Memories and Miles
Tehani and I continue our read of the Miles Vorkosigan series. This review contains lots and lots of spoilers! (Previous conversational reviews here.)
TEHANI:
Well, where to start? I think this is one of the most powerful of the Vorkosigan books, for so many reasons. Having said that, it’s probably one that suffers for being read in chronological order, because it follows Mirror Dance, which is just brilliant and so emotionally draining!
ALEX:
I finally feel, with Mirror Dance and Memory, that here are books that I could really imagine reading again. I mean, I loved Cordelia’s books a LOT, and can imagine re-reading the entire series over the years, but these two felt like a massive step up in… complexity, I guess? In narrative depth, maybe. I’m quite sure that I have missed some of the subtleties going on, which I will enjoy on a second read. I quite liked this after Mirror Dance, because while it’s emotional and fraught it’s quite different – and this is another demonstration of Bujold’s complexity as an author, which I keep being impressed by.
TEHANI:
Memory is very confronting in its own way, where Miles deals with the fallout of having died, and the long-term consequences of
this. It leads him to not only bring about his own downfall, but brings about a massive life change, leaving us, the reader, to come to terms with what could Miles possibly DO after having lived such a wild ride to date. No way could he sit at home just being Count’s heir!
ALEX:
Oh yes, I knew that no way was he going to end up being the lad-about-town with Ivan.
You know, when I said I thought Miles would take Illyan’s job, I didn’t want him to actually leave the job…
TEHANI:
I know! Illyan has been such a staple of Miles’ (and Aral and Cordelia’s) life, it’s hard to imagine how the Empire will run without him!
Fortunately, Bujold doesn’t leave Miles on the shelf, and so he embarks on a new vocation, one which gives him even MORE power and authority than he had before, more than even he could have imagined. It’s a very sweet scene when he steels himself to beg Gregor for a post-discharge promotion to captain, and is given an Imperial Auditorship! Not thinking big enough for once!
ALEX:
I realised when he was granted those powers that of course, this was really the first book in which Auditor powers had been explained at all… but I never thought, from the conversation at the ballroom, that Miles would end up having those powers, even temporarily! I loved the scene with Miles putting ALL of his medals on, including the Cetagandan one – and that it made Miles Vorkosigan feel like he actually had some worth, apart from Miles Naismith. I think this has been the most intriguing part of Miles’ character arc so far: that he has genuinely divorced Naismith and Vorgkosigan in his head, that the latter is jealous of the former… exactly how that would impact on someone of barely thirty is a bit horrifying, actually.
TEHANI:
That’s such a good point – Cordelia mentioned in an earlier book that she worried for Miles’ sanity if he ever had to give up the little
Admiral. Here, we have to worry too, because it’s not something he copes with immediately (and I love that Ivan, poor Ivan, has to deal with this).
Memory gives us a chance to see more of some backstory characters – Miles comes home to Barrayar and this means we get to play with Ivan, Lady Alys, Gregor and of course, Illyan. I love how Bujold draws her people together, and how we learn more about them over time. Lady Alys starts out as a young wife way back in Barrayar, and look how far she’s come (and still further to go!) past the overbearing mother/aunt of Ivan and Miles’ early life.
ALEX:
I like that she keeps the supporting cast so consistent, with new people only brought in when necessary and quite appropriately. Also, I just knew where things were heading as soon as Illyan described Lady Alys as a reliable woman. Ha! Old people making out! Hilarious. Bujold likes pairing off her minor characters, which makes Ivan and Miles look very left out! I mean I know Miles Naismith is ‘with’ Elli, but it’s clearly not going to be a permanent relationship, which Miles certainly longs for and even Ivan may be sort of interested in…. Also, POOR GALENI. Having your ladylove stolen by the Emperor has gotta hurt. I was pleased that they made Gregor and Laisa’s relationship gooey but also sensible – and that both Galeni and Gregor came out well, which sometimes doesn’t happen when there are love triangles.
TEHANI:
It’s also fun to see Miles assemble his own household. It really is the first time Miles has had to be a grownup, running a house, dealing with cooks, cleaners and all the daily minutae of this. He is, as always, very clever at getting good people, recognising in others what they may not have seen in themselves, and I think this is lovely to see in a domestic setting.
ALEX:
Domestic Miles! I loved it! And the fight to keep Ma Koti was a really awesome little side-play.
TEHANI:
The plot in Memory is a twisty mystery, with the usual red herrings and wrong turns, which forms the backbone of this change of life story (not just for Miles, for Illyan as well, and to a lesser extent, the Dendaari and Elli Quinn). Bujold again demonstrates her mastery of writing in yet another form.
ALEX:
For me it was one of the classic “I bet it was him ooh no he’s let off the hook ooh maybe it WAS him!” mysteries, and cleverly done too. I was VERY sad about what happened to Illyan.
TEHANI:
I love this book, which lays Miles bare, to possibly his lowest point, and forces him to reinvent himself. A definite favourite!
ALEX:
yup, it’s ranking up there for me too.
Mirror Dance: Bujold gets very crunchy
Tehani and I are getting towards the pointier end of the Miles Vorkosigan series – me for the first time, Tehani along for the ride. We’re having great fun discussing them as we go along. Many, many spoilers. (We have discussed Cordelia’s Honor, the Young Miles Omnibus, Cetaganda, Ethan of Athos, “Labyrinth”, “Borders of Infinity” and Brothers in Arms previously.)
TEHANI:
Mirror Dance brings back Mark in full bloom, building on the seriously conflicted character we met in Brothers in Arms and making him the catalyst for a whole new era of Vorkosigan adventures. While Miles is away from the fleet (enjoying some Elli-time!), Mark swings in and masquerades as Admiral Naismith, commandeering a vessel to undertake his own vendetta. With predictably horrible consequences. Which lead to further terrible events, that force Mark to both confront his fears and also step up and become the man he needs to be.
ALEX:
ohhhh, NOW I understand your comments about Aral and his love for Cordelia! Cordelia’s own dissection of Aral’s predilections – that he prefers soldiers, and that she was attractive because of that… and, although she doesn’t make the connection obvious when she’s speaking to Mark, she therefore solves the problem of children and inheritance. This is a very cold analysis! That Cordelia is fine with it – comfortable, even indifferent – is I guess because of her Betan heritage, which is indifferent towards non-hetero forms of sexuality. I guess, too, that since she fell in love with him at the same time and it wasn’t like she had to convince him to accept her, what does it matter who else he’s attracted to or exactly what makes her attractive? It works, and that’s all that matters.
I had been longing for more Cordelia, so this was an awfully nice interlude on Barrayar, even if it was fraught and difficult!
TEHANI:
Cordelia is fascinating in this book. She’s so pragmatic and stoic about everything that happens, which is totally in character, but makes you wonder how much is going on beneath the surface. I mean, her son is dead and MISSING, her husband has a heart attack and almost dies, she has this new son who is, let’s be honest, somewhat hard to get used to, compared to Miles, and yet, she just copes! And it’s all completely believable. She’s totally my hero.
ALEX:
Yes, Cordelia is much the most self-controlled of the family, and the most accepting too. I love the comments throughout from various people about how they’d have to account to her for what they’d done to or for her son… and they mean Mark, even before he’s met her.
Anyway… I finished this book a week ago and it has taken me this long to write down my thoughts because, well, it was a really hard book to read in many ways. What Bujold does to Mark! Oh my.
I really liked the structure of this book, and was especially appreciative when we found out about the Barrayar dance called the mirror dance. Miles and Mark do indeed mirror each other for much of the book – I will have to re-read at some stage to really see some of the deeper resonances which I am sure are there. Flipping between two characters is obviously not new (hey, I’m a Lord of the Rings fan from way back), but Bujold uses it brilliantly. And again, it’s a different sort of narrative structure from previous books – she really didn’t want to get bogged down.
TEHANI:
The mirror dance is a nice touch and shows how clever Bujold is. I love too the trouble Mark has with interacting with women – if you remember, Miles was very similar in the early books! It wasn’t until Elli that he really began to feel comfortable in his own self with the opposite sex! Hmm. And even then, I suppose he was Admiral Naismith and not himself! So Miles Vorkosigan with women is still a problem (and one I’m enjoying now, in A Civil Campaign – no spoilers!) 🙂
ALEX:
The Miles story is the easiest one, I think, even though he is actually dead for a large chunk – and wasn’t that a shock to the system!
TEHANI:
Shock? What! It was HORRIBLE! It was like Bujold went, oh, well, I’ve got this OTHER character now – we don’t need THIS Vorkosigan any more… ARGH! And then to LOSE him! Elli’s reaction in this was the most heartwrenching – even though she doesn’t want to marry Miles Vorkosigan, she totally loves Miles, and her decisions and actions here are very telling.
ALEX:
Yup, absolutely. I continue to love Elli!
The early part of his story is interesting and all, but it’s the coming out of amnesia that is seriously intriguing, and shows that Bujold knows exactly what she is doing with him. His automatic expectation that people will listen to him – even when he doesn’t know who he is! – and other visceral responses are I think an indication of just how innate all of that is to Miles as Miles. The fact that Mark does not have those responses gives an indication, at least for me, of just how much Miles is a product of his environment.
TEHANI:
Too true! Mark was pretty much a slave who Miles freed, whereas Miles fought for everything he had and forced it to happen through strength of will. Chromosomally identical, it’s fascinating to see their differences here!
The relationship with the doctor is interesting – Bujold doesn’t let little things like ongoing relationships get in the way of the story, does she!
ALEX:
No indeed. Once Miles has a bit of self-confidence – at least as the Admiral – sex sex sex… 😀
And then there’s Mark. When he managed to con Bel (if only briefly) and go off to rescue some clones, I was wondering just how Bujold turned this story into a novel the length it was – I wondered whether it would be like The Vor Game, with what seemed like two different halves of a narrative. But no, things went badly… Miles comes to the rescue and is killed because he won’t abandon his brother, and then eventually Mark is kidnapped in his own attempt to rescue his brother. Ah, mirrors. Before the kidnapping of course we have Mark on Barrayar, and isn’t that revealing and compelling all on its own! I loved the bits with Cordelia and Aral coming to terms with Mark and their different reactions – Aral being more like his own father than he is probably comfortable with – and Mark finally seeing what it might be like to be part of a family. I cannot BELIEVE that on top of Miles dying Bujold then damn near killed Aral, too! And then to have Mark tortured! … well. The torture was of course a really horrible part of the narrative. Bujold handles it skilfully and sympathetically with regard to Mark, I thought – that is, I didn’t find it gratuitous in description, and the idea of Mark splitting his personalities (just like Miles has done under slightly less fraught circumstances…) promises some very interesting future ramifications.
TEHANI:
Bujold is mean to her people. MEAN. And this book has so many bad things happening to good people, which is different from the past books I think – bad things happen, of course, but not in such numbers to our favourite characters!
It’s very easy to forget that Mark has had a lot of training in a lot of things – he’s not ever going to be Miles, but he was TRAINED to be Miles, and that included a simulcrum of the military training Miles undertook. I liked the scene where Mark almost kills some Barrayans inadvertently, because it reminds us not to underestimate him just because a) everything he’s done so far has been a debacle, and b) he’s not Miles.
ALEX:
It was a very good point, that one – that he may not be Our Miles but he still has a lot of things going for him.
I was so pleased with the way the book finished, too. Miles and Mark on near-equal footing, Mark happy with being – having consciously chose to be! – heavier than Miles… yeh, I can really see this series going some interesting places.
TEHANI:
And now you’re on to Memory. If you thought THIS book was hard to process, just wait!
ALEX:
oh great!
Borders of Infinity, Brothers in Arms… a Miles overload
Tehani and I soldier on with Bujold – me for the first time, Tehani accompanying and refusing to give spoilers. This review does contain spoilers, though… (We have discussed Cordelia’s Honor, the Young Miles Omnibus, Cetaganda, Ethan of Athos and “Labyrinth” previously.)
ALEX:
“Borders of Infinity” is a curious novella, in that it sets Miles almost completely apart from all of the other characters we’ve come to know and love. Here, he doesn’t have the support of his parents, or Ivan, or a Bothari… it’s just him and his wits. And for much of the story the reader has no idea what is going on, which is also quite different from Bujold’s style in earlier books. No idea why Miles is in the POW camp – was he captured? is this deliberate? – no idea where everyone else is… at least we do have a vague idea why he’s organising the camp: because he can’t help himself. He is an inveterate organiser, schemer, and meddler; he could no more leave the camp disorganised (even without the greater plan that he turns out to have) than a cat could ignore catnip.
TEHANI:
It’s my absolute favourite of the novellas, because it showcases Miles being completely, utterly MILES! All he has are his wits and the insane charisma that makes people follow whatever the heck mad scheme he comes up with. No trappings, no trimmings (not even any clothes!) – just Miles.
ALEX:
That’s exactly it! It is – heh – naked Miles…
I did, of course, really enjoy this story. It was fun to watch Miles build something from nothing, and to see people’s reactions to him when he has absolutely nothing concrete to offer them. And the number of times someone asks, dubiously, “What did you say you were?”, and he replies “A clerk,” only to have them respond with “Yes sir”… brilliant.
TEHANI:
Heh! Best lines 🙂 There was some interesting stuff in here too. These people had been stuck in the dome for three years, succumbing to the machinations of their captors and degenerating into anarchy, but who were the organised ones? The women. They formed their own enclave within the prison, to protect each other – it’s a very telling little message from Bujold I think. I also think the story examines leadership – Miles is a fascinating leader, and has mastered the skill of making the most of the abilities of others, even when he has no idea what they might be!
ALEX:
That the women were the organised ones was an interesting aspect, yes. I think the idea that they would do so for protection makes sense. Other takes on this idea have often seen women essentially becoming part of a harem, in exchange for men’s protection. There was one interesting comment about Tris, the leader of the women – the fact that she was a trooper, not a tech, like most of the other women. Not sure what to make of that; women as soldiers still not accepted on this world?
I was heartbroken at Beatrice’s death. I could so see her joining the Dendarii. Also Murka. Looking forward, I am… not glad, but impressed maybe? respectful certainly of Bujold making sure Miles is haunted by those deaths. It makes him much more real.
TEHANI:
You’re fishing for spoilers! Won’t give. But yes, Beatrice was a sad loss, but I like that Bujold reminds us no-one is safe in her books – we can’t get complacent about characters we love!
ALEX:
Who, me? Fishing?? Beatrice died! … didn’t she?
TEHANI:
Ah, oops! Forgot that Murka was already IN the Dendarii (from “Labyrinth”) for a minute there! Carry on… 🙂
ALEX:
For me, this story reminded me in some ways of the hell described in Iain M Banks’ latest novel, Surface Detail, although Bujold’s is not nearly as unpleasant as Banks’.
TEHANI:
Darn you Alex, you’re always adding to my reading pile!
Brothers in Arms
ALEX:
Lesson #3432 I have learnt from Miles Vorkosigan: don’t joke about having a clone brother. It might just be true.
Miles has an evil twin! HAHAHA! Brilliant.
Brothers in Arms follows directly on from “Borders,” with Cetagandan forces chasing Admiral Naismith to deliver retribution for rescuing so many POWS at Dagoola IV. He ends up on Earth – Earth! – something of a backwater from a commercial point of view, due to its lack of wormhole entrances, but still commanding a cultural and psychological hold over humanity, it appears. Things, naturally, go wrong, mostly because of the plot to replace Miles with his six-years-younger clone twin.
TEHANI:
I like that it takes quite a while for the actual clone story to start here. It gives us time to anticipate the incipient disaster we just know will come! And one of the best bits is when Miles thinks he’s hallucinating, but later realises he really was seeing the clone!
ALEX:
Yes, I thought that was a nice twist – that he wasn’t going quite as crazy as he thought he was.
On the plot:
Awesome. Nice plot twists with the struggles of the clone. One of the highlights of course is the utter DISASTER of Admiral Naismith and Lieutenant Vorkosigan being on the same planet at the same time – which is what leads to the crazy story of the clone… oops. It didn’t feel like there were that many sub-plots going on in this book as with some of the others; there’s the Miles/Quinn love story, but it’s not like Ivan or Galeni get their own little thread. Also, this wasn’t really a detective story like Cetaganda, nor was it space opera-y Warrior’s Apprentice. It is certainly SF, of course, and it’s a lot of fun knowing that, in reading a Bujold novel, you do not necessarily know what sort of a plot you’re in for, nor what sort of a setting. Very clever, and very attractive.
TEHANI:
Very skilful too. There’s not all that many authors around who can write equally well with a detective plot, a space opera, a romance (just wait), an action adventure and so much more! This one was relatively straightforward I agree, without the twisty turns of some of the other Vorkosigan books, but also important, in the larger scheme, particularly because of Mark, but for other reasons too. No, I’m not telling!
ALEX:
On the characters:
Miles continues to be awesome, natch. He also develops quite a lot of humanity in this novel, I feel, as he has nightmares about Beatrice and Murka dying (from “Borders”), as well as his great quandary over whether to get it on with Quinn or not. He finally seems to be learning a bit more about how to be subordinate – although it sure doesn’t come easily. The effect of having the clone mirror to him his gestures and words and entire personality is a really neat trick to force some self-reflection. In his mid-20s, it finally feels like Miles is almost old enough for his brain, which continues to devise interesting, if somewhat desperate, schemes. I particularly enjoyed the little trap under the Thames barrier – getting everyone to eliminate everyone else while searching for Miles.
TEHANI:
Oh yes, VERY effective. And the business of Beatrice and Murka hanging over him is sobering for him – he’s had people die before, but he’s beginning to understand one of those huge responsibilities of leadership – the introspection of that is quite a settling force, in some ways. I was particularly sad about Murka – we’d already seen him in action in “Labyrinth” and he was a great character! Bujold really subscribed to the “Kill off your darlings” mantra eh? 🙂
ALEX:
Mark, the clone, promises to be a verrrry interesting part of the saga from now on. Bujold does an intriguing thing here with the question of nature/nurture, because while Galen was attempting to re-create Miles, he was doing so in a completely different environment. Let’s not even go into what was necessary to turn Mark physically into Miles – I had hoped that they would have tried introducing the poison into the uterine replicator or something similar, but no…. I felt an immense sympathy for Mark, which I am sure was Bujold’s point; he’s just a pawn for everyone, even Miles, it’s no wonder that he has trust issues. I can’t wait to see what Bujold does with him over time. I admit that I had rather expected everything to be tied up, if not neatly then with greater hope than we are left with re: Mark’s position, by the conclusion of the story. Bujold doesn’t exactly make things easy, does she?
TEHANI:
Never! And just you wait til Mirror Dance!
ALEX:
On the other hand… yay Quinn! More Quinn is good! It was fun to see Miles finally having a mostly-normal relationship with a woman (not pining unrequitedly, not getting it on with an 8ft, 16-year-old genetic experiment…), particularly when it’s a woman who most definitely knows her own mind stands up for herself. The bit where she refuses to be Lady Vorkosigan but still wants to jump his bones? Marvellous.
TEHANI:
I like that Quinn doesn’t succumb to Miles here. We know he’s got such a forceful and charismatic personae that it really would have been something he could have talked her into. And, traditionally in stories, the hero gets the girl, right? And he’s already missed out on Elena, so it’s his turn now, right? Which makes it so much cooler that he DOESN’T get the girl! It’s logical, and sensible, and I’m glad that Bujold let it happen this way.
ALEX:
Their relationship makes sense – on her terms, not his.
Ivan… still not that intriguing, I’m afraid. I like him and all, but he’s not come into his own yet. I admit it’s clear that he’s nowhere near as dense as Miles might sometimes think though.
TEHANI:
We definitely are starting to see some sparks of who Ivan really is, when he’s not completely bombarded by Miles. The flashes of innovative thought are hopeful!
ALEX:
For some reason I was thinking about Tom Clancy the other day, and it occurred to me that if Clancy were writing Miles, he would end up being the Emperor. Or at least in Illyan’s job. That would be awesome.
TEHANI:
You’re fishing again!! Interesting train of thought… 🙂 Onwards!!
The Bujold discovery continues: Ethan, and a touch of Miles
Tehani and I continue our conversational review of the Vorkosigan series here with Ethan of Athos and the novella “Labyrinth” from the omnibus Miles, Mystery and Mayhem. This is my first time reading Bujold, Tehani’s nth. (We have discussed Cordelia’s Honor, the Young Miles Omnibus, and the novel Cetaganda previously.) Spoilers aplenty!
ALEX:
This novel started enjoyably enough, if weirdly, what with the discussion of uterine replicators – it is an unusual enough thing to encounter in SF that imagining a roomful of the things with an attending physician is weirder for me than reading about FTL! Anyway, things then got even weirder, and for me way harder to read, when it’s revealed that these replicators are being used because Athos is a world populated entirely by men.
TEHANI:
It’s really clever, the way it starts out. We know about uterine replicators because of Cordelia’s story (and Elena’s too, in fact), and so we naturally assume these are simply gestating children for some parents of the “usual” type. It’s quite a shock when we find out differently! It was a good introduction to the world though, setting us up to be fond of the main character.
ALEX:
The opening few chapters, those set on Athos, were quite a trial for me to read. The misogyny was so believably portrayed that, were this my first encounter with Bujold and/or I thought it was written by a man, I would probably have given up in disgust and never touched the series again. I swallowed my bile and continued because I figured a) Bujold deserved some trust after the characters of Cordelia and Elena, and b) neither Tehani and Tansy would have put up with that sort of crap. Turns out, thankfully, that this was a fair decision. Of course.
TEHANI:
Of course! Would we steer you wrong? I think (our friend) Alisa might have stumbled into that problem though – have a feeling it may be the books she tried to start with, which really isn’t a good idea. Readers, be warned! Ethan of Athos is NOT the place to start reading this series!
ALEX:
Whoa, I cannot imagine starting with this book.
TEHANI:
Having said that, I didn’t have the same reaction as you. For some reason, I wasn’t offended that this was a lifestyle choice made by a group of men a couple of centuries earlier. I guess I read it as that while yes, some of the men making up the colony originally might have been women haters, others would have joined for different reasons. And many years later, there is that whole whisper game that’s gone on about what women are like, causing both inaccuracies and naivity in the current generation. Ethan’s own reaction probably demonstrates that best, when he reads the scientific journal and can’t tell which articles are by men and by women! (Hilarious, by the way, in light of recent discussions on just that!). I was more cross that the children growing up on Athos weren’t educated about the outside world, and women, in any sort of way other than to dismiss or demonise them. Hmm, maybe that’s what you mean!
ALEX:
I think I find the very idea of men wanting to escape from women in this permanent way – since that’s what the planet is all about – irrational and offensive, when they also want to ensure continuity of their genes. They’re not giving their sons the chance to make the choice for themselves. There are some lines that really struck me – the “revolted silence” that greets the idea of growing female fetuses to harvest their ovaries, for example. It is a revolting idea, but the men are revolted by the idea of women being present in any real way on their planet. The way that some of the characters spoke of genetic choice I also found uncomfortable.
Anyway, the ovaries that Athos has been using for 200 years to develop their foetuses from are coming to the end of their productive lives. Ethan is an… obstetrician, I guess… who discovers that the replacements they’ve purchased are not what they thought. In turn, he gets sent on a mission off-world, to get some more. This of course means that he has to deal with that sin-inducing entity, Woman. His first encounter on the station where he disembarks is with just such a personage… who turns out to be Elli Quinn! Tehani, she is back in my life, just as you promised! Ethan ends up getting involved in a Cetagandan mess concerning genetic experiments with telepathy. He learns that women are not (necessarily) the enemy – although he does end up going home, to Athos, and mostly happily.
TEHANI:
Yep, it’s an overdose of Elli! She’s so awesome, and I think this book is fantastic because it really sets her up as an intelligent and resourceful person all on her own, not just as a sidekick to Miles. Well played Bujold!
ALEX:
Yeh, I am definitely an Elli fan.
Athos as a planet is a really interesting place. I’m very interested to hear, Tehani, what you think of it coming from a mother’s perspective. Like I said I found the misogyny hard to deal with. As a society, though, I was fascinated. The idea of earning social credits so that you can become a Designated Alternate – and the idea that being a parent is actually, hugely, valued in society. Ethan’s shock and horror that parenthood should be treated as unpaid labour was quite welcome coming from a male character! The idea also that celibacy is an accepted part of society was nice to see, as was the genuine love for children and Ethan’s desire to have a large, connected family.
TEHANI:
I think the actual societal model is brilliant! There are some people who really shouldn’t have kids, and parenthood is definitely undervalued in our society – to have both issues dealt with (in what I think is actually a very smart and sensible model) was a delight. Somebody make that world with women and I’ll be there! 🙂
ALEX:
Cetaganda does not come off well in this story at all. Their genetic experiments are shown as just that, experiments, and the idea that they might just possibly be serving an admittedly somewhat dubious greater purpose – as demonstrated in Cetaganda – is barely alluded to. This is one of the disparities between the two stories.
TEHANI:
See, this is where it fell apart a bit for me. Terrence and his background simply don’t fit the Cetagandan societal mould set up in Cetaganda! Here’s a quote (from p 319 in the paperback omnibus) to demonstrate:
“Is Cetaganda – controlled by women or something?”
A laugh escaped her [Elli]. “Hardly. I’d call it a typical male-dominated totalitarian state, only slightly mitigated by their rather artistic cultural peculiarities…”
It goes on to talk about genetics projects headed by men, sponsored by the Cetagandan military. In Cetaganda though, genetics is the sole province of women, right? And telepathy is NEVER hinted at!
Later (p 373), this conversation takes place:
There was no talk at all of ever admitting him to the ghem-comrades, the tightly-knit society of men who controlled the officer corps and the military junta that in turn controlled the planet of Cetaganda, its conquests, and its client outposts.
It all just feels WRONG given what we know from Miles’ adventures on Cetaganda – which surely Elli knows too!
Ethan of Athos was published about ten years before Cetaganda though, and therein lies the problem. Bujold obviously changed her mind about how she wanted Cetaganda to work between the two books, but reading them in close proximity makes the continuity issues very apparent. I like the Cetaganda version better (as I mentioned in the last review) and I think comparing the two, it’s pretty easy to see why Bujold changed track there. Terrence’s Cetaganda, what we see of it, seems just another male-dominated society, whereas the exploration of the society we see in the novel Cetaganda gives us a very different norm.
Bujold’s afterword in the Miles, Mystery and Mayhem omnibus which contains these stories is interesting for her discussion on the way she let the Cetagandans evolve in their own book, rather than just being the “rather all-purpose bad guys” they started out in the earliest stories. She also talks there about extra-uterine replication and genetic engineering, themes in all three books to one extent or another, making it a great wrap up to the sequence!
To be fair, I think the Cetagandan glitch one of the very few continuity problems with the Vorkosigan saga as a whole, so maybe I’ll simmer down and just let it slide now 🙂
ALEX:
It is indeed an interesting look at lack of continuity. I’d be interested to know what sort of notes Bujold kept!
Miles does not feature in this story personally. He does get several mentions, though, as Quinn reflects on her ?love/admiration? for him, and the role that she is playing within the Dendarii Mercenaries as an information agent. It’s a curious part of the Miles universe in that sense, and I can’t help but wonder whether Bujold considered a series featuring Quinn in her own right….
TEHANI:
OOOH!! What a GREAT IDEA!! Let’s write to her and ask her for that 🙂
I liked the ending of this book – I think Ethan shows tremendous but believable growth throughout the story, and his admiration of Elli is expressed in the most important way he can. Perhaps taking Terrence back with him and the little hopeful romance projected are a bit trite, but overall, it works pretty well.
ALEX:
I was shocked at first by Ethan’s request/suggestion that he take one of Elli’s ovaries, but came around to your point very quickly – that it’s an expression of immense respect, actually. Terrence is the character we haven’t spoken of much yet – he’s quite the enigma, since Elli and Ethan have slightly different takes on him and the Cetagandan has a very different view. I actually wondered, towards the end, whether the Cetagandan was telling the truth and that Terrence would actually end up betraying Ethan, so I was pleased to discover that he was on the up and up. And I didn’t think the romance was that trite, in the end.
The Omnibus is complemented by the novella “Labyrinth” which rounds out quite nicely, I think, a discussion of genetic engineering in the Vorkosigan universe. Miles gets employed to pick up a disaffected geneticist from Jackson’s Whole. Things (of course) go somewhat awry, and Miles ends up having to retrieve a genetic package… which is secreted in the leg of a genetic experiment… which is locked in a dungeon at the bottom of a very nasty man’s research facility. The genetic experiment turns out to be a fanged, clawed and 8-foot-tall 16 year old girl.
TEHANI:
And isn’t it fun how Miles’ adventures ALWAYS go awry? One of my favourite things about the books.
ALEX:
SO MANY DISASTERS.
I enjoyed this story, and it was nice to get back to Miles relying on his wits to get things done – and, this time, actually finding that his lack of height is af advantage, when having to crawl through ducts. I will admit to being a bit uncomfortable about Miles’ sexual encounter with Taura – no matter that she’s huge, she’s still young! And I’m not comfortable with the idea that sex can be used quite so (ahem) mercenarily – not and have both parties apparently enjoy it. Yes yes, perhaps I am confused in my attitude towards this bit; I’ll be the first to admit it!
TEHANI:
Yep, I struggled with that too. So many reasons this is not cool. From one angle, if you squint, it could be said that Bujold is using Miles like women are often used in books – as a sacrifice on the altar of sex in order to get to a higher goal. But yeah, Taura is so young, and naive, and unsophisticated, that it’s just icky. It also makes me wonder why, exactly, the character had to be this age? Miles is 23 in this story, and it’s something that bothers me a lot – if there’s no real reason the character couldn’t be a year or two (or three) older, why not make them that? I mean, Taura has a shortened life span, so making her 16 means Bujold can get more years out of her I guess, but really? It’s her own world building she’s dealing with! And while we aren’t going to read Falling Free in the reread (it’s not a Vorkosigan book, it doesn’t count I tell ya!), Bujold does the same thing with a character there too, which also squicked me (and is one of two main reasons I don’t really like the book – the other being, it’s not MILES!). So yeah, not cool, especially when it’s avoidable. If Bujold gets so much right, should we fuss when we have a problem with one thing?
ALEX:
I guess it’s disappointing to find these sorts of issues in books that we otherwise enjoy – I don’t like finding flaws in those I admire!
Anyhow, I also enjoyed this story for its greater exploration of Bel Thorne, the Betan hermaphrodite, and other Dendarii. I can see the crew developing in further stories, and I look forward to it greatly.
TEHANI:
Ah, Bel. I’m a fan of Bel – it is such a complex character, and Bujold draws it so well. Its emotional and physical journey is a highlight. Overall, I liked Labyrinth, and, no spoilers, but this story actually sows a lot of seeds that will grow hugely over the coming books!
ALEX:
Of course it does. Look forward to their growth and harvest!
Cetaganda: a conversational review
Tehani and I continue our very enjoyable review series of the Miles Vorkosigan saga with the first story from the third Miles omnibus – the novel Cetaganda. (We have discussed Cordelia’s Honor and the Young Miles Omnibus previously.)
ALEX:
I really enjoyed this story! Miles – and Ivan – are sent on what ought to be a relatively boring diplomatic mission to bear witness to the Cetagandan Empress’ funeral, and of course things go haywire from the first moment. Mischief certainly seems to dog Miles’ footsteps. There’s an attempt to frame him as part of a conspiracy against Cetaganda (Barrayar’s longstanding rival) and several attempts to wound and/or assassinate him – as a result of which Miles ends up investigating a potentially enormous Cetagandan conspiracy, involving the genetic inheritance of that race. Miles falls in love (well, in lust), goes to parties, gets hurt, and meets the Emperor… pretty much a standard fortnight, as far as I can tell, for him. There were a goodly number of twists and mysteries and surprises to keep me guessing and intrigued – it was much more a detective story than a space opera. It just happens to be set on an alien planet with a whole lot of genetic engineering going on (those kitteh plants are just weird). I allowed myself to be carried away by the story and didn’t spend too much time trying to outthink Miles (or Bujold), so the ultimate revelation – that it was a haut woman married to a ghem man, conspiring with a planetary governor – was a surprise, albeit one that made perfect sense.
TEHANI:
I was certain I remembered this as one of my least favourite Miles books, but on rereading, I found it really enjoyable. I think I know the source of my mistaken assumption though – it is very much, as you say, a detective story, with barely any space opera-ish events! Nothing wrong with that, but when read in the wrong order (ie: after a bunch of action-packed Miles adventures), it was a little tamer by comparison…
ALEX:
I can understand that coming at it from a more adventurous story would be weird. For me, it worked – The Vor Game isn’t exactly packed with space battles.
On the gender politics: I though the revelation and discussion of the intricate power balances within Cetagandan society were really interesting from a gender point of view. Miles’ surprise at the power that the haut women had, and the way in which it manifested, was perfectly appropriate: he wasn’t surprised they had it, but the way they had it, I think. The very idea that they have power over the development of the ghem and haut genetic development is a neat twist on the idea of maternal responsibility for children, I think. I’m not sure what to make of the ending, in light of this – the Emperor ‘marrying’ the Handmaiden, attempting to gain control over it? Will Rian give up control, or is the power structure too embedded?
TEHANI:
That’s a good point and I hadn’t really picked it up! I think that Miles, for all that he has grown up in a male dominated society, is pretty damn accepting of women in powerful roles (mainly thanks to his mother, no doubt). So you’re right, that was expressed well here, and it was mostly Miles trying to adjust his own notions of what an imperial society looks like, and who has the power.
To me, it seemed that Rian cemented her power base by “marrying” the Emperor, and I really couldn’t see how it would benefit him more than her. However, it was a smart move by the Emperor, at the same time!
ALEX:
hmm, perhaps you are right about Rian. Perhaps it’s both being pragmatic about how best to deal with a dangerous situation, and do what is best for the haut, which seems to be the overriding concern for both anyway.
On Cetagandan society: there have been references to the ghem and haut in other novels, if briefly, so it was good to get some greater understanding about what the heck is going on in this society. I still can’t say that I entirely understand it! It’s a fascinating way of thinking about genetic engineering as a way for society to express itself, and as a way of bettering itself too. Miles has some interesting insights into their collective attitude towards expansion which I still need to think about; there’s certainly an assumption – on Miles’ part as well as the Cetagandans – that expansion must happen, but quite why this is so imperative is opaque to me. One of the unfortunate things about the name choices is Bujold’s habit of saying “the haut Rian,” because I couldn’t help but read that as “the hawwwt Rian”…
TEHANI:
It is a really interesting way to consider genetic engineering. Expansion I think is a theme right from the beginning of the saga though – after all, Cetaganda invaded Barrayar when it was rediscovered; Cordelia and Aral met on opposites sides of a planetary claiming of Sergyar. It’s almost like the Wild West – who can claim the most planets, even when (like Komarr and the Betan colony), they are barely livable! But expansion is the reason Earth went a-colonising in the first place I guess, and despite all other advancements, humans are STILL overpopulating their habitats.
We need to talk more about the portrayal of the Cetagandan society when we look at Ethan of Athos – this book was written nine years AFTER Ethan, even though it precedes it in the internal chronology, and I think it’s one of the few places where Bujold mucks up her consistency with all the popping around. I like what she does with Cetaganda here better, for the record.
ALEX:
Ethan of Athos, up next!
On the characters: I so knew Maz was going to end up with the ambassador. Saw it a mile off. I enjoyed Lord Yenaro immensely – the idea of scent-work being a worthy art to pursue is delightful. Rian was… I was going to say impenetrable, but that gives all sorts of nasty implications. She was appropriately hard to fathom, I guess. I liked that she was mysterious and that it made sense for her character. Having Miles fall in love/lust with her makes sense, because of her great beauty and her untouchability. Miles continues to develop here, although it was hard to remember how young he was supposed to be – so much has happened to him! And Ivan isn’t nearly so annoying as he threatened to be in earlier books.
TEHANI:
I loved Maz! And I loved that the Ambassador loved Maz. I think it’s a very clever thing Bujold does with her minor characters – it’s very subtle and I wonder if you’ll notice it. Frequently there’s some little side story or a throwaway characterisation that shows about how some Barrayaran person or other has taken a step outside the old-fashioned, quite restrictive societal norms of the planet. Look out for these! They are showing the progression and modernisation of the planet from a sideways view!
I also loved Ivan in this. You need to watch Ivan closely too, as the series progresses. I want to talk more about him, but I won’t, til you’ve read some more books 🙂
ALEX:
ooooh you are giving me such teasers! I did wonder whether she was going to keep Ivan in a cute-Obelisk kinda role, or whether he would develop greater diplomatic insights as time went on. On Maz etc, t’s so nice to see secondary characters actually having a life outside of their interactions with the principal cast.
Questions: will Miles indeed have more to do with the Emperor Giaja? Will Miles ever be allowed to leave the planet again? What are Elena Bothari and the Dendarii Mercs up to??
TEHANI:
You know, I can’t remember if Miles runs across the Emperor (or Rian) again! Could they really STOP Miles from going space-side? 🙂 As for the Dendarii, just wait… 🙂
ALEX:
ARGH. Mooooore Miles to come!
Galactic Suburbia 35!
In which “best” becomes “superior,” Pottermore is Pottermeh, one of us wins all the awards, and we visit/revisit classic non-hard works of SF and Fantasy by Bujold, Willis and Pratchett (with bonus Russian fairytales by Valente). We can be got from iTunes or streamed from Galactic Suburbia.
News
Pottermore announcement to be made during our podcast…
Theodore Sturgeon finalists.
David Gemmell Awards…
NatCon professional guests for next year are Kelly Link and Alison Goodman.
Sidewise Awards finalists.
Translation Awards winners.
Coode Street Horror Special with Stoker winners Datlow & Straub.
Gender Spotting Tool. Alisa’s verdict: Naff.
What Culture Have we Consumed?
Alisa: Connie Willis’ Passage in progress, the next 3 Twelve Planets.
Alex: so much Bujold (Cordelia’s Honorand Young Miles omnibuses… omnibi… whatever), Fly by Night, Frances Hardinge, Red Glove, Holly Black. Series 2 of V (reboot)
Tansy: Deathless, Catherynne Valente; I Shall Wear Midnight, Terry Pratchett; Wyrd Sisters audiobook, Terry Pratchett/Celia Imrie.
Next Fortnight: Galactic Suburbia’s Spoilerific Book Club Presents: Joanna Russ. Reading How to Suppress Women’s Writing, The Female Man, “When It Changed.”
Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!
Miles grows up: my Bujold discovery continues.
Tehani and Alex forge on to the end of the second Vorkosigan omnibus, watching Miles grow up and cause havoc. Alex falls further in love with the universe and Tehani watches gleefully. Spoilers! (We’ve reviewed Cordelia’s Honor here, and The Warrior’s Apprentice here.)
Tehani:
“The Mountains of Mourning” was an early foray into the Vorkosigan world for me. It was available for free from the Baen e-Library and I downloaded it, among a bunch of other stuff. It’s a novella, not a novel, and it is somewhat different to most of the other Miles books. It’s a rather introverted story, in which Miles is given an opportunity to consider the Vor aspect of himself and what it means, at the same time as confronting some ingrained social issues in his society that relate directly to him. “Mountains” gives us a rather more thoughtful Miles than we saw in The Warrior’s Apprentice, and fills out a bit more of his personality, and, again, grounds his honour more solidly. It’s a sad story, but one that ultimately fits in very well with the overall world-building.
Bujold: the saga continues. Or begins.
Tehani and Alex continue their conversational review of Lois McMaster Bujold’s Vorkosigan saga – Alex for the very first time. Spoilers ahead. (We have previously discussed the omnibus of Cordelia’s Honor here.)
Young Miles omnibus: Warrior’s Apprentice.
Tehani:
Warrior’s Apprentice was actually one of the last Vorkosigan books I read, despite it being the very first Miles book in the internal and publication date chronology. I probably couldn’t tell you which book I actually started with, but I know Young Miles (which contains this novel) was the last omnibus I worked through on my first time read. It was quite strange at the time, reading it with all the knowledge of what was to come but absolutely fascinating to see where the split personality that is Miles – Lord Vorkosigan of Barrayar, and Miles – Admiral Naismith of the Dendarii mercenary fleet, really began. It absolutely encapsulates everything we come to know of this mad little man – the fly-by-the-seat-of-his-pants ingenuity, his hyperactive intelligence, his sarcastic dry wit, his absolute faith in the abilities of those around him to do everything he thinks they can and more. We as the reader can’t help but fall in love with him as he careens from crisis to crisis, almost falling flat on his face more times that we can count but with that incredible brain working ten steps ahead of anyone else.
Well, that answers my question about the significance of the mercenaries! I figured they would continue to crop up; it seemed like too much perfect setting-up to simply have them only play a bit part in the continuing saga. Your assessment of Miles is spot on, and I think his faith in others is one of the more interesting aspects of his capabilities as a leader. It’s a much more realistic view, for a start. I guess you could argue that it allows Miles to get away with stuff that he really shouldn’t, and perhaps he could be seen as grasping too high/too fast; but really the ability to inspire others, and knowing when and how to use others (in good ways) is key to any leader actually succeeding. I was amazed by the careening – it was like watching someone who is just on the brink of falling flat on their face but instead manages to turn into semi-competent running. Also, the speed with which he went from washed-out wannabe officer to recruiting his first fellow-washouts was hilarious. Watching the development of the Dendarii force was mesmerising… like watching an avalanche and not knowing whether this is a good thing or a bad. It’s so unlikely, and yet… it works.
Tehani:
In this book, we get our first glimpses of the darkness that dogs Miles, a counterpoint to his hyperactivity and seemingly endless hubris. Always the outsider on Barrayar, set apart by his physical deformities as well as his intelligence and questioning mind, Miles suffers greatly when facing rejection or personal failure. This ties into both his sense of honour, instilled by his family and his social environment, and his own desire to prove himself. In Warrior’s Apprentice, he faces down defeat and finally feels like he’s made something of himself. But of course, what he’s made is completely made up! It’s a fascinating premise, and the action and characterisation, of even the most minor characters, is what makes it work.
Honour is clearly going to play a seriously large part in the whole series – the Cordelia books set that up, of course. I was amazed by the fact that he failed his physical, and deliberately within those first few pages! Not exactly an auspicious start for a hero. And the continuing darkness that, indeed, dogs him, is fascinating. It too lends Miles a sense of reality; he’s closer to three-dimensional because of it. I’m going to be really interested to see what Bujold does with that. I can see ways that it could be done badly – wallowing, or using it as a mark of a hero, getting repetitive or eventually letting it slip away without explanation… I hope none of those come about!
I’m assuming at this point that one of the reasons for Miles’ despondency in later books is the loss of the lovely Elena. Their relationship was a really fascinating one. I had assumed from early on that Elena and Miles would end up growing up together, and was curious to see where that went. I was saddened that it didn’t out with her! I really liked the honesty of Elena’s reaction to Miles’ declaration of love, though – that she would be swamped by him, which is I’m sure a fair assessment. To see her develop as a character, and to see Miles encourage her in that even as it means she’s growing away from him, was a really nice touch of character development. It must be said that Elena’s wedding to someone else was not the moment at which I had tears in my eyes, though. No, that was reserved for Bothari’s funeral. It was heartbreaking! And I was surprised that she got rid of him so early in the series, but I guess it would have been awkward for a cadet in the Imperial Forces to have a bodyguard all the time. Connected with Bothari is the other rather raw moment of emotional honesty: when Miles stupidly tries to bring Bothari together with the original Elena. Her hatred and revulsion of Bothari are so appropriate, and it was nice not to have an author thinking that should be smoothed over for … I don’t know what reasons can be used there, but I know it’s been done.
Tehani:
Oh, Bothari! I always forget that he dies here because Bujold lets him live large in Miles’ life in future books, simply by way of the enormous presence the Sergeant had in his early life. It was a spectacular way to demonstrate that no-one is safe in Bujold’s books, no matter how much of a staple they might appear, and also a very apt way to resolve (sort of) Elena’s mystery. To be fair, it also ties into helping Elena say no to Miles’s mad proposal – knowing the truth about her origins could have only strengthened her knowledge that realistically, a marriage to Miles would in no way be condoned on Barrayar. And Elena too was brought up with the same strict sense of honour that surrounded Miles, so it was something she could no way get around. Poor Miles – with the mother he has, only a certain type of girl is ever going to appeal to him, but finding the one who can cope with him, and his background, is never going to be easy!
I was impressed by Bujold’s treatment of Miles’ disability in this book. I had wondered whether it would simply pop up when it was narratively convenient, but the reader is hardly ever allowed to forget it – like Miles – not because it’s being forced down your throat but because she keeps reminding you that his legs drag, or limp, or that he’s slow and wears braces, and so on. It’s genuinely a part of the story, and that’s really really nice.
Also, one of the nice things I picked up – eventually! – is the fact that the pilot is Mayhew: presumably the same Mayhew who has a cameo as the pilot gulled into helping Cordelia escape Beta Colony. Nice tie in!
Tehani:
Ooh, I never figured that out! I’m a terrible reader – I am hopeless at noticing cameo characters!
I continue to be hooked. Questions raised: where will the Dendarii fleet end up next? What assignment will Miles end up with at the end of his training? Will Elena feature in the later books?
Tehani:
Again, I only answer one questions – YES, we will have more Elena! 🙂
The discovery of Bujold: Cordelia’s Honor
Alex has never read anything by Bujold. Tehani is a long-time fan. Welcome to a conversation of discovery and re-reading that will undoubtedly include a lot of squeeing, spoilers, and misdirected guesses from Alex. Also a fair bit of meta-commentary, since we can’t help ourselves. There will be spoilers.
It’s so wrong, isn’t it?
Awesome 😀
Galactic Suburbia 34
In which we surf the wave of feminist SF news that has deluged the internet this fortnight, plus Margaret Brundage, why YA books are allowed to be as dark as they want to be, the Tiptree Award, Connie Willis, were-thylacines, Ted Chiang and Alex finally discovers Bujold… You can download us from iTunes, or download/stream from Galactic Suburbia.
News
Nicola Griffith on the m/f imbalance in an informal SF favourites poll in the Guardian.
The Guardian: Damien Walter, author of the poll & followup articles revises his comments in response to Griffith.
Niall Harrison follows up on Strange Horizons.
Cheryl Morgan on invisibility of women (some really interesting discussion in the comments, too).
The Guardian again, asking with wide innocent eyes if SF is inherently sexist.
Ian Sales announces the SF Mistressworks blog project.
Nicola Griffith asks you to take the Joanna Russ pledge.
Gwyneth Jones, Karen Traviss & Farah Mendlesohn talk on the radio about the perception of women in British SF. Transcript.
MK Hobson on the term ‘bustlepunk’ and why there is a place for a domestic sub-genre of steampunk; follow up post on the assumptions made about works coded ‘female’ .
2011 Chesley Award Finalists; Cheryl Morgan on female & trans artists.
Nine Reasons Women Don’t Edit Wikipedia (interesting in light of the recent spout of incidents we’ve watched, notably the one with Nick Mamatas where winning World Fantasy Award was considered too regional to be significant).
Wall Street Journal on YA fiction.
Change to the Norma eligibility guidelines.
Why Galactic Suburbia T-shirts are no longer available through RedBubble.
What Culture Have we Consumed?
Tansy: Thyla, Kate Gordon; Will Supervillains Be on the Final? Naomi Novik
Alisa: Coode St Podcast with Ellen Klages, Eileen Gunn and Geoff Ryman; Connie Willis – Even the Queen; Octavia Butler – Bloodchild
Alex: Chill, and Grail, Elizabeth Bear; The Lifecycle of Software Objects, Ted Chiang; Welcome to the Greenhouse, Gordon van Gelder; Steampunk! Kelly Link and Gavin Grant.
Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!


