Further consideration of the 32
Yesterday I blogged about this list of 32 recommended SF novels. I mentioned at the time I wasn’t sure how much store to set by the compiler. Last night, as I considered the list further, I realised there are some serious flaws.
Firstly, the things I think are good about the list:
- There were a few books, and some authors, I hadn’t heard of. They might actually be crap, but it’s cool to have new people suggested – and not to have lists dominated by the same old people. Now, perhaps I’m just not entirely up with my SF classics, and these are all people I ‘should’ have heard of – but I don’t, so it works for me.
- It covers a good range of time – from Mary Shelley through Jules Verne and HG Wells, up to Cory Doctorow and Richard Morgan. It’s useful to see the history of SF reflected in a list like this, and presumably shows the compiler has a good understanding of the range of SF over time.
- There’s a variety in types of SF. That is, you’ve got your loony Douglas Adams, the slightly farcical Michael Crichton’s Timeline, through to the more serious, epic-like works such as those of Frank Herbert and Robert Heinlein, as well the cyperpunk of William Gibson. It’s good to see this range reflected, too – because SF is no monolithic structure.
However, there are obviously some problems with the list. Now, this just may reflect the compiler’s reading taste, but it’s still interesting – I hope – to offer a critique.
- Firstly, I’m not sure all of the works mentioned count as SF. Animal Farm, basically. Not convinced.
- By my count, only Lois Lowry and Mary Shelley rate a mention to represent female publishing. What happened to Ursula le Guin, and Left Hand of Darkness? Perhaps the compiler hasn’t read it, but if they claim to be making a somewhat-authoritative list, she’s a fairly glaring omission. Octavia Butler (of whom I’ve only read short stories), Nancy Kress… I could go on. It’s the main thing I’ve got a beef about, actually.
- One, by my count, young-adult book (the Lowry, which again I haven’t read). Now, perhaps again this reflects the compiler’s reading habits – came to SF as an adult? – but there are some truly awesome YA scifi books out there. Madeline l’Engels’ Wrinkle in Time, for starters… and a lot more I won’t bother to list.
- Clarke’s 2001 only rates a little mention at the end??
- There shouldn’t be more than one book by any one author, I think. Fair enough to say “this is representative of the author, see also…” but I think that padding the list with multiple entires from one author is laziness, or the compiler isn’t as well-read as it might seem… or they really wanted it to be 32 books in the list and didn’t think anything else rated.
- Finally, as a list of recommendations, it bugs me a little that it’s got only quotes from Amazon (and Wikipedia). Does this mean the compiler hasn’t actually read them, or doesn’t trust their writing/reviewing skills, or thinks people want something more ‘objective’ than a more personal opinion would seem?
Anyway, those are my thoughts. I will still try to read some of the things of the list, despite my reservations about the list as a whole – because even given those, there are still some books that I know are good and interesting, and this has in some ways simply jogged my memory, as well as giving me some others to consider.
32 SF novels
This is the list. I actually don’t know the blog, so I don’t know if I have to beat myself up over having only read 10 of them… at least a number of the others are on my list!! And that’s one reason why I’ve got the link here, to be honest – to keep it in my head.
Lists are interesting things. Very interesting. Cos… 32? Really? I wonder why the author didn’t just make it 38 and add the honorable mentions? Anyway. Yet more books to add to the list.
Such Aussie YA fiction goodness is mine
I splurged on the weekend and bought myself two books, despite having a stack of stuff to do:
Superior Saturday, by Garth Nix – which I’ve only been anticipating for, oh, a year. And I read it in a day… and there will be a review at ASif! mighty soon. As soon as I can get all that other stuff done…
Lamplighter, by DM Cornish – the sequel to Monster Blood Tattoo, which I adored. I’m currently reading this one; I’m not yet sure whether I love it as much as I loved MBT, but I probably haven’t read enough to judge yet. I’ve also forgotten a bit of what happened in the first, so I’m remembering that slowly.
Glorious! Fabulous! Calloo and callay! I must get my work done so I can properly enjoy them.
Superior Saturday!
Oh baby!
Garth Nix reading the prologue to Superior Saturday. At last! I’ve been looking forward to this book for, oh, a year? However long it’s been since Lady Friday came out. What makes it sad is that as soon as I get hold of it… it will be read, in a couple of hours, and then I’ll have to wait a year or so until finally Lord Sunday, and I get completion. I hope.
Anyway: June this year! That’s not really that long away!
Amazon eats its young: from an author-friend
You can read more of the gory details over here, but here’s an excerpt:
“By making a just-about-compulsory link with BookSurge (Amazon will continue to list books, apparently, but will turn off the ‘buy’ button), Amazon ensures that small publishers can’t go elsewhere. On top of this, they already demand (and apparently have no intention of changing their demand for) 48% of the published price for any small press books they sell, and they also apparently want small press to pay delivery charges. If publishers don’t do all this, they won’t see their books sold on Amazon. For books not currently listed, publishers will also have to pay a flat fee of $50 a book, just for processing.”
Sounds to me like Amazon is getting even more ambitious, and putting it some cost-cutters that it probably really doesn’t need to.
Saturday #2
So after Dedman came Helen Merrick, who was also fascinating, talking about the science in women’s SF – which is something I’m enthralled by, having been a science-y type at school (I struggled all through year 12 over whether to do science or history at uni… no one told me it was possible to do both!). Anyway, to start with she looked at why women write SF in the first place: that many grew up reading it, and also have a background of science. It also allows women to engage with science, and critique it. There’s apparently been very little research done into the science in female-authored SF. Her take, though, is that the science can be liberating for women; it can be critiqued for social/ethical consequences, as well as critiquing the institution, methodology and hierarchy; and show ways of ‘doing science’ differently. In essence, the talk was Cool, and gave me a list of reading I should do….
Then, I ditched the academic programme, and went off to hear about The New Space Opera. Have I mentioned how much I love space opera? I love it. Anyway – this panel also gave me things I need to read, which is so totally fine. Despite not having any time for reading. Possibly my favourite quote of the entire con was Ken McLeod talking Ian Banks: apparently he said he wrote his Culture novels intending to “conquer the moral high ground for the left.” Yeeah! Anyway, a lot of the panel was more about the panelists talking about their own stuff and why/how it’s space opera, which was a bit of a pain when I hadn’t read any of it. Interestingly, you can make heaps more dough in writing fantasy that in scifi; didn’t know that. The panel did, though, pose an interesting question: can space opera survive modern technology and science? It started amidst the optimism about science of the 1920s and 1930s; can the pessimism of the 00s make us set space opera aside? I wonder whether we’ll keep reading it, but with a nostalgic rather than optimistic view.
Then.. oh my! It was our turn to do a panel! Me, Ben, Alisa, and Jonathan (with Tansy a noticeable absence), talking about that crazy Last Short Story thing. People were there! And asked questions! And seemed genuinely interested in the answers…. There were a few odd comments, but that’s ok. It was far more enjoyable than I had expected.
Another book launch that night… Alisa and Kathryn and I went out dinner after, and I had the hottest prawn and onion salad in the entire world. Followed by a reading from Rob Shearman’s new book Tiny Deaths, which I bought and made him write in and am happy to recommend to people having only heard the two stories that he read at the con. The kids roaming the room were a bit of a pain, though. This was followed by heading back to my room (notice a pattern?), and watching Claire McKenna’s movie Liminal, which I saw last year and wasn’t nearly as good on a computer screen sans speakers. Basically we talked over the whole thing, commentating, which was funny in its own way. Once again, I managed to kick people out at midnight.
Saturday #1
… when I went running again, but this time only for 40 min or so because my back started hurting. Hopefully pilates will help with this.
I went to some of the academic panels, and by goodness they were great.
Robert Savage’s “Paleoanthropology of the Future” (which can mean at least two different things, as far as I can read) was awesome – about 2001, and how scifi looks at the development of Human. He made a link between the hero-journey (which I remember from doing classics) and the development of man: needing some sort of external shove, for instance, to get started, and how at the end the hero/man is the same but different. He posited that Moonwatcher, Floyd, and Bowman are all fundamentally the same character, but (I think) different aspects (I could be murdering his whole premise here, of course). Women, in this story and in the story of Man’s Development (in the classic model), are removed – and I hadn’t really noticed that: the three women in the story are a little girls and two stewardesses: they are there to provide comfort and that’s it. The bit I really liked was the idea of how 2001‘s narrative arc follows the arc suggested by paleoanthropology. The latter requires evolution or similar, which doesn’t really fit in with narrative requirements, so Clarke has the extraterrestrial influence, which fits in with the idea of “the donor” from the hero-journey arc. A couple of other interesting points: the development of Dave into the star-child // conception, when the pod goes into the sun (so the hero is the father of the child, and so is still recognisable). Also, that HAL // the leopard in the opening segment as an external motivating influence. And of course, the other possibly conclusion to the story is that HAL goes through the monolith, and comes out as… IBM? :)Â There’s also the parallel between HAL being shut down and Dave in the hotel room, at the end, regressing. So Dave and HAL are very similar, even (and this is my take) aspects of the same idea.
(Dr) Stephen Dedman’s talk on Captain America was quite fascinating, too – I know nothing about the superhero, so it was interesting to hear about his development and mutations over time. Especially as he was born out of a Congress request for publishers to put out stuff that was in line with the government’s policy on war! The (ab)use of comics would make a fascinating book, I think. The change from all-American hero fighting the dirty Hun, to whether he should be shown fighting the Vietnamese at all, to finally fighting Americans in thrall to an evil American general is quite some development.
And then there was Friday
It was great running on Good Friday morning: almost no traffic, and almost no people! I ran down to and along the Esplanade – they have a huge bloody river in Perth! And fountains… I don’t remember when there were working fountains in Melbourne. Oh – and that was after waking up at 5.30am Perth time, which my body was insisting was 7.30 for us, despite having gone to sleep at about 2am for us (midnight in Perth). Very confusing… fortunately my ability to doze off again seems to be reappearing.
Hung around with Alisa, Ben and Tehani for a bit of the morning – they were setting up their table to flog their wares (primarily 2012 and Andromeda Spaceways Inflight Magazine – Australia’s pulpiest magazine! (I adore it).
The first panels I went to were about the history of Dr Who – the pre-production stuff, like how Dr Who basically started because the BBC had an opening in their scheduling, and the fact that its producer was the first female producer and the youngest producer to boot, at the BBC. That’s cool. Interesting to hear that it seems like lots of people wanted Dr Who to fail, for a whole range of reasons! It also seems that TV people stuffing around with their programming has been going on for as long as TV has existed (and probably happened/happens in radio, too) – changing series lengths, etc. The soundstage they had to deal with makes it seem remarkable they managed to make anything, frankly, and seems a testament to the actors and the crew. And then – to top it all off, and to drive home what they’d been talking about – the panel did an overview of the first season of Dr Who, which was very cool. Those guys clearly know their Who trivia, which was fun…. It was fascinating to hear about the growth in viewers (up to 10 million for the episodes with the Daleks!), and about the interaction of the actors – and development of the characters, too.
Zara’s talk on “why we love children’s SF” was fantastic – a survey of 900 respondents, asking when they started reading scifi, what they liked as a kid, what they didn’t like, etc. I really must take the time to read The Inter-Galactic Playground. It sounds like a very cool project Zara has got herself involved in! – and gave me a list of books I really ought to chase up, too…
Anyway… then went and had a drink with a few people, then it was the launch of 2012 and Workers’ Paradise, both of which I can highly recommend. After that, another book launch! – Magic Dirt, a collection of Sean Williams’ stuff. Rob nearly choked on the little packets of magic dirt (actually gravel or something similar), and blamed me for it…. Eventually had a bit to eat at the Indian restaurant around the corner at about 9pm, then back to the hotel bar, then nearly went to a room party… but it was too loud and hot, so I bailed and went to bed. It was, after all, midnight.
