Tag Archives: alastair reynolds

Godlike Machines

I got to read a review copy of Godlike Machines a while back, and fell totally in love with it. It’s finally, finally, been published, so I get to talk about it!!

I am so in love with Big Dumb Objects. And Small Dumb Objects. And grand, time-spanning, galaxy-sweeping space opera. Godlike Machines was, basically, written for me.

The opening story is “Troika,” by Alastair Reynolds. Told be a cosmonaut to an old woman, Nesha, it details humanity’s reaction to an astonishing object appearing in our solar system – the Matryoshka. Reynolds has delicate character development, gripping plot development, and an all-too-real visualisation of near-future Earth. This story made me sigh with pure pleasure. A novella, it could easily be a full-length novel; in some ways it reminded me of Clarke’s Rama sequence. I have nothing bad to say about the characters, or the narration, or the climax. This one goes straight to the pool room of All Time Favourites.

Stephen Baxter’s “Return to Titan” was perhaps not as infatuation-producing as I have not yet read any of the Xeelee sequence; but it’s still a good yarn, about going to Titan – obviously; the reasons for doing that and the weird things the explorers discover. The characters were intriguing, and not very likable overall.

Cory Doctorow’s “There’s a Great Big Beautiful Tomorrow” seemed a bit aimless, after the first two which have such strong, driving, and relentless plots; still the characterisation is a marvel, and some of the ideas are breath-taking.

Having recently read “A Map of the Mines of Barnath,” I was immensely pleased to read “A Glimpse of the Marvelous Structure” by Sean Williams. This one goes up alongside “Troika,” for my money; the characters are drawn sparsely but believably; the plot unfolds gently, relentlessly, and suprisingly; and – and – I just loved it!

How can you make a story about a BDO sad and poignant?? Robert Reed manages it in “Alone,” but I’m still a bit bemused. This is another story going straight to my favourites list… a machine on an enormous ship, alone for enormous swathes of time: would it want to know its provenance? Is it possible to be self-contained to such an extreme, for any sentient? *sigh* it’s just wonderful.

And finally, Greg Egan’s “Hot Rock” is yet another take on what exactly a godlike machine could be. In this case, it’s a planet. Explorers from two different worlds come together to a wandering planet, which – despite having no sun – still manages to be balmy and atmospheric. Once again interacting with aliens is the theme of the day; managing your own prejudices and expectations, and figuring out how to make the best of a situation for everyone involved. In this case, it was the action that pulled me along; the characters are interesting enough, but not quite at the same level as Alone or Reynolds’ cosmonaut.

Basically, this anthology has ruined me for space opera for a while. It will be hard for anyone else to compete.

Aussiecon4: Day 5

By the last day of a con, everyone is starting to get a bit weary, and understandably so. There were a number of people who were particularly… weary… post-Hugos. Me, I was doing fine. So I completed my not-stalking of Alastair Reynolds by going to his book reading, and I’m glad I did because he chose a short story he’d written for Barclays Bank, on the issue of data security, which is unlikely to get much exposure elsewhere. The story was good, but seriously: can you imagine being asked to write an sf story for non-sf readers working in a bank on data security?? Tough gig . Oh, and that came after another little fangirl moment, when I was chatting to Jonathan and got to meet Garth Nix….

The only other panel I got to was the second half of one on maps in fantasy writing, with three writers who all do their own maps. One of them was David Cornish, whom I’d met a couple of days before, having interviewed him for both Snapshot ’07 and Snapshot ’10. The discussion was actually more interesting than I’d expected, about what to include and why, and the sheer number that these three, at least (Cornish, Ian Irvine, and Russell Blackford), produce for their own interests and the sake of the narrative which never then appear in a book. Reading list: The Selected Works of T.S Spivet (which I’ve been meaning to get for ages).

The rest of Monday involved helping Alisa, Terri, and Tehani pack up their section of the dealers’ room, with able assistance from Mitch and Rohan. After the bazillion boxes were loaded up and taken down to the loading bay, and picked up by the freight company, Alisa and I staggered back to Tansy and Finchy’s place with Trent in tow to debrief somewhat, after farewelling Tehani with hopes that she wouldn’t get done for excess baggage. And then I managed to get home not tooo late.

Bonus extra Aussiecon4 day
Although Monday was officially the end of Aussiecon4, Tansy and Alisa and I managed to draw it out for another few hours by catching up on the Tuesday to record some final, face-to-face Galactic Suburbia. So we did a Hugos round-up, like we did for the Ditmars; and then we did a worldcon wrap-up too. Our subscribers are going to be totally overwhelmed….

Aussiecon4: Day 4

Sunday was the biggest day for me in terms of panels I wanted to attend – and because it ended with the Hugos ceremony.

It began with a panel on far future sf, and was framed by Clarke’s so-called law, that any sufficiently advanced technology is indistinguishable from magic. There were some completely different points of view on the panel, which was awesome (although it was made just a little less awesome by the fact that all five were men, and made me wonder: who are the women writing space opera/far future sf? I’m reading Marianne de Pierres’ Sentients of Orion series, and I know there are some women in New Space Opera 1&2, but… I must find more). There was discussion over whether the quote was a sociological comment, whether it becomes a false premise as soon as a culture has a notion of technology, and whether it’s a concept that just keeps getting pushed further and further out by the word ‘sufficiently’. Reading list: Matt Hughes, GD Nordley, Gene Wolf, Robert Reed. (Yes yes, Alastair Reynolds was on this panel; he said great things.)

From this panel there was rushing to a packed seminar room for a panel entitled The Case for a Female Dr Who. One bloke, four women; one anti, four in favour. Paul Cornell is totally up for it, and seemed particularly taken with the idea of Julia Sawalha. Me, I’d like Helen Mirren, or Judi Dench; I am less convinced than everyone else seemed to be by the idea of Emma Thompson. It essentially turned into a discussion of how rather than the why, because most people seemed very comfortable with the basic premise. I do think an older woman would be more interesting, in a whole range of ways, than a younger woman. Reading list: Chicks Dig Timelords. Also: serious Doctor Who Fans are just a tiny bit terrifying. But I didn’t learn my lesson, and also ended up at a panel reviewing the latest season. The panellists discussed what they liked, or didn’t; attitudes towards Matt Smith as the Doctor, and Amy, and River; whether the show is/should be for kids, adults, or ‘family’; and how annoying it is when the sonic screwdriver becomes a magic wand to get the script writer out of any tight spot….

I next attended a panel on the history of Australian women in sf, both in writing and fandom. Lucy Sussex talked a bit about the nineteenth century, then Helen Merrick skipped to the 50s and 60s, then Alisa talked about what she’s found about the last decade or two. Gina Goddard talked about the last thirty years in fandom, and it was a little depressing to hear that while some things have changed – there were kids at almost every panel I went to, and no one seemed to have a problem with that – still some things have not changed. Reading list: Helen Merrick and Tess Williams’ Women of other Worlds; Lucy Sussex generally, plus her edited She’s Fantastic (bought the next day!); Sylvia Kelso; Tess Williams. Also at this panel Tansy and I were inspired to get to Wiscon together sometime in the next 5-10 years, dragging Alisa with us….

The next bit of the afternoon was, if anything, more hectic. I’d been expecting to go off and have dinner by myself and come back for the Hugos, because most of the others had invites to various exclusive parties. But Tehani ended up not going to the Orbit party, so she told me to go in her stead, for which I was humbly grateful although sad for her! So I ducked off to the loos and frocked up (gotta take every opportunity); ditched stuff in the dealers’ room rather than carrying it around, then hared off to a panel on Big Dumb Objects in sf (um, yes, another Alastair Reynolds panel…). This is the sort of sf I really enjoy, tied as it so often is with space opera, and I was really pleased to hear the panellists talking about the character options that are available and interesting to explore when you use a BDO. Reading list: Niven; David Brin?; Ringworld; Riverworld?; Robert Reed, stories about the Great Ship; Pohl; Farmer, World of Tiers; Ken McLeod; Charles Sheffield; Chalker; Larry Gibbon?; Cordwainer Smith; The Wanderer. Again, all of these are male, which makes me even more determined to find the women writing similar sorts of things.

The evening’s entertainment started with a party sponsored by Orbit, which involved Hugo nominees and others swanning around, dolled up, drinking when they could reach the bar and eating a small quantity of food. Again, I got to meet some people, and had other famous people pointed out to me. But really, this was all in anticipation of the main event: the Hugos ceremony.

Terri, Alisa, and I got a good spot from which to watch the ceremony, and Alisa tweeted the entire thing – which led to her missing the cover of Horn flashing up as part of the 2009 wrap up (link), all of which was hugely exciting. Before that, though, the woman in front of us – listening to us gasbag excitedly – turned around and announced she recognised our voices from Galactic Suburbia! Hilarious. Anyway, Garth Nix was a great MC; the ceremony went smoothly, most of the acceptance speeches were short and made the winner look good; most of the winners were ones of which I approved (which is important, obviously). Highlights: Cheryl Morgan liveblogging as she walked up to the podium to accept the Hugo for Clarkesworld’s semiprozine win; Frederick Pohl winning, at 90, a Hugo for Best Fan Writer for his blog (to match Hugos for writing and editing, and his grandson’s Hugo too); Peter Watts accusing the audience of costing him $20 because he lost a bet by winning.

After the Hugos, we brought the party back to Tehani, who had balanced the books while following Alisa’s tweets; we sat around eating junk food for a few hours, just chewing the fat. It was, again, wonderful.

Aussiecon4: Day 3

I’d be lying, and everyone who was there would know I was lying, if I didn’t say that the most exciting thing about day 3 was getting to meet Alastair Reynolds. Minor fangirl moment. I got to chat about astronomy with him, as well as about his writing, and of course got his autograph. So that totally made my day week….

The first panel I went to was Tansy’s on the plight of female superheroes. Sadly, it was largely derailed by the bloke on the panel, who somehow hadn’t realised that a panel on that topic might be intended as a feminist critique of the institutionalised misogyny of the comic books industry, as well as other interesting topics. I’m not a comic book reader, although I might be if I thought there were better representations of women; even so this panel was disappointing.

Spent the next while in the dealers’ room, helping a bit but mostly hindering, and meeting more interesting people. Then I went to the Girl Genius radio play, which I’d been a leedle concerned about because all of the roles (except Agatha, played by Kaja, and some random ones played by Phil) were played by con attendees. But I should not have been concerned: they were, largely, excellent. It was hugely entertaining, there was some audience participation (GENTLEMAN ADVENTURER!!!), and all in all it was a brilliant part of the con.

I rushed out of there to a panel on feminists writing fantasy, which had a really good range of women speaking: some young writers, and some older; some writing ‘traditional’ fantasy and some deliberately flouting traditions. They talked about female characters, sex scenes, male characters, and their own inspirations. Reading list: Delia Sherman, Alaya Johnson.

The evening’s entertainment was a low-key affair. Alisa and I accompanied Tansy back to her apartment to record a short (for us) Galactic Suburbia ep about the Ditmars. We left Tansy with her loving family and went down to Tehani&Terri’s apartment, for dinner and gossip and general relaxing. It was really really nice.

Day 27

Day 27 – If a book contains ______, you will always read it!

Um. The name Alastair Reynolds? His name is enough to make me read an anthology, that’s for sure…

I don’t think I have a “will read”. I know full well that not all books with space ships  in them appeal to me; I know that not all dragons, or elves, are going to be my thing; sadly, not even everything set in ancient Greece or Rome floats my boat.

It might be easier to say what I won’t read: vampires and werewolves. Although I make an exception for Gail Carriger.

Day 11, of 30 Days of Books

Day 11 – A book that disappointed you

Terminal World, by Alastair Reynolds

I could just send you to my review over here… Basically, I adore everything else Reynolds has every written, so when this didn’t live up to my hopes I was mildly devastated. I put it down to it not being set in space. And he wasn’t sure how to go about ending it: the conclusion went nowhere, and left way too many questions.

Author-struck

So I mooned a bit over Alastair Reynolds and Stephen Baxter while at Swancon, to the amusement and probably boredom of a number of people. I think they’re both utterly, utterly splendid – I love everything I’ve read of theirs – and they’ve made me love space opera. It’s occurred to me I need to add another name to that list.[1]

Iain M Banks is a master.

This is not a revelation for me; more a rediscovery. I read Consider Phlebas when I thought that they were sequential… then discovered they weren’t, so just bought the first one than came to hand next time – Use of Weapons. Which has been sitting there, looking at me reproachfully, for… a while. With the release of Matter, I finally decided to go and read it.

Woohoo!!

This is one person where I am actually tempted to go into a shop and buy every single thing he’s written (scifi, at least… might have to test the mainstream first). I might go secondhand first, but still – I want to read it all! Now! might go on hiatus….

[1] Actually, two: Dan Simmons is also heroic. And I think that, if I deign to watch Hyperion the movie, I will have to go alone, since I may end up either piffing things at the screen or getting violent. Or both, escalating.

Galactic North

I finished this a couple of days ago – given it is a set of novellas, it serves as my break from reading about the Chinese Revolution, which book I will also post about at some time – there are some doozies of quotes that I have to share with people.

Anyway, to Galactic North: the latest Alastair Reynolds (although apparently there’s a new novel on the way – hurrah). I am eternally grateful to Kate for getting me to to read short stories, since before she started foisting Urchin stories on me (an example of which can be read here – I do so love the Wild Hunt), I never was much of a fan. This I have since repented, and am doing my part in reading a large stack of Aussie shorts (don’t believe me? Check this out). But back to the point. The first two stories (Great Wall of Mars, and Glacial) of this collection are about Galiana and Clavain, familiar to anyone who has read Revelation Space stories and still fascinating characters for newbies. Representing very different forms of culture and humanity – one a Conjoiner, those humans who exist with what is, crudely, an interweb between them, connecting them irrevocably, the other from a faction implacably opposed to such forms of humanity. They are great stories, and although you can read them as stand-alones, as I said, i think they are best seen as filling in (very nicely) holes from the novels.

Those two stories were probablymy favourites, because they did plug holes. “A Spy in Europa” is excellent, a very clever twisty story; “Weather” looks at both Ultras (space-adapted sailors, basically) and Conjoiners more than usual. “Dilation Sleep” is apparently a very old story, and suitably creepy, although not the most interesting of the set; “Grafenwalder’s Bestiary” allows Reynolds’ macabre side out to play. “Nightingale” (took me a while to get the name; it’s the name of a hospital ship) is also quite macabre, and an anti-war gem. Finally, “Galactic North” reminded me a lot of Time, Space, and Origin by Stephen Baxter, for its sheer scope of time and space. It was really, really good, too – picking up on something mentioned in one of the novels, and running with it to what should be a ridiculous extent, and yet… it works.

All in all, a glorious set of stories. And it just makes me want more from the Revelation Space ‘verse.

Reading for pleasure (gasp!)

I feel like it is a long time since I read anything without another agenda in mind: it was for school, or I was going to write a review of it… even history books I read for fun still have the not-very-subliminal purpose of increasing my general (trivial) knowledge. That’s not to say that I dont enjoy those books, of course; just that as I read I’m thinking of things other than just the enjoyment.

To celebrate the start of my break, I am reading Galactic North, by Alastair Reynolds. It has been sitting on my shelf for a while, holding out the promise of complete escapism and masterful writing, for a while now, and it is with a huge sense of relief and relaxation that I dived into it yesterday. It’s 8 short stories – novellas, really – set in the Revelation Space et al universe. The first two are about Nevil Clavain, Galiana, and Felka. I remember them from at least one of the four stories set in that ‘verse, and it’s really nice to get some background on them. It also, of course, makes me itch to go back and read them all again. I think I read them too fast first time around and may have missed some of the subtleties. Plus, they are jsut damned fine stories. Truly, Reynolds is a heroic storyteller.

Alastair Reynolds!!!

I’ve just found out that there are two new Reynolds coming out!! No idea when, but who cares – just knowing is enough to keep me on edge. Yay! One’s a novel, the other is a collection of sort stories – which, thanks to the wonderful Kate, I am now totally fine with.

Definitely something to be looking forward to.