Whaaaaaat a book.
And yes, I am incredibly late to this party, since Parker-Chan was nominated for the Best Novel Hugo this year (losing to A Desolation Called Peace, by Arkady Martine, a massive favourite of mine so I’m glad I didn’t have to choose…).
This novel is just brilliant. One thing I will say is that it was a bit different from what I expected – which is entirely about me, not about the book. Because of the Hugo nomination, and my genre-leaning friends, I was expecting this to be a book with greater, or more obvious, fantastical elements. Nothing about the book itself made me think that! Parker-Chan’s bio says she was inspired by “epic East Asian historical TV dramas”, and my knowledge of such is below limited (although I am an Australian kid of the 80s and 90s, so does the original Monkey count?).
ANYWAY. It’s 1345, China is ruled by the Mongols – who think the ethnic Chinese are all barbarians, and vice versa. There’s famine in the south; two children in a family are told their destiny: he is bound for greatness, she is bound for nothing. But then he dies, which means his destiny is going wanting… so she decides to become him…
Epicness ensues as Zhu gets caught up in events far beyond what she imagined as a child. First as a monk, then as a warrior and a leader; always worried that heaven might catch on to the fact that the destiny she is grasping was not, actually, intended for her at all. She teeters on the precipice of failure and discovery – not sure which is worse – and sometimes through luck, more often through her intelligence and grit and sheer bloody-mindedness, she ploughs on through…
I believe this is a duology, and honestly the next one cannot come fast enough (which is rich, given how late I am to the party). The pacing was excellent, the stakes were high, Zhu is mighty and charismatic. The supporting cast are varied and intriguing – Parker-Chan writes a significant portion of the story from the other side, as it were: what’s going on in the Mongol camp, particularly from the perspective of a Chinese captive-risen-to-general, which gives the entire novel even more drama and intensity, emotion and high stakes.
What a book.
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