The episode is available to download from iTunes, and at Galactic Suburbia for download or streaming.
In which we rise above a chorus of dogs, babies and technological glitches to discuss Grand Conversations, why we have no opinions about Robert Heinlein, and why we’re crazy enough to be part of a project which means reading (almost) ALL the short stories.
Windup Girl by Paolo Bacigalupi wins Campbell Award.
Jeff VanderMeer announces the closure of the Best American Fantasy anthology series.
The WSFA shortlist for small press.
Controversy caused by Sarah Hoyt’s Tor article on why all those women who don’t like Heinlein are actually wrong
Hoyt also blogs here similarly, with a bit more revelation as to why she is so pro-Heinlein.
What have we been reading/listening to?
Alisa: Watching – District 9, Caprica, Scott Pilgrim
Reading – The Grand Conversation, Timmi DuChamp
Alex: Permutation City, Greg Egan; Galactic Suburbia, Lisa Yaszek; Shadow Unit; When it Changed, ed. Geoff Ryman; Swords and Dark Magic, ed. Jonathan Strahan
Tansy: Joanna Russ, How to Suppress Women’s Writing; Rosemary & Rue, Seanan McGuire, Clarkesworld, Strange Horizons,
Listening – Angry Robot #2 with Kaaron Warren & Lauren Beukes
How To Find the Best Short Fiction, and the Not If You Were the Last Short Story On Earth Project (LSS)
Why we LSS
What we learned from LSS
What we’re looking for in a great short story, where to find them, and what we have liked so far this year.
Rich Horton is part of our inspiration.
Day 29 – Saddest character death
Artax in the Swamp! There is nothing sadder than Atreyu trying desperately to get his horse out of the swamp, and not being able to do it. The movie made me cry every time I watched it (er, numerous times), and the book did too.
Also, the bunnies in Watership Down.
Best/most satisfying character death?
I’m usually pretty happy whenever the bad guy dies. I think, though, that Gollum’s death is best, in a twisted understanding of the word. Despite all the discussion of ‘deserving’ to die from Gandalf etc, he is overall a beastly (if awesome and complex) character. The fact that in dying he also saves the world is a marvellous, tricksy climax on Tolkien’s part.
Of course, if I wanted to read that question differently, I would have to say: Death, in the Discworld. Especially since hearing him voiced by Ian Richardson (“You might think that, but I couldn’t possibly comment”), and imagining him riding a motorbike instead of Binky… yeh, he’s my favourite Pratchett character.