least), and it’s… fine.
Yes, I know that sounds like damning with faint praise. And it is fine! Truly! I didn’t mind reading it! But… it’s not outstanding. Sadly. For a YA audience that’s not read many time travel stories; or for Australians who have never seen themselves on the page before, maybe it would be different? I don’t know.
I have a couple of issues with the book. The first is with the blurb writer – note, please, NOT with the author. The book itself literally references The Time Traveller’s Wife. So when the blurb calls this a “genre-bending” novel? No, it’s not. Jonathan Strahan’s new anthology is literally Someone In Time: Tales of Time-Crossed Romance. So time-travel and romance isn’t new. Even making it queer doesn’t make it new.
The second issue is the language. It’s very Australian. In fact, I would go so far as to call this excruciatingly Australian. I am a big fan of stories being told in the vernacular, but this felt like the author had first written the story in more generic English and then went back and switched everything to the most ocker she possibly could. For instance: “I get a schnozz full of water” (138), “I wanna touch him” (140), “And it’s like finally, ya nong” (144) and so on. Piles of Aussie slang (logs in the toilet) and references to Australian brands (Lemon Fresh, a man eating a Barney Banana ice cream “shoulda gone a chocolate Paddle Pop, idiot” (58). It just ends up feeling like the author is trying too hard. But maybe I’ve become an elitist and I don’t appreciate what kids in small towns really want to read. So if this works for those kids, awesome! It just means I’m not the right audience, and I’m fine with that.