This chick digs time lords… although maybe not as much as them
I got sick, realised that I had this to read thanks to the Hugo voters’ pack, and read it in a day. Well, there were a couple of entries that I skipped over a bit because they weren’t that engaging for me and my experiences, but I swear I read almost all of it.
I love Doctor Who, but I do not LOVE it. I am a fan, but I am not a FAN. I don’t think I ever realised the difference between the two before meeting people like Tansy and other serious, mad FANS (in much the same way that I didn’t really know about or understand about SF fandom before attending conventions). That is, I will watch Doctor Who anytime it is on TV, and go out of my way to do so, but I don’t own any DVDs, and I’ve never read the books; I’ve not watched the entire history, although I watched a fair chunk of the First Doctor when the ABC put him on a few years ago. So… love, but not obsession, perhaps?
This book was written largely by women who are closer to the obsessed end of the spectrum. I don’t imagine that I would ever attend a Doctor Who convention, but it seems most of the women here have done so. That’s ok, though; I certainly don’t think any less of them for it! In fact it was really fascinating to see what it would be like to be fully in a fandom on which I am at best on the periphery. What many of the writers were writing about, at heart, was the sense of community that being in Who fandom allowed them to experience: the cosplay, the acceptance of a child with special needs, people who shared a wider range of interests than Who but which converged on that central point. The fact that frequently, the cast and crew of Doctor Who featured in these reminiscences adds to their overall appeal, too. (The fact that I too have been on the receiving end of the warmth of Rob Shearman’s generosity and boundless nuttiness made it all the more amusing.)
When they weren’t writing about that community aspect, writers tended to be dissecting aspects of the Who universe and their own love of it, despite its flaws: the role of companions was a particular topic. I remember one of my university tutors remarking once that there are some loves that can withstand ruthless and relentless examination, and that others just can’t (her example for the latter, I recall, was Home and Away…). Who clearly falls into the former category for these authors, and it was with great joy that I read critical (in the best sense) examinations of Donna, Martha, and Rose – often different from person to person.
The thing that I haven’t mentioned yet about this anthology, of course, is that it was entirely written by women. Not being a part of Who fandom either during the Wilderness Years or even with New Who, it had never really occurred to me to consider whether it was a boy thing or not; I guess I’ve always just read and watched whatever and not been fussed by it – and been lucky enough not to be told not to by anyone I met. So it was also very interesting to read a little about how female fans have been treated, and also about how people (especially women) coming to Who lately have been treated by old-school fans (badly, often). I am led to wonder just how different this book would be were it written by men. I think it probably exists, but honestly I have little interest in seeking it out. I may be wrong, but I harbour a suspicion that it would be more hung up on internal consistency (or lack thereof), and lavishing attention on gizmos. This is probably a dreadful generalisation, and I apologise to male fans to whom this is insulting, but….
The Hundred Thousand Kingdoms
I received a hard copy of this book in my Swancon bag, and have just read it in my effort to read all of the Hugo-nominated works before I have to actually vote in the Hugos. I’d heard a lot about the book and therefore had high expectations, although without the time incentive I don’t think I would have read it any time soon.
Yeine is a half-breed, basically; her mother, of the ruling tribe? clan? family? ran away with and married her father, a noble of a very minor and backwater clan, much to the disgust of her own father, the not-quite-ruler of the Hundred Thousand Kingdoms. Now, though, Yeine has been summoned to Sky – the centre of the world – after her mother’s death, and discovers that she has the dubious honour of being named as a potential heir to the throne. Naturally things are not going to proceed easily for her, not least because Sky is a weird weird place: the humans are a scheming, devious, unpleasant lot in general, and then you add in imprisoned gods who still have a remarkable amount of power….
I did enjoy the book, overall; not as much as I had hoped, but more than I feared. There were some engaging and clever plot twists, which made me glad I read properly rather than skimming – which I considered doing at about the 1/3 mark. Some of the characters developed nicely, particularly T’vril and Viraine, and some of the gods too. The backstory, about the God’s War, was nicely woven in – and the creation story was beautifully told with some neat original aspects – although overall it wasn’t that original.
However, I have not become a huge fan, and probably won’t bother with the rest of the series. Yeine did not engage me nearly enough to want to find out more about her character and story; I didn’t feel like she developed enough over this book, and the ways in which she did change were to become, largely, more unpleasant. And in terms of the story – actually I think that this works really, really well as a stand-alone. I was really surprised by the end because it feels like just that: a genuine end, a conclusion that makes sense and wraps up a lot of issues. Of course it left questions, but so do the conclusions of a lot of trilogies. So for me, this will almost certainly stay as a standalone; one that I enjoyed but that hasn’t had a huge impact on me.
Hugo (re)reading: Troika
I read this novella in my lovely hardback version of Godlike Machines. It’s a re-read, since I read it last year for Last Short Story and had to re-read it now to reassure myself that it really was as good as I thought it was in the lead-up to the all-important Voting In The Hugos. And yes, it still really really is.
What’s often awesome about novellas is that they give a certain amount of tantalising world-building, but leave a lot to the reader’s imagination. Reynolds does that here; it’s maybe 40 years from now, set in the Second Soviet of Russia. There’s all sorts of wildly interesting stuff hinted at, about Russia and the rest of the world, but it takes a back seat to the plot. And it’s a marvellous story. A trio of cosmonauts were sent out to rendezvous with a mysterious artefact on its third go-around of a 12-year elliptical orbit… and things proceed. More than ‘just’ a first-contact story (or is it?), though, the story is told some years later as one of the cosmonauts visits an astronomer whose outlandish theories about the artefact – the Matryoshka – had been derided.
So there’s fascinating world-building, a really cool story, and intriguing character development too. I loved this story originally, and I still do.
Memories and Miles
Tehani and I continue our read of the Miles Vorkosigan series. This review contains lots and lots of spoilers! (Previous conversational reviews here.)
TEHANI:
Well, where to start? I think this is one of the most powerful of the Vorkosigan books, for so many reasons. Having said that, it’s probably one that suffers for being read in chronological order, because it follows Mirror Dance, which is just brilliant and so emotionally draining!
ALEX:
I finally feel, with Mirror Dance and Memory, that here are books that I could really imagine reading again. I mean, I loved Cordelia’s books a LOT, and can imagine re-reading the entire series over the years, but these two felt like a massive step up in… complexity, I guess? In narrative depth, maybe. I’m quite sure that I have missed some of the subtleties going on, which I will enjoy on a second read. I quite liked this after Mirror Dance, because while it’s emotional and fraught it’s quite different – and this is another demonstration of Bujold’s complexity as an author, which I keep being impressed by.
TEHANI:
Memory is very confronting in its own way, where Miles deals with the fallout of having died, and the long-term consequences of
this. It leads him to not only bring about his own downfall, but brings about a massive life change, leaving us, the reader, to come to terms with what could Miles possibly DO after having lived such a wild ride to date. No way could he sit at home just being Count’s heir!
ALEX:
Oh yes, I knew that no way was he going to end up being the lad-about-town with Ivan.
You know, when I said I thought Miles would take Illyan’s job, I didn’t want him to actually leave the job…
TEHANI:
I know! Illyan has been such a staple of Miles’ (and Aral and Cordelia’s) life, it’s hard to imagine how the Empire will run without him!
Fortunately, Bujold doesn’t leave Miles on the shelf, and so he embarks on a new vocation, one which gives him even MORE power and authority than he had before, more than even he could have imagined. It’s a very sweet scene when he steels himself to beg Gregor for a post-discharge promotion to captain, and is given an Imperial Auditorship! Not thinking big enough for once!
ALEX:
I realised when he was granted those powers that of course, this was really the first book in which Auditor powers had been explained at all… but I never thought, from the conversation at the ballroom, that Miles would end up having those powers, even temporarily! I loved the scene with Miles putting ALL of his medals on, including the Cetagandan one – and that it made Miles Vorkosigan feel like he actually had some worth, apart from Miles Naismith. I think this has been the most intriguing part of Miles’ character arc so far: that he has genuinely divorced Naismith and Vorgkosigan in his head, that the latter is jealous of the former… exactly how that would impact on someone of barely thirty is a bit horrifying, actually.
TEHANI:
That’s such a good point – Cordelia mentioned in an earlier book that she worried for Miles’ sanity if he ever had to give up the little
Admiral. Here, we have to worry too, because it’s not something he copes with immediately (and I love that Ivan, poor Ivan, has to deal with this).
Memory gives us a chance to see more of some backstory characters – Miles comes home to Barrayar and this means we get to play with Ivan, Lady Alys, Gregor and of course, Illyan. I love how Bujold draws her people together, and how we learn more about them over time. Lady Alys starts out as a young wife way back in Barrayar, and look how far she’s come (and still further to go!) past the overbearing mother/aunt of Ivan and Miles’ early life.
ALEX:
I like that she keeps the supporting cast so consistent, with new people only brought in when necessary and quite appropriately. Also, I just knew where things were heading as soon as Illyan described Lady Alys as a reliable woman. Ha! Old people making out! Hilarious. Bujold likes pairing off her minor characters, which makes Ivan and Miles look very left out! I mean I know Miles Naismith is ‘with’ Elli, but it’s clearly not going to be a permanent relationship, which Miles certainly longs for and even Ivan may be sort of interested in…. Also, POOR GALENI. Having your ladylove stolen by the Emperor has gotta hurt. I was pleased that they made Gregor and Laisa’s relationship gooey but also sensible – and that both Galeni and Gregor came out well, which sometimes doesn’t happen when there are love triangles.
TEHANI:
It’s also fun to see Miles assemble his own household. It really is the first time Miles has had to be a grownup, running a house, dealing with cooks, cleaners and all the daily minutae of this. He is, as always, very clever at getting good people, recognising in others what they may not have seen in themselves, and I think this is lovely to see in a domestic setting.
ALEX:
Domestic Miles! I loved it! And the fight to keep Ma Koti was a really awesome little side-play.
TEHANI:
The plot in Memory is a twisty mystery, with the usual red herrings and wrong turns, which forms the backbone of this change of life story (not just for Miles, for Illyan as well, and to a lesser extent, the Dendaari and Elli Quinn). Bujold again demonstrates her mastery of writing in yet another form.
ALEX:
For me it was one of the classic “I bet it was him ooh no he’s let off the hook ooh maybe it WAS him!” mysteries, and cleverly done too. I was VERY sad about what happened to Illyan.
TEHANI:
I love this book, which lays Miles bare, to possibly his lowest point, and forces him to reinvent himself. A definite favourite!
ALEX:
yup, it’s ranking up there for me too.
Tiptree book club: With Delicate Mad Hands
Welcome to July’s Tiptree Book Club story-discussion-thing, which I have inherited from TJ on the closing down of Dreams and Speculation. This month we’re looking at “With Delicate Mad Hands,” which marks the halfway point in the anthology Her Smoke Rose Up Forever. (A note on the next few months – I’ve changed it around a little so that we’re reading kinda-sorta the same number of pages each month: August will be “A Momentary Taste of Being;” September “We Who Stole the Dream;” and “Her Smoke Rose up Forever;” October “Love is the Plan the Plan is Death” and “On the Last Afternoon;” November “She Waits for All Men Born” and “And So On, and So On;” December “Slow Music” (yes those last two are not in the order given in the anthology).)
This discussion is completely riddled with spoilers, so don’t read on if you’d like the joy of discovery all for yourself!
It’s worth saying up front that this story did not go in any of the directions I had expected, which shouldn’t have surprised me with Tiptree. That a story could go from a discussion of how awful a girl’s life was because she had a squashed nose to her being the first human on a extra-solar planet, beloved by an alien and bequeathing an enormous amount of new knowledge… yeh, that’s pretty awesome.
Of course, to get to the awesome you have to struggle through some quite awful stuff. CP’s life is horrid right from the start – and I hope I’m not the only one slightly frustrated by the tantalising looks into this ?post-apocalyptic world offered by Tiptree, where you can rarely see the sky and Managers are the be-all and end-all. CP’s drive to get into Basic Space Crew Training eventually gets her there, and while I was initially impressed with a society that eventually lets girls in, that was rapidly quashed: she has to pay for her own sterilisation, which was awful on numerous levels, and, along with her other duties, she has to allow the men onboard to use her as a sexual ‘waste can’. My horror knows no limits…
The events on the ship, with CP eventually getting rid of the men and taking off towards Galactic North, I found surprising and I’m not sure why. Perhaps because of the no-nonsense way it was all described; and perhaps because CP’s preparedness for just this eventuality is chilling. I did, though, really enjoy her enjoyment of solitude, and finally doing just what she wants; that she went around and pulled off all the blinds to be able to see out felt so familiar that I think at this point I was able to identify with CP, just a bit. And then to have her find a roving planet… as I said, it was unexpected, and utterly utterly intriguing. That life could grow somewhere like this! That radiation could have a positive impact on life… that telepathy etc would develop, and the different ways that can be found to do science… Tiptree had a seriously amazing imagination. (Also, did anyone else feel like she might have been a little influenced by Yoda, in characterising some of her little aliens?? This story came out in 1981, so it’s just feasible….) The poignancy of discovering that yes, there really had been a voice in her head all that time, and that she was and had been loved, was a wonderfully touching conclusion.
Some questions to get discussion going:
How did you feel about CP, and did this change over the story?
Did the story develop as you were expecting?
What did you think of Auln, the alien world?
Galactic Suburbia’s Joanna Russ Tribute Show
We started talking about doing a Joanna Russ Spoilerific episode just after she died, in April, and here it is! We discuss Russ’ non-fiction polemic How to Suppress Women’s Writing, her novel The Female Man, and the short story “When it Changed.” We also discuss whether the issues confronted are still relevant today, and some of the problems we have with these works. All in a spirit of love and respect, of course, and attempting to overcome our feelings of inadequacy and terror in the face of the mighty Joanna….
You can get the episode from iTunes, or download it from Galactic Suburbia. Do leave us a review on iTunes, or email your comments to galacticsuburbia @ gmail . com !
Mirror Dance: Bujold gets very crunchy
Tehani and I are getting towards the pointier end of the Miles Vorkosigan series – me for the first time, Tehani along for the ride. We’re having great fun discussing them as we go along. Many, many spoilers. (We have discussed Cordelia’s Honor, the Young Miles Omnibus, Cetaganda, Ethan of Athos, “Labyrinth”, “Borders of Infinity” and Brothers in Arms previously.)
TEHANI:
Mirror Dance brings back Mark in full bloom, building on the seriously conflicted character we met in Brothers in Arms and making him the catalyst for a whole new era of Vorkosigan adventures. While Miles is away from the fleet (enjoying some Elli-time!), Mark swings in and masquerades as Admiral Naismith, commandeering a vessel to undertake his own vendetta. With predictably horrible consequences. Which lead to further terrible events, that force Mark to both confront his fears and also step up and become the man he needs to be.
ALEX:
ohhhh, NOW I understand your comments about Aral and his love for Cordelia! Cordelia’s own dissection of Aral’s predilections – that he prefers soldiers, and that she was attractive because of that… and, although she doesn’t make the connection obvious when she’s speaking to Mark, she therefore solves the problem of children and inheritance. This is a very cold analysis! That Cordelia is fine with it – comfortable, even indifferent – is I guess because of her Betan heritage, which is indifferent towards non-hetero forms of sexuality. I guess, too, that since she fell in love with him at the same time and it wasn’t like she had to convince him to accept her, what does it matter who else he’s attracted to or exactly what makes her attractive? It works, and that’s all that matters.
I had been longing for more Cordelia, so this was an awfully nice interlude on Barrayar, even if it was fraught and difficult!
TEHANI:
Cordelia is fascinating in this book. She’s so pragmatic and stoic about everything that happens, which is totally in character, but makes you wonder how much is going on beneath the surface. I mean, her son is dead and MISSING, her husband has a heart attack and almost dies, she has this new son who is, let’s be honest, somewhat hard to get used to, compared to Miles, and yet, she just copes! And it’s all completely believable. She’s totally my hero.
ALEX:
Yes, Cordelia is much the most self-controlled of the family, and the most accepting too. I love the comments throughout from various people about how they’d have to account to her for what they’d done to or for her son… and they mean Mark, even before he’s met her.
Anyway… I finished this book a week ago and it has taken me this long to write down my thoughts because, well, it was a really hard book to read in many ways. What Bujold does to Mark! Oh my.
I really liked the structure of this book, and was especially appreciative when we found out about the Barrayar dance called the mirror dance. Miles and Mark do indeed mirror each other for much of the book – I will have to re-read at some stage to really see some of the deeper resonances which I am sure are there. Flipping between two characters is obviously not new (hey, I’m a Lord of the Rings fan from way back), but Bujold uses it brilliantly. And again, it’s a different sort of narrative structure from previous books – she really didn’t want to get bogged down.
TEHANI:
The mirror dance is a nice touch and shows how clever Bujold is. I love too the trouble Mark has with interacting with women – if you remember, Miles was very similar in the early books! It wasn’t until Elli that he really began to feel comfortable in his own self with the opposite sex! Hmm. And even then, I suppose he was Admiral Naismith and not himself! So Miles Vorkosigan with women is still a problem (and one I’m enjoying now, in A Civil Campaign – no spoilers!) 🙂
ALEX:
The Miles story is the easiest one, I think, even though he is actually dead for a large chunk – and wasn’t that a shock to the system!
TEHANI:
Shock? What! It was HORRIBLE! It was like Bujold went, oh, well, I’ve got this OTHER character now – we don’t need THIS Vorkosigan any more… ARGH! And then to LOSE him! Elli’s reaction in this was the most heartwrenching – even though she doesn’t want to marry Miles Vorkosigan, she totally loves Miles, and her decisions and actions here are very telling.
ALEX:
Yup, absolutely. I continue to love Elli!
The early part of his story is interesting and all, but it’s the coming out of amnesia that is seriously intriguing, and shows that Bujold knows exactly what she is doing with him. His automatic expectation that people will listen to him – even when he doesn’t know who he is! – and other visceral responses are I think an indication of just how innate all of that is to Miles as Miles. The fact that Mark does not have those responses gives an indication, at least for me, of just how much Miles is a product of his environment.
TEHANI:
Too true! Mark was pretty much a slave who Miles freed, whereas Miles fought for everything he had and forced it to happen through strength of will. Chromosomally identical, it’s fascinating to see their differences here!
The relationship with the doctor is interesting – Bujold doesn’t let little things like ongoing relationships get in the way of the story, does she!
ALEX:
No indeed. Once Miles has a bit of self-confidence – at least as the Admiral – sex sex sex… 😀
And then there’s Mark. When he managed to con Bel (if only briefly) and go off to rescue some clones, I was wondering just how Bujold turned this story into a novel the length it was – I wondered whether it would be like The Vor Game, with what seemed like two different halves of a narrative. But no, things went badly… Miles comes to the rescue and is killed because he won’t abandon his brother, and then eventually Mark is kidnapped in his own attempt to rescue his brother. Ah, mirrors. Before the kidnapping of course we have Mark on Barrayar, and isn’t that revealing and compelling all on its own! I loved the bits with Cordelia and Aral coming to terms with Mark and their different reactions – Aral being more like his own father than he is probably comfortable with – and Mark finally seeing what it might be like to be part of a family. I cannot BELIEVE that on top of Miles dying Bujold then damn near killed Aral, too! And then to have Mark tortured! … well. The torture was of course a really horrible part of the narrative. Bujold handles it skilfully and sympathetically with regard to Mark, I thought – that is, I didn’t find it gratuitous in description, and the idea of Mark splitting his personalities (just like Miles has done under slightly less fraught circumstances…) promises some very interesting future ramifications.
TEHANI:
Bujold is mean to her people. MEAN. And this book has so many bad things happening to good people, which is different from the past books I think – bad things happen, of course, but not in such numbers to our favourite characters!
It’s very easy to forget that Mark has had a lot of training in a lot of things – he’s not ever going to be Miles, but he was TRAINED to be Miles, and that included a simulcrum of the military training Miles undertook. I liked the scene where Mark almost kills some Barrayans inadvertently, because it reminds us not to underestimate him just because a) everything he’s done so far has been a debacle, and b) he’s not Miles.
ALEX:
It was a very good point, that one – that he may not be Our Miles but he still has a lot of things going for him.
I was so pleased with the way the book finished, too. Miles and Mark on near-equal footing, Mark happy with being – having consciously chose to be! – heavier than Miles… yeh, I can really see this series going some interesting places.
TEHANI:
And now you’re on to Memory. If you thought THIS book was hard to process, just wait!
ALEX:
oh great!
Shattered by The Shattered City
I read this about 10 weeks ago, and I’m not sure why I’ve left it til now to actually review it. I think it’s because I read it too fast, and was then a bit shell-shocked. I couldn’t face reviewing it immediately, and then I kept putting it off… so now the review isn’t as good as it might have been, but I can at least tick it off my to-do list and move it to the bookshelf, rather than having it staring at me accusingly from the shelf above my computer…
Tansy is very very mean to her characters. If you’ve read the first book, Power and Majesty, this will not be a surprise to you.
Velody is coming to terms with being the Creature Court’s Power and Majesty. Delphine and Rhian are not coping with the changes quite so well, and neither are swathes of the Court itself – never exactly predisposed towards being welcoming or accepting of another’s power in the first place. Ashiol is still having to do great soul-searching and agonising over what to do about his power, and Velody and Garnet… something bad might be happening to the Duchessa… and something really bad might be going down in the sky.
Shattered City is a magnificent second book in that it develops the characters in unexpected ways, furthers the plot in totally twisty, snarky, and unexpected ways, and ups the ante in occasionally devastating ways. The writing continues to be elegant and precise and enticing. The world of Aufleur grows more and more well realised, as details are added about the different festivals, the food, the clothes, and the architecture… nice details that add depth.
I am desperate for the third book. I really hope it comes out this year. And I will try my best to give it a better review than this one…
On suppressing women’s writing
Just the front cover is enough to make me cranky. It’s a list of the ways in which women’s writing (and art) has been suppressed; the book is a brief and eclectic examination of how those different modes have operated, and some suggestion of why, too.
I finally got my hands on this book after I heard of Russ’ death. I’d heard of it in vague terms over many years, and more specifically in the last couple – particularly thanks to Galactic Suburbia, and a growing realisation that I really wanted to understand feminist SF, and that Russ is one entry into that. Plus, she seems like one of those writers everyone talks about… but few (especially of my generation, we post-70s women) have really read.
Russ progresses logically through various modes of suppression, dismissal, and marginalisation. As her evidence, she uses reviews of women’s work over the last century and a half or so; their presence (and absence) in anthologies and university curricula; and in biographies, as well as other sources.
The comparison of the different ways Charlotte Bronte’s work was received when it was believed to be by a man compared with when it was known to be by a woman were distressingly similar in some ways – given the difference in time – to the reception of James Tiptree Jr’s work as male/female. Russ herself notes that while some things have changed – critics are less likely in the late twentieth century to openly denigrate women’s writing simply because of the author’s gender – others have not: said critics have found alternative ways to marginalise the writing.
I’ve been sitting on this review for nearly two months, thinking there must be more to say. There is. I’m going to post this as-is, though, because I’m not sure that I can write down all of my different reactions and thoughts coherently… and we’re going to be doing our Joanna Russ Spoilerific Book Club for Galactic Suburbia soon, and hopefully that will help me clarify some ideas. (It did!)
Borders of Infinity, Brothers in Arms… a Miles overload
Tehani and I soldier on with Bujold – me for the first time, Tehani accompanying and refusing to give spoilers. This review does contain spoilers, though… (We have discussed Cordelia’s Honor, the Young Miles Omnibus, Cetaganda, Ethan of Athos and “Labyrinth” previously.)
ALEX:
“Borders of Infinity” is a curious novella, in that it sets Miles almost completely apart from all of the other characters we’ve come to know and love. Here, he doesn’t have the support of his parents, or Ivan, or a Bothari… it’s just him and his wits. And for much of the story the reader has no idea what is going on, which is also quite different from Bujold’s style in earlier books. No idea why Miles is in the POW camp – was he captured? is this deliberate? – no idea where everyone else is… at least we do have a vague idea why he’s organising the camp: because he can’t help himself. He is an inveterate organiser, schemer, and meddler; he could no more leave the camp disorganised (even without the greater plan that he turns out to have) than a cat could ignore catnip.
TEHANI:
It’s my absolute favourite of the novellas, because it showcases Miles being completely, utterly MILES! All he has are his wits and the insane charisma that makes people follow whatever the heck mad scheme he comes up with. No trappings, no trimmings (not even any clothes!) – just Miles.
ALEX:
That’s exactly it! It is – heh – naked Miles…
I did, of course, really enjoy this story. It was fun to watch Miles build something from nothing, and to see people’s reactions to him when he has absolutely nothing concrete to offer them. And the number of times someone asks, dubiously, “What did you say you were?”, and he replies “A clerk,” only to have them respond with “Yes sir”… brilliant.
TEHANI:
Heh! Best lines 🙂 There was some interesting stuff in here too. These people had been stuck in the dome for three years, succumbing to the machinations of their captors and degenerating into anarchy, but who were the organised ones? The women. They formed their own enclave within the prison, to protect each other – it’s a very telling little message from Bujold I think. I also think the story examines leadership – Miles is a fascinating leader, and has mastered the skill of making the most of the abilities of others, even when he has no idea what they might be!
ALEX:
That the women were the organised ones was an interesting aspect, yes. I think the idea that they would do so for protection makes sense. Other takes on this idea have often seen women essentially becoming part of a harem, in exchange for men’s protection. There was one interesting comment about Tris, the leader of the women – the fact that she was a trooper, not a tech, like most of the other women. Not sure what to make of that; women as soldiers still not accepted on this world?
I was heartbroken at Beatrice’s death. I could so see her joining the Dendarii. Also Murka. Looking forward, I am… not glad, but impressed maybe? respectful certainly of Bujold making sure Miles is haunted by those deaths. It makes him much more real.
TEHANI:
You’re fishing for spoilers! Won’t give. But yes, Beatrice was a sad loss, but I like that Bujold reminds us no-one is safe in her books – we can’t get complacent about characters we love!
ALEX:
Who, me? Fishing?? Beatrice died! … didn’t she?
TEHANI:
Ah, oops! Forgot that Murka was already IN the Dendarii (from “Labyrinth”) for a minute there! Carry on… 🙂
ALEX:
For me, this story reminded me in some ways of the hell described in Iain M Banks’ latest novel, Surface Detail, although Bujold’s is not nearly as unpleasant as Banks’.
TEHANI:
Darn you Alex, you’re always adding to my reading pile!
Brothers in Arms
ALEX:
Lesson #3432 I have learnt from Miles Vorkosigan: don’t joke about having a clone brother. It might just be true.
Miles has an evil twin! HAHAHA! Brilliant.
Brothers in Arms follows directly on from “Borders,” with Cetagandan forces chasing Admiral Naismith to deliver retribution for rescuing so many POWS at Dagoola IV. He ends up on Earth – Earth! – something of a backwater from a commercial point of view, due to its lack of wormhole entrances, but still commanding a cultural and psychological hold over humanity, it appears. Things, naturally, go wrong, mostly because of the plot to replace Miles with his six-years-younger clone twin.
TEHANI:
I like that it takes quite a while for the actual clone story to start here. It gives us time to anticipate the incipient disaster we just know will come! And one of the best bits is when Miles thinks he’s hallucinating, but later realises he really was seeing the clone!
ALEX:
Yes, I thought that was a nice twist – that he wasn’t going quite as crazy as he thought he was.
On the plot:
Awesome. Nice plot twists with the struggles of the clone. One of the highlights of course is the utter DISASTER of Admiral Naismith and Lieutenant Vorkosigan being on the same planet at the same time – which is what leads to the crazy story of the clone… oops. It didn’t feel like there were that many sub-plots going on in this book as with some of the others; there’s the Miles/Quinn love story, but it’s not like Ivan or Galeni get their own little thread. Also, this wasn’t really a detective story like Cetaganda, nor was it space opera-y Warrior’s Apprentice. It is certainly SF, of course, and it’s a lot of fun knowing that, in reading a Bujold novel, you do not necessarily know what sort of a plot you’re in for, nor what sort of a setting. Very clever, and very attractive.
TEHANI:
Very skilful too. There’s not all that many authors around who can write equally well with a detective plot, a space opera, a romance (just wait), an action adventure and so much more! This one was relatively straightforward I agree, without the twisty turns of some of the other Vorkosigan books, but also important, in the larger scheme, particularly because of Mark, but for other reasons too. No, I’m not telling!
ALEX:
On the characters:
Miles continues to be awesome, natch. He also develops quite a lot of humanity in this novel, I feel, as he has nightmares about Beatrice and Murka dying (from “Borders”), as well as his great quandary over whether to get it on with Quinn or not. He finally seems to be learning a bit more about how to be subordinate – although it sure doesn’t come easily. The effect of having the clone mirror to him his gestures and words and entire personality is a really neat trick to force some self-reflection. In his mid-20s, it finally feels like Miles is almost old enough for his brain, which continues to devise interesting, if somewhat desperate, schemes. I particularly enjoyed the little trap under the Thames barrier – getting everyone to eliminate everyone else while searching for Miles.
TEHANI:
Oh yes, VERY effective. And the business of Beatrice and Murka hanging over him is sobering for him – he’s had people die before, but he’s beginning to understand one of those huge responsibilities of leadership – the introspection of that is quite a settling force, in some ways. I was particularly sad about Murka – we’d already seen him in action in “Labyrinth” and he was a great character! Bujold really subscribed to the “Kill off your darlings” mantra eh? 🙂
ALEX:
Mark, the clone, promises to be a verrrry interesting part of the saga from now on. Bujold does an intriguing thing here with the question of nature/nurture, because while Galen was attempting to re-create Miles, he was doing so in a completely different environment. Let’s not even go into what was necessary to turn Mark physically into Miles – I had hoped that they would have tried introducing the poison into the uterine replicator or something similar, but no…. I felt an immense sympathy for Mark, which I am sure was Bujold’s point; he’s just a pawn for everyone, even Miles, it’s no wonder that he has trust issues. I can’t wait to see what Bujold does with him over time. I admit that I had rather expected everything to be tied up, if not neatly then with greater hope than we are left with re: Mark’s position, by the conclusion of the story. Bujold doesn’t exactly make things easy, does she?
TEHANI:
Never! And just you wait til Mirror Dance!
ALEX:
On the other hand… yay Quinn! More Quinn is good! It was fun to see Miles finally having a mostly-normal relationship with a woman (not pining unrequitedly, not getting it on with an 8ft, 16-year-old genetic experiment…), particularly when it’s a woman who most definitely knows her own mind stands up for herself. The bit where she refuses to be Lady Vorkosigan but still wants to jump his bones? Marvellous.
TEHANI:
I like that Quinn doesn’t succumb to Miles here. We know he’s got such a forceful and charismatic personae that it really would have been something he could have talked her into. And, traditionally in stories, the hero gets the girl, right? And he’s already missed out on Elena, so it’s his turn now, right? Which makes it so much cooler that he DOESN’T get the girl! It’s logical, and sensible, and I’m glad that Bujold let it happen this way.
ALEX:
Their relationship makes sense – on her terms, not his.
Ivan… still not that intriguing, I’m afraid. I like him and all, but he’s not come into his own yet. I admit it’s clear that he’s nowhere near as dense as Miles might sometimes think though.
TEHANI:
We definitely are starting to see some sparks of who Ivan really is, when he’s not completely bombarded by Miles. The flashes of innovative thought are hopeful!
ALEX:
For some reason I was thinking about Tom Clancy the other day, and it occurred to me that if Clancy were writing Miles, he would end up being the Emperor. Or at least in Illyan’s job. That would be awesome.
TEHANI:
You’re fishing again!! Interesting train of thought… 🙂 Onwards!!
Randomly Yours, Alex 