I received this book from the publisher, Bloomsbury, at no cost as an uncorrected proof. It comes out in October; RRP $16.99.
I abandoned this book, after reading just over half. It’s a hard thing to do, but it really wasn’t working for me and there are SO many books I want to read that I just don’t have time for books that don’t work.
Firstly, the press release says it’s for children 12+. I’m not sure I’d be happy with a 12 year old reading this: the protagonist has spent eleven years in a mental institute – since she was six – and there are some bits that I think may be a little scary for less mature readers. Anyway, that’s not a reason for me abandoning it.
The protagonist is part of the reason. I did not at any point feel any empathy towards Snow. There’s a bit too much repetition about her immediate woes (not being able to see the boy she really likes, who’s also in the institution), and a serious lack of development about either her history (she walked into a mirror and that was enough to get her committed?) or her personality more generally.
This is symptomatic of the book as a whole, actually: there is so little development of anything. Characters and places and events all occur in a vague world, sometimes with connections spelled out and sometimes not. Things happen far too fast – strange dreams! strange boy appearing! lover boy disappears!! a Tree!!! – and I was left completely bewildered, and not in a shivery-anticipation kinda way; in a ‘what the heck just happened?’ kinda way. It’s a portal fantasy, eventually, but whereas Foz Meadows deals nicely with the sort of confusion this would produce, Danielle Paige has Snow being confused for about ten seconds and then basically comfortable, with no explanation for how this is possible (i.e. treating it as a fantasy or whatever).
Also, the writing does not help the reading process. It’s not actively bad, but I was aware of reading – rather than being sucked into a world and ignoring the process, which really awesome writing enables.
I’m sad that this didn’t work out. I think the Snow Queen story has a lot of potential for reworking. In fact the day I received this my mother was visiting, and she had just started Michael Cunningham’s retelling of the story (very different from this), and I’d seen Frozen only about a week before. So there definitely is potential. And this version had potential… it just wasn’t achieved.