Abaddon’s Gate: Redux
(Some spoilers below for Leviathan Wakes and Caliban’s War. READ THEM.)
The last line of Caliban’s War was an absolute killer, because I read it when it was first published which meant that the next book was about a year away and GOODNESS ME it was a cliffhanger. So I preordered this as soon as I could and happily, it arrived about a week before I went on holidays. I very carefully put it on a shelf where it wasn’t tempting me to read it… and then this week, on holidays, I cracked it open and devoured it in one day. And it was worth the wait. Oh yes. Thank you, James Corey.*
Naw. Cute. PastMe did not feel the need to reread the other two, clearly. Continue reading →
Caliban’s War: Redux
This review will contain spoilers for Leviathan’s Wake, the first in this series. As with that book, I’ve just reread this one, so this is the REDUX…
Zeroes
This book was provided to me by the publisher at no cost.
I wanted to adore this book. I really enjoyed it, but I didn’t adore it. I’m trying to work through why…
Some general comments and then spoilers will be flagged.
The premise is one of superheroes, where the heroes are adolescents and most of them don’t feel, or want to be, heroic. Their ‘powers’ aren’t obvious (no one is turning green) and sometimes they don’t seem particularly useful, either. At some point in the past they’ve discovered each other and tried to work together, to see whether and how they might become a team… but then it turned sour, and they haven’t really worked together for a year. But when one of them is caught up with the police (his own fault, really), he asks for help and things go from there. Up, and down, and twisty-windy. The plot revolves around accidentally stolen drug money, a bank robbery gone very wrong, people in the wrong place and a bunch of teenagers trying to fix things and occasionally messing up.
We get chapters from each of the Zeroes, although not always alternating; the story begins from the perspective of Ethan (Scam), then Kelsie gets the fourth chapter and then gradually the others are introduced. This structure is exactly as useful as it seems, with multiple perspectives on events and people and ideas. It was an aspect I really liked, but it also contributed to one of the reasons I didn’t adore the book (I didn’t fall in love with any of the characters; more on that below). The characters are nicely varied: girls and boys, different ethnic backgrounds, one blind, families of different structures (those that we see anyway). They definitely have different personalities, which are not entirely tied to their ‘powers’ – which is great. There is some connection (Kelsie can work a crowd and loves going out dancing, for instance), but the question of cause and consequence isn’t tied down.
I liked that the action takes place over just a week; there’s no interest here in dragging a story out. It’s fast-paced over all, as it needs to be when there’s scary underworld types involved and things need to get fixed pronto. There are a few adults around – more parents are mentioned and briefly involved than you might expect in a teens-save-the-world story – but they don’t get in the way of said teens getting into a lot of trouble. The story is set in Cambria, which it turns out is really a name for a town in the US; I don’t know whether it’s intended to be set in the real town or not, but at any rate it’s a dinky little town rather than NY or Chicago, say, which I think is an interesting choice. It lets the characters develop their powers before having to deal with The Big Smoke, I guess (bets on that happening in a later novel?). There’s little real world building – it’s the America of today, and the city itself plays little part in the story, so there’s no need to make it really come alive.
Now, SPOILERS.
Leviathan Wakes: redux
I have the fourth book in the Expanse series waiting to be read… but I haven’t read the other three in a long time, and then only once each. So, yes, I am re-reading. And I’m now going to do a Le Guin and REDUX my review of Leviathan Wakes.
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What Culture Have we Consumed?
Tansy: Andre Norton Sargasso of Space; I am Princess X, Cherie Priest; The Wicked & The Divine, by Kieron Gillen & Jamie McKelvie; Once Upon a Time in Wonderland.
Alex: Ancillary Mercy, Ann Leckie; Newt’s Emerald, Garth Nix; Zeroes, Scott Westerfeld, Margo Lanagan, Deb Biancotti.
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Patchwerk
I received this book from the publisher at no cost.
This is a really hard story to talk about without major spoilers. So initially, let me know: the premise is quite clever – man makes machine that may well interfere with the very fabric of reality – and there are some nice points of world building. There’s a point at which you may well wonder whether your version of the text has somehow been corrupted (I did), but it’s actually the story itself, as you discover when you keep going (… unless your copy actually is corrupted…). However, I had some issues, mostly in the characters which I’ll mention in the spoilers section; partly it was in the prose itself, which at times just felt clunky.
Newt’s Emerald
I received this book from the publisher at no cost.
It’s no secret I’ve been a fan of Garth Nix’s books for a long time. I’ve only recently started reading some Regency romances, though, so the idea of Nix writing one ‘with a magical twist’ was an intriguing one.
The thing with Regency romances is that there’s a fairly standard plot arc – indeed, it applies to most romances, right? Girl and boy, difficulties, difficulties overcome. Of course sometimes that trope is subverted, but it’s still clear that that subversion is happening for a reason. I’m not saying that’s a bad thing; the point is that you know what’s probably going to happen, and the fun bit is all the extra stuff: what exactly will the author throw at Our Heroine? Which of the potential beaux will actually be the Right One? How witty can the banter be? How many dresses can be worn, how many snubs borne, how much tea drunk and how many headaches faked?
Um. It’s possible I’m becoming a fan.
Ancillary Mercy
This book was provided to me by the publisher at no cost.
Spoilers ahead for Ancillary Justice (reviews here and here – yes I loved it enough to review it the second time around) and Ancillary Sword.
Sooo… first thing to admit: it took me reading someone else’s review to realise that Justices, Swords and Mercies are all the sorts of ships that Breq is in charge of. How embarrassing that I did not realise that.
Secondly: yes, I love this series, I love Leckie’s work, I love Breq and the world she inhabits. My love is true and remains unshaken.
Further note: I’m just going with ‘she’ to refer to everyone, when I have to. I think there’s one person whose gender is actually confirmed (… maybe…insofar as that ever can be in these books) and it just does violence to my brain to go with he/she when Leckie herself (ahaha) goes with SHE. So nyer.
As with Justice to Sword, Mercy starts almost immediately Sword finishes off. I quite like this, since it means there doesn’t need to be any tedious filling in of blanks. It also means I’d like to see an omnibus edition where you can just read the whole lot, start to finish. It wouldn’t even be that much bigger than a complete edition of The Lord of the Rings. Breq continues to have issues with Anaander Mianaai, ruler of the Radch and therefore of civilisation as the Radch defines it… Continue reading →
Domnall and the Borrowed Child
This book was provided to me by the publisher at no cost.
I did not love this book.
It’s perfectly adequate as a re-hashing of the ideas about Faerie stealing children and possible consequences and so on, but I don’t think it’s as clever as it thinks it is.
I think the idea of only the old and somewhat pathetic faeries still being around is meant to be – amusing? challenging? – but instead it just comes off as a bit confusing, because the reason for that isn’t really explored; sometimes an info dump can be useful. Additionally I think what happens with the mortal woman is meant to, I dunno, challenge expectations or something. Didn’t really work.
Domnall comes across as a bit boring, rather than the somewhat sly, hard-working and long-suffering fae that I think was the intention. And if he wasn’t meant to be that, and was instead meant to be the lazy good-for-nothing whose butt is kicked to get more done – well, that didn’t really work either. The sidekick that he accidentally ended up with didn’t have enough character to be a funny, ambitious, or appropriately sidekick-y sidekick, and there were a couple of uncomfortable moments between them too (of a sexual nature – nothing too squick, don’t worry).
The plot itself is serviceable, and if that sounds like damning with faint praise… that’s probably about right.
Galactic Suburbia 130
In Which We Have High Expectations Of What Lies Beyond Equality, but in the meantime there’s Party Down. Get us from iTunes or at Galactic Suburbia.
We apologise for the sound quality of this episode, which had a few glitches that even the Silent Producer could not magic away, notably Alisa’s emergency phone call which the mike occasionally picks up. (Everything’s fine now.)
What’s New on the Internet
7 Jewish Authors Get Personal About Anti-Semitism (Alisa finds 7 new authors to read)
SF Editors Picks – Recommendations on great new SF/F/H stories by top editors.
Twitter @SFEditorsPicks
Facebook SFEditorsPicks
Mind Meld w/ Tansy & Tehani – Books That Made Me Love SFF
What Culture Have we Consumed?
Alisa: Scandal S1 and S2; Party Down S1 and S2; Coode St Podcast Ep 251: Kristine Kathryn Rusch and women in SF; The Serial Dynasty podcast
Tansy: House of Shattered Wings, by Aliette de Bodard; Alias by Brian Michael Bendis (Tor.com reread leading up to the show on Nov 20), SHIELD 50th Anniversary comics – Mockingbird [woo since we recorded this they announced it was going to series with the same writer!], [Don’t call her] The Cavalry, Agent Carter, Fury, Quake
Alex: Aurora: Beyond Equality; Up the Walls of the World, James Tiptree Jr; Stars in My Pocket Like Grains of Sand, Samuel Delany
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