Also, Molly Meldrum.
Letters to Tiptree 99 cents! Bestseller on Amazon!
Tansy’s new podcast plug! Sheep Might Fly & Fake Geek Girl
Kickstarter for Ursula Le Guin documentary.
Nominating for Hugos (til end of March) don’t forget.
And Part 1 of the University of Oregon’s Tiptree Symposium, with Julie Phillips (Alex says: sorry not sorry, Tansy)
Tansy: Hellcat by Kate Leth & Brittney Williams, Archie by Mark Waid & Fiona Staples, The Honey Month by Amal El-Mohtar, The Beatriceid by Kate Elliott, “Binti” by Nnedi Okorafor, “The Heart is Eaten Last” by Kameron Hurley (note: Kameron says any new Patreon subscriber automatically gets access to all the stories she has posted so far including this one – bargain at as little as $1 a month!)
Alex: Jonathan Strange and Mr Norrell, Susannah Clarke; Neverwhere, Neil Gaiman; The Just City, Jo Walton; Walk to the End of the World, Suzy McKee Charnas. MOLLY.
Skype number: 03 90164171 (within Australia) +613 90164171 (from overseas)
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Read in a day.
Not my first Gaiman novel, despite what I initially thought; I read The Ocean at the End of the Lane a few years ago, which I also loved. I’ve had this sitting on my bedside table for about three quarters of a year, from a workmate….
Man accidentally gets involved in things beyond his ken. Weird things are happening in the part of the world that ordinary people know nothing about. People are not all they seem. British Museum features. Prose is incredibly page-turn-y. There’s not much else to say, really.
This is a love-letter to London, in some ways, and for that reminded of China Mieville’s Kraken. There is little else of similarity, but it does amuse me to think of reading these two together as a guide to the Weird of London. It’s also, as Gaiman himself suggests, a fantastical way of pointing out the forgotten and ignored in society. There is a romantic aspect to London Below that means you maybe envy those people – but then you remember what Anaethesia experienced to get to London Below, and then what happened to her, not to mention a few others, and you realise: this is no party. London Below is a tough and unpleasant place.
The book also reminded me of Michael Scott Rohan’s Cloud Castles, Chase the Morning, and The Gates of Noon. Richard is not as unpleasant as Stephen Fisher, but there’s still the drawn-into-weird-things-against-his-will aspect, as well as the refusing-to-believe thing. I think I like Richard a bit more, though, because he’s more self-aware overall. He also reminded me of Richard Macduff, from Douglas Adams’ Dirk Gently’s Holistic Detective Agency. Again with the bewildered thing.
By the end, all I could think was how much Richard was going to be in need of Miss West’s school for those who find their way to fairyland and then have to cope with reality (in Every Heart a Doorway).
Listen to us via iTunes or over at Galactic Suburbia!
In which we present The Subgenre Report. Is the concept of subgenres meaningful to readers and writers, or just a marketing trick?
Which subgenres are OMG so hot right now, and which genre is doing subgenres better than spec fic?
In other news, Alisa hurls herself into crowdfunding with the baby clock ticking down to midnight…
Alisa: Continuum S1, crimeScene convention, plug for Kaleidoscope, Coode St Podcast ep 162 with Rachel Swirsky; Report from Planet Midnight, Nalo Hopkinson
Tansy: BBC Radio Neverwhere; Untold by Sarah Rees Brennan, Ancillary Justice by Ann Leckie, The Almighty Johnsons
Alex: Agents of SHIELD; Star Wars: The Paradise Snare, AC Crispin; Ragnarok, AS Byatt
Please send feedback to us at firstname.lastname@example.org, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!