I didn’t know this book existed until this year. It was published in 1985.
The list of contributors is just… I mean:
Joanna Russ (the only reprint)
Raccoona Sheldon! …
and that’s just the names that I immediately recognised.
It’s nearly 40 years old, so some of the stories have aged, I guess? But honestly the general issues in discussion still feel pretty real. Zoline’s “Instructions for Exiting this Building in Case of Fire” – children kidnapped and swapped to stop a nuclear apocalypse – still feels like a chillingly appropriate concept. Josephine Saxton’s view of advertising is hideous and, again, not as laughably far-fetched as I might like (it is ridiculous, but also… ads…). Beverley Ireland’s “Long Shift” is remarkable for its focus on a single woman, just doing her job; I wouldn’t have been surprised to see this published today. Pearlie McNeill is (was?) Australian, and I’ve never heard of her! Apparently this was her only piece of fiction? – SF, anyway. And this is where Raccoona Sheldon’s “Morality Meat” was first published, which is… a moment.
There are very few poor stories here. This is an amazing anthology.
SOMEONE gave me a voucher to buy books for my birthday, and I was stumped. I love a voucher but then I get all – I must buy The Right Thing! I don’t want to waste it! So what books to buy?? And then I remembered that (at that stage) the Ursula K Le Guin Prize shortlist had just been announced, so there was an answer to that question: I bought a bunch from that list. And After the Dragons is one of them.
In the cover quote, Mary Robinette Kowal describes this book as having “quiet intimacy”, and that’s so right. It’s not about epic events (like She Who Became the Sun); it’s about the everyday joys and tragedies, in a world with lots of problems.
It’s set in a kind of tomorrow – it’s not far future – but in a world sideways to ours, because there are dragons. Not epic mythological dragons for slaying – it’s unclear whether those were ever real even here – but small, say pet-size. Indeed sometimes they are kept as pets… and as with kittens and puppies, sometimes they get dumped by their owners. And sometimes they just live as wild animals, and that means having to adjust to living in urban areas and with humans. Which doesn’t always go well. I was thinking about Anne McCaffrey’s Pern – still probably the fictional dragons my mind goes to first – and these are more the fire-lizards of Dragonsdawn rather than the later, genetically altered dragons.
For all that the dragons are there, this world is very much ours. There’s climate issues, there’s political tension, there’s racism; poverty and illness and family trouble on the personal level. The story is told from the perspectives of Beijing resident Kai – Xiang Kaifie – an artist, carer for dragons, and ill; and Eli, Elijah Ahmed, biracial American student visiting the hometown of his deceased grandmother, who gets drawn into Kai’s world of rescuing street dragons.
As I said, this is not epic. It’s low stakes on a global scale, although high stakes on a personal one: health and love and relationships and what the future holds are all immensely important to the people involved. It hints at troubling systemic issues but always focuses on the people at its heart. If you need a relief from world-shattering events this is a good choice, although I’m not promising that it’s all sunshine and light (it’s not). But it is a delight, and it is definitely worth your time.
Can’t wait to read more from Cynthia Zhang.
Whaaaaaat a book.
And yes, I am incredibly late to this party, since Parker-Chan was nominated for the Best Novel Hugo this year (losing to A Desolation Called Peace, by Arkady Martine, a massive favourite of mine so I’m glad I didn’t have to choose…).
This novel is just brilliant. One thing I will say is that it was a bit different from what I expected – which is entirely about me, not about the book. Because of the Hugo nomination, and my genre-leaning friends, I was expecting this to be a book with greater, or more obvious, fantastical elements. Nothing about the book itself made me think that! Parker-Chan’s bio says she was inspired by “epic East Asian historical TV dramas”, and my knowledge of such is below limited (although I am an Australian kid of the 80s and 90s, so does the original Monkey count?).
ANYWAY. It’s 1345, China is ruled by the Mongols – who think the ethnic Chinese are all barbarians, and vice versa. There’s famine in the south; two children in a family are told their destiny: he is bound for greatness, she is bound for nothing. But then he dies, which means his destiny is going wanting… so she decides to become him…
Epicness ensues as Zhu gets caught up in events far beyond what she imagined as a child. First as a monk, then as a warrior and a leader; always worried that heaven might catch on to the fact that the destiny she is grasping was not, actually, intended for her at all. She teeters on the precipice of failure and discovery – not sure which is worse – and sometimes through luck, more often through her intelligence and grit and sheer bloody-mindedness, she ploughs on through…
I believe this is a duology, and honestly the next one cannot come fast enough (which is rich, given how late I am to the party). The pacing was excellent, the stakes were high, Zhu is mighty and charismatic. The supporting cast are varied and intriguing – Parker-Chan writes a significant portion of the story from the other side, as it were: what’s going on in the Mongol camp, particularly from the perspective of a Chinese captive-risen-to-general, which gives the entire novel even more drama and intensity, emotion and high stakes.
What a book.