Category Archives: Books

Iris, Troy and other classical things

A while back, I became a member of the Classical Association of Victoria. I figured I should, since I go to a lot of their public lectures, and it’s not exactly expensive. As a bonus, members get a copy of Iris when it’s published – the CAV journal. I gather that this is something of a haphazard production, because everyone involved has full-time jobs and Iris isn’t it. Nonetheless, it gets produced, and I got my first copy on Friday (bent in half thanks to the postie shoving it through the little slit, instead of lifting the lid for the mailbox…).

Firstly, there’s an editorial, basically explaining why Iris was delayed and ruminating a little on the fate of Classics at various tertiary institutes (I hadn’t realised it resurrected itself at Monash; hurrah!). This is followed by a short intro to Jenny Webb, the new president of the CAV.

The first article – peer-reviewed and all – is “The Making of the Wooden Horse,” by Miriam Riverlea. It feels too short for its material, but is essentially looking at the treatment of the actual making of the horse at Troy, as the title suggests – how this is largely skimmed over by ancient sources, especially, and that there are variations on the theme. She suggests that like epic poetry, as part of the oral tradition, means a story is never told exactly the same way twice, the horse itself is constantly refashioned… at least, I think that’s what she meant. She finishes with a really cool look at two modern examples of the horse. The first is the horse in Troy, the building of which is shown in painstaking detail; and the object itself is now at Canakkale, the closest modern town to the suggested site of Troy (which she points out is hilarious itself – the Turks accepting a wooden horse from strangers… and she parallels this with the Chaser boys trying to get their wooden horse into various places, and it working everywhere – except the Turkish consulte.) The second example is a LEGO version, which some academic apparently finds ridiculous (no sons or brothers?): the creator took eight years to agree to posting the instructions, but now everyone can DIY….

The second peer-reviewed article is by John Whitehouse, who was my tutor way back when and to whom I owe a lot. This, I think, is a paper from his MA: it’s about the similarities between Thucydides and Tacitus, as “Historians of Disillusionment”: Tacitus disillusioned with the Roman Principate, Thucydides with war (after/during the Peloponnesian one). Interesting stuff, especially the question about how deliberately/consciously the parallels are in each from their predecessors.

I must admit to skipping the next article, by Jenny Webb: I’m just not up enough on archaeology to appreciate “Tracking Gender and Technology in Prehistory,” specifically on Cyprus in the Early Bronze Age. I did really enjoy the fourth article, though: called “‘Which of the Gods is this?’ Dionysus in the Homeric Hymns,” it does just that – tracks what the Hymns say about Dionysus (number 1, 7 and 26 if you’re curious) and examine how he is justified as being an Olympian god, despite having a mortal mother (generally this makes you a demigod, and mortal). Very cool – but I was a bit sad it was just a survey of the hymns, and didn’t actually make persuasive arguments about the repercussions on Dionysian worship, for example, or on the origins of Dionysian myth.

I also skipped KO Chong-Gossard’s “On Teaching Euripides’ Medea,” since I’m not likely to do that any time soon, but did enjoy Peter Mountford’s “From Fantasy to Reality in Epic Duels – Iliad 22 and Aeneid 12.” Like Whitehouse, this is a comparison of two ancient texts – but here they’re being compared directly. Mountford’s basic idea, as the title suggests, is that Virgil is more real than Homer, especially in his use and the role of the gods – or lack thereof – in the duels between Aeneas and Turnus, on the one hand, and Achilles and Hektor. It’s a very interesting demonstration of how much Virgil is indebted to Homer – which I already knew, but hadn’t realised how textually that was true: similes, etc, are all borrowed and, generally, re-shaped. I haven’t read The Aeneid since about third year, and didn’t like it as much as The Iliad anyway, but it’s a very engaging article.

The final, very short article is by Meg McPherson. Called “A Perfect Post,” it outlines some of the things she has done in teaching Latin at primary school! It blows my mind to think there’s a primary school that would do that. I had a very brief discussion with someone the other about the point of learning Latin (they suggested there wasn’t one); and I resolutely stayed out of a discussion the other day about whether learning a language had a point at all. Latin at primary school seems indulgent; mostly in a good way, but indulgent nonetheless.

So that’s Iris for 2008. Actually it says 2007 on the cover, but is copyright 2008, so I’m not sure if they run a year behind or what. I think I will definitely continue to support the CAV, and look forward to reading more of their journal.

Fruitless Recursion

So this new online journal could be interesting: criticism and non-fiction relating to SF/F/Horror. They’ve currently got Issue 0 up – a couple of reviews – I guess to get some interest happening. They’re also a paying market, for reviews/interviews etc. So potentially this could be a very, very interesting space to watch, if SFF is your thing and you like to critique your genre and watch other people do it too.

I’m cautiously excited.

They don’t sound too optimistic in their title, though, do they?

Such Aussie YA fiction goodness is mine

I splurged on the weekend and bought myself two books, despite having a stack of stuff to do:

Superior Saturday, by Garth Nix – which I’ve only been anticipating for, oh, a year. And I read it in a day… and there will be a review at ASif! mighty soon. As soon as I can get all that other stuff done…

Lamplighter, by DM Cornish – the sequel to Monster Blood Tattoo, which I adored. I’m currently reading this one; I’m not yet sure whether I love it as much as I loved MBT, but I probably haven’t read enough to judge yet. I’ve also forgotten a bit of what happened in the first, so I’m remembering that slowly.

Glorious! Fabulous! Calloo and callay! I must get my work done so I can properly enjoy them.

I think this won the Pulitzer Prize?

This article is long but truly – you must read it.

It’s about what happens when a seriously famous and uber-talented violinist goes busking.

It’s brilliant. The concept, the writing… part of the reason for blogging it is so I keep the link!!

Author-struck

So I mooned a bit over Alastair Reynolds and Stephen Baxter while at Swancon, to the amusement and probably boredom of a number of people. I think they’re both utterly, utterly splendid – I love everything I’ve read of theirs – and they’ve made me love space opera. It’s occurred to me I need to add another name to that list.[1]

Iain M Banks is a master.

This is not a revelation for me; more a rediscovery. I read Consider Phlebas when I thought that they were sequential… then discovered they weren’t, so just bought the first one than came to hand next time – Use of Weapons. Which has been sitting there, looking at me reproachfully, for… a while. With the release of Matter, I finally decided to go and read it.

Woohoo!!

This is one person where I am actually tempted to go into a shop and buy every single thing he’s written (scifi, at least… might have to test the mainstream first). I might go secondhand first, but still – I want to read it all! Now! might go on hiatus….

[1] Actually, two: Dan Simmons is also heroic. And I think that, if I deign to watch Hyperion the movie, I will have to go alone, since I may end up either piffing things at the screen or getting violent. Or both, escalating.

History, being myopic and such things

This is an interesting little article, from ages ago now, by Daniel Lord Smail, author of On Deep History and the Brain, which certainly sounds like something I’d read. From the article, it seems like Smail is targeting that tendency of historians to ignore prehistory in accounts of human history – starting, instead, with Mesopotamia and agriculture, because that’s when you really get documents that can be used to examine history (this idea c/o Leopold von Ranke). The use of ‘prehistory’ to describe this period itself indicates this tendency, since it places undocumented times ‘before’ history proper – I really hope it’s something Smail addresses; if he doesn’t, he’ll have lost a bit of cred from me.

Couple of ideas that have been floating around in my head, thanks to reading the precis linked above:

1. I have never really understood the historian/archaeologist divide. I know, from the little bit of Sumerian/Assyian study I did in undergrad, that there is (or has been?) argy-bargy on both sides. I just don’t get it: it’s like animal handlers not cooperating with vets, or something. How can the two disciplines seriously expect to get the most out of their studies without talking to each other? It just seems daft.

2. An issue with the article itself: ” It is time we rectified our Christian-induced myopia, argues Daniel Lord Smail. … Before the 19th century, few doubted Genesis was historical truth.” Yo – if you want to argue for getting an Africa-centric beginning to history, being quite so Euro-centric probably isn’t the best way to go about it! Perhaps he is aiming his accusations primarily at European/American authors, from a Judeo-Christian society, but still… I think he’s also underestimating the amount of undermining of accepted Christian cosmology had gone on in the Enlightenment, and from then on too.

This is something that requires a bit more thought from me, and probably me actually buying the book and reading it. I can understand why historians have gone for the places with documents and so on to base their study on – and perhaps this reveals me falling into the Ranke trap that I was probably indoctrinated with in my undergrad days, and I am just so not post-modern enough to throw that off without a really good reason and several convincing arguments (with foototes).

Superior Saturday!

Oh baby!

Garth Nix reading the prologue to Superior Saturday. At last! I’ve been looking forward to this book for, oh, a year? However long it’s been since Lady Friday came out. What makes it sad is that as soon as I get hold of it… it will be read, in a couple of hours, and then I’ll have to wait a year or so until finally Lord Sunday, and I get completion. I hope.

Anyway: June this year! That’s not really that long away!

Space Opera

Jonathan said it right:

“I also wouldn’t say that space opera is firmly entrenched within the confines of the science fiction field. Rather, I’d say that space opera is the truest, purest form of science fiction and it rightly occupies the very center of the field. Space opera has given science fiction its greatest icons and many of its greatest stories.”

From Mind Meld – it’s worth read in full if you like space opera; they’re answering the question of how to keep space opera relevant.

Me, I say: who cares about relevant?! I like what Tobias Buckell says, too: “massive spaceships, planets with two suns, big dumb objects (the deathstar), giant space battles, plucky heroes and larger than life settings.”[1] Yeh! Woohoo!

[1] I don’t even know who Buckell is, but now I might have to find out.

Amazon eats its young: from an author-friend

You can read more of the gory details over here, but here’s an excerpt:

“By making a just-about-compulsory link with BookSurge (Amazon will continue to list books, apparently, but will turn off the ‘buy’ button), Amazon ensures that small publishers can’t go elsewhere. On top of this, they already demand (and apparently have no intention of changing their demand for) 48% of the published price for any small press books they sell, and they also apparently want small press to pay delivery charges. If publishers don’t do all this, they won’t see their books sold on Amazon. For books not currently listed, publishers will also have to pay a flat fee of $50 a book, just for processing.”

Sounds to me like Amazon is getting even more ambitious, and putting it some cost-cutters that it probably really doesn’t need to.

Sunday was good, too

Yeh, overloading on the old blog, ain’t I?

Sunday I did not run. I was tired, and wanted to give my knees a rest – having a room on the first floor, and being terrified of the lifts after hearing about them breaking down all the way back at last year’s natcon, gave the knees quite a workout!

I went to another academic panel, On the Historiographic in the Fantastic. It was primarily about the engagement between history and fantasy. The presenter – whose name I’ve forgotten – made an interesting point to begin with: for a genre proud of transgression, it’s also obsessed with its own categories and delineation. Very true. Anyway – she said fantasy is always engaged with history: using ‘real’ historical stuff, and/or making up its own history. Post-Enlightenment, history came to be posited as rationalist, scientific, positivist, etc – in contradistinction to ‘romance’, myth-making, and so on, which is where fantasy is situated (or has been situated). I wrote down a lot more, but won’t put it here because at least some of it doesn’t make sense to me anymore! – suffice to say all this got me thinking about Geoffrey of Monmouth, and those other ‘historians’ whose works we read today as fantasy. Big crossover there.

After the panel I went to City Church of Christ, which was awesome – a very diverse group of people; the minister preached the gospel loud and clear! It was embarrassing to be from an Anglican church, though; there are some vocal Perth Anglicans who don’t believe in the physical resurrection of Christ which is just, like, stupid (if you’re a Christian).

Got back in time to go to Mark Bould’s talk, which I think I will blog separately because it was so damned cool. Anyway – then lunch with , and onto one of the highlights of the con: Rob Shearman and Ian Mond doing a live commentary on the Dr Who episode Dalek! We got front row seats, and it was fantastic. Had a drink with some friends – went to dinner with Kathryn, “MacDog,” and Matt… sorry we stooged you with the bill for a while there, guys!!

Then… oh then, it was Ditmar time. I won two of them! – well, the Snapshot team and my cohorts and I won one. You can see a full list of winners here. My row was the place to be. And didn’t we just love it!

Then, finally, the mother of all room parties. I don’t know how many people there were over the night – lots – probably 20 or 30 at any one time. Sean provided some mighty fine tunes, and someone else provided The A-Team theme. I kicked everyone out, finally, at about 2am. People keep making a big thing of me doing that, so I’m left wondering: do room parties never get moved on by the room’s inhabitants? Or did I do it in a particularly memorable way?