Day 1, of 30 Days of Books

Created by alg. Because I am a sucker for a good meme.

Day 01 – A book series you wish had gone on longer OR a book series you wish would just freaking end already (or both!)
Over the last few years, I have consciously tried to not read ongoing series that have not yet ended. My experience with waiting for the next book by Robin Hobbs scarred me perhaps more than I realised; I’ll always be grateful that I didn’t even start reading Harry Potter until after the last was published. That said, had I been writing this 6 months ago I would have answered immediately with Garth Nix’s Keys to the Kingdom series: I waited so long for the last couple to be published! Nearly drove me mad (and was not helped by the fact that each one was finished within about 3 hours of me getting it home).

Anyway, I wish Juliet Marillier’s Wildwood Dancing series had gone on longer. I guess it’s still possible that it will, and I just haven’t heard about it…. I loved the first one, Wildwood Dancing, about 5 sisters and their experience of the faerie world, one falling in love with totally the wrong boy and the other not realising what she had before she lost it. I loved their sisterly relationships, and their relationship with their father (what IS it with missing mothers??); the descriptions of landscape, and dancing, and frocks was captivating. When I heard there was a second one, Cybele’s Secret, I thought: BRILLIANT! And then I read the first couple of pages, aaaand… what the heck? This isn’t what I was expecting! No; Marillier decided to pick up the story of one of the other sisters, rather than my beloved Jena. After I got over my grump, I decided this was ok, because she was a cool sister: she’s much like Mary from Pride and Prejudice, much the most studious of the girls but still not lacking in gumption. This one, too, includes adventure and romance and some awesome references to/discussions of the cult of Cybele, one of the archetypal mother-goddess figures.

So what I would like to see is at least a third book, following the baby of the sisters, Stela. That way I could catch up on Jena and Paula, and have another exciting maybe-18th-century adventure/romance. Win!

(Also, I would like more Hawk and Fisher books, please Mr Simon Green. Just retcon them; I don’t care.)

You can look forward to…
Day 02 – A book or series you wish more people were reading and talking about
Day 03 – The best book you’ve read in the last 12 months
Day 04 – Your favorite book or series ever
Day 05 – A book or series you hate
Day 06 – Favorite book of your favorite series OR your favorite book of all time
Day 07 – Least favorite plot device employed by way too many books you actually enjoyed otherwise
Day 08 – A book everyone should read at least once
Day 09 – Best scene ever
Day 10 – A book you thought you wouldn’t like but ended up loving
Day 11 – A book that disappointed you
Day 12 – A book or series of books you’ve watched more than five times
Day 13 – Favorite childhood book OR current favorite YA book (or both!)
Day 14 – Favorite character in a book (of any sex or gender)
Day 15 – Your “comfort” book
Day 16 – Favorite poem or collection of poetry
Day 17 – Favorite story or collection of stories (short stories, novellas, novelettes, etc.)
Day 18 – Favorite beginning scene in a book
Day 19 – Favorite book cover (bonus points for posting an image!)
Day 20 – Favorite kiss
Day 21 – Favorite romantic/sexual relationship (including asexual romantic relationships)
Day 22 – Favorite non-sexual relationship (including asexual romantic relationships)
Day 23 – Most annoying character ever
Day 24 – Best quote from a novel
Day 25 – Any five books from your “to be read” stack
Day 26 – OMG WTF? OR most irritating/awful/annoying book ending
Day 27 – If a book contains ______, you will always read it (and a book or books that contain it)!
Day 28 – First favorite book or series obsession
Day 29 – Saddest character death OR best/most satisfying character death (or both!)
Day 30 – What book are you reading right now?

Galactic Suburbia #11

*yes, I’ve resumed posting! I could go back and post the other ten sets of show-notes, but that seems ridiculous… Suffice to say, you can subscribe to Galactic Suburbia through iTunes, or download it from our lovely website.

In which the paradigm keeps shifting, Jasper Fforde writes dystopia, Alisa still hates pirate stories, George Lucus ruined it for the rest of us, and we wonder whether there are still readers who think you shouldn’t have SF with kissing in it.

News
Locus Award Winners

Liz Williams selling her own short fiction

Open calls for subs for Year’s Best Dark Fantasy & Horror by Paula Guran

Amazing, thoughtful article about one woman’s history as a gamer and the way cyberspace still drops the ball in catering to its female audience

What have we been reading/listening to?
Alisa: Bleed, The Company Articles of Edward Teach, Breaking Dawn
Listening to Clarkesworld Podcast
Alex: Shades of Grey, Jasper Fforde; Secret Feminist Cabal, Helen Merrick
Tansy: The Demon’s Covenant by Sarah Rees Brennan; Moonshine by Alaya Dawn Johnson; listening to Boxcutters

Pet Subject: The Romantic Side of Science Fiction

Are there still readers who think SF and romance shouldn’t mix? [http://www.thegalaxyexpress.net/2010/05/why-sf-fandom-is-full-of-romance-haterz.html]
Is the lack of romance the reason that fantasy & urban fantasy are leaving science fiction in the dust commercially? What are the best and worst examples of SF colliding with a love story?
Does having a love interest make it count as a romance? Where’s the line?
Does having a plot, even just a subplot, related to characters and feelings make it not science fiction?

Alex provides this vintage quote from a letter written in 1938, from The Secret Feminist Cabal:
“…females have been dragged into the narratives and as a result the stories have become those of love which have no place in science-fiction… I believe, and I think many others are with me, that sentimentality and sex should be disregarded in scientific stories.”

Feedback, etc: galacticsuburbia@gmail.com

[the management would like to note that Alisa gave up sugar this week and thus anything she says should be considered with that in mind]

Going on hiatus

Not that you’ll notice much of a difference, oh my enormous audience, but there will be a hiatus here for a while.

If you don’t know why and would like to, drop me a comment with an email address and I’ll tell you (and delete the comment so you don’t get trolled by the Nasty Spam Trolls who infest my comments usually). Don’t worry, it’s nothing bad!

Sound Relief

Yes, we got tickets. Well, I got tickets; my IT-pro husband has decided that I am the one to do online bookings and ticket purchasing. And in just 7 minutes of refreshing I got tickets. We’re old, so I bought seats; I couldn’t bear the thought of standing for 12 hours, or having to sit in the mud. As it turned out, this was a very good thing, since it rained for about a third of the day, and we didn’t get too wet, because I bought the best tickets in the entire world. We were in the second tier of seat at the G, in what is officially the Members Stand, and we were just far enough back that – except when the rain was going horizontal – we didn’t get wet at all. Hurrah! We were also right in front of the stage, so basically I am the Ticket Buying Master.

We got to the G a bit before midday, having not drowned in the torrential rain; this was quite an achievement. We left a bit before 11pm, again having not got too wet throughout the entire day. There were a couple of points at which we saw blue sky, but not many. I was viciously pleased to see that Sydney got some rain, too; is that mean? Not that I’m complaining about the rain per se, of course; we needs rain, precious, and we loves it. I’m just not a huge fan of being out in it. We had surprisingly few people around us; given it was meant to have been sold out, I think a few people must have piked out because of the rain. Also, I guess some didn’t come to their seats and just stayed standing up, probably propping up the rather expensive bar ($6 for a cup of Carlton Draught?? Hello…). Also, I have to say that a lot of the MCs were shite; they got basically every major Melbourne FM station to send along one of their DJs, and… it was just bad, mostly. Hamish and Andy were the best, even though I don’t always like their style; they were lightyears better than Gold FM’s Grubby and Deedee (urgh).

Anyway, what follows here are my rough thoughts on the whole day… which I’ll admit to basing on what I wrote on the day, which J thought was utterly hilarious and nerdy.

Jet: first up – a bit boring, and I felt a bit sad for them, because the crowd was largely disinterested and still coming in to boot. They then flew off to double up in Sydney; I hope they got a better reception there.
Gabrielle Cilmi: who?? I had actually heard of her, because she appeared with the Cat Empire for the Aus Open grand final concert; but seriously – who?? 17 years old, apparently youngest ever ARIA winner. Woohoo. She started with a verse of “Buy me a Mercedes Benz,” which had me amazing all these kids thinking it was her original…. Her band seemed to be made up of her Dad’s friends – old men! – and she finished with “Whole Lotta Love,” which made me nearly wet myself with laughter.
Coldplay, live from Sydney: yes, we got some stuff broadcast from Sydney, and vice versa, which was a really nice touch.I enjoyed Coldplay more than I expected, since I usually think they’re just whingy Brits.
Kings of Leon: a short set, but not bad.
Hoodoo Gurus, from Sydney: they’ve very cool for old blokes! for young blokes too, actually.
Paul Kelly: got a better reception than I was expecting from a fairly young audience; people didn’t seem to be paying much attention to him but every song got a rousing round of applause. I have a love/hate relationship with Kelly; I love his songs, but I hate them because they often make me cry.
Little Birdy, from Sydney: I love them!
Augie March: better than I expected, but I still see them as filler.
Architecture in Helsinki, from Sydney: didn’t find them that interesting.
Bliss n Eso: the only ‘urban’ act on the bill, J was very dubious, but he really enjoyed them – they have a brilliant stage presence and routine, and they worked the crowd exceptionally well. I liked their utter self-deprecation. And I quite liked their music too.
You am I, from Sydney: not really my thing.
Kasey Chambers, Shane Nicholson and Troy Cassar-Daley: for a set that’s really not my scene, they were ok.
Josh Pyke, from Sydney: we just didn’t get enough of him! We loves Joshy, eh, ?
Liam Finn and friends: the first couple of songs he did with Barnesy’s daughter EJ, and the first half of each was fine… but each one degenerated into self-indulgent bashing of instruments that utterly lacked musicality. Then he was joined by Tim and Neil Finn, and they broke out a couple of Crowded House songs, which everyone sang along to, and Liam was redeemed (a bit. Not much). Basically everyone singing along.
Taylor Swift, from Sydney: who the hell?? Funniest moment: she ripped her long black dress down the front to reveal a little gold dress underneath.
Jack Johnson: a man and a guitar and nothing else. Very Roy Orbison. Gosh he’s good.
Eskimo Joe, from Sydney: I do like the Joe. I do wish they’d sing the Sweater song still though.
Wolfmother: sadly for them, it was during their set that the rain was going horizontal, which of course stuffed up the sound for them. But they still rocked out. (As an aside, I think Andrew Stockdale chose new member of the band based on whether their hair matched his or not.)
Funniest moment of the whole night: a recording of earlier in the afternoon, John Farnham singing “You’re the Voice” with Coldplay. Every single person in the 80,000 crowd sang along, every single word. Truly we are a nation of patriotic bogans. Me included.
Kylie: suddenly appearing on stage after the minute’s silence, which most people observed (except for some drunken yobs). And making everyone sing along to “I am – you are – we are Australian” (with words on the screen! No trust of the Australian public).
Hunter and Collectors: oh. my. goodness. I had no idea they rocked so. hard. They were utterly, utterly brilliant. They finished with “The Slab,” which I’d never heard before but which is the most amazing pub rock thrash song. I LOVE the Hunters. And again, everyone sang along with “Holy Grail,” which was an awesome moment.
Presets, from Sydney: woohoo! So glad we got a little of this set.
Split Enz: a lot weirder than I think a lot of people would have expected; I had a hunch they would be. They started slowly but they finished well, and I really enjoyed them.
Icehouse, from Sydney: one of the bands I was a bit sad not to have in Melbourne, so again I’m glad we got them for a couple of songs… including, of course, “Great Southern Land.”
and, finally…
Midnight Oil: who were, frankly, the reason we went. Interestingly, it was almost a let down. They were what we expected – we’ve seen them live on DVD (from Wave Aid, and that live gig they released before breaking up), and they basically lived up to expectations. Which was fine, except that the Hunters had blown expectations out of the water; really, anything after that was going to be a little flat. Don’t get me wrong – they were good, Garret was as nutty a dancer as I could have hoped for – but opening with “Redneck Wonderland” felt odd, and… like I said, they met expectations, but didn’t exceed them

Overall, it was one of the greatest 11-hour stretches in memory. I’m so very glad we went, since we’ve been regretting not going up to Wave Aid for about four years now. No more regrets! I have seen the Oils live! And Hunters and Collectors!

Liberation Blue

In light of Sound Relief (on which, more in a moment) on Sunday I finally checked out the Liberation Blue site, basically to find Mark Seymour (I can’t say loud enough how much he rocked at Sound Relief). My dear friend K has been raving about this series of albums of ages; I borrowed her copy of James Reyne’s “… and the horse you rode in on” (still one of the awesomest album titles ever) a while ago, but it was before I got back into my James Reyne phase; I also recently borrowed her Michael Spilby album (remember the Badloves?), which is now a big favourite. Anyway – Liberation Blue is basically old-ish Aussie rockers doing acoustic versions. Diesel, Mark Seymour, James Reyne, Nick Barker… etc. Taxiride sounds something of a bum note, to my ear, but K assures me the album is quite good.

Anyway. “Daytime and the Dark” is raw and acoustic and a sheer delight. Not everyone can get away with stripped back acoustic; Seymour can.

While I was on the site I might also have got a bit carried away. I grabbed the Best of vols 1 and 2 (I think there’s 8 artists on each, doing a couple of songs each: how can you go past an album that opens with Mark Seymour and James Reyne duetting on “April Sun in Cuba”?? WIN!). It’s currently on back order, but I also ordered the “Signature Songs and Classic Covers” album – double CD, exactly what it says. Dragon doing “I Still Haven’t Found What I’m Looking For” and Michael Spilby doing “Jive Talkin'”? Hello!

I’m so excited with new music. And, before postage, about $22/CD! Noice.

Harry Potter: again, and lastly

You know, I had planned on doing a little summation after each book, but… I lost momentum. And I wanted to keep reading, so I did. So… I’m not going to bother with writing down all my thoughts, which would probably be frankly boring anyhow. So instead these are a few rambly musings.

I enjoyed them. I don’t think I have a favourite, although some of the twists and revelations in Half-Blood Prince were awesome. Order of the Phoenix was definitely too long (although, hooray for not being an editor, I don’t know what I’d cut. Definitely some of the Cho sap, though). I had not expected the end of Half-Blood Prince, and was a bit distraught by it! I had half-expected some of what happened to Harry in Deathly Hallows, but it was still well done.

Rowling’s style definitely improved over the series. And the intended audience changed immensely, too. This is partly to be expected, of course – hard to write a series that spans 11 year olds to 17 year olds without that happening. Still, I wonder how 11 year olds, who are introduced to the series now, will go with Deathly Hallows by their 12th birthday; that would be pretty harsh, I reckon. Also, I was impressed by how many threads she managed to pick up and bring to a conclusion in the last book; it takes a clear sense of direction from the start OR the ability to write like that’s what you meant all along, without having to invent anything too ridiculous, to manage it.

Rowling definitely knows teenagers. Yes, there are some exaggerations, and a few daft bits, but… gosh I think she has teenaged interactions, and relationships, well sorted. Probably not so evidently in the H/R/H triangle, but certainly with some of the others. The Ron/Lavender thing is hilarious, just by the way, and way too accurate.

Finally:
The Malfoys? a very cool ending to their particular thread.
Dumbledore? infinitely more complex than I had anticipated.
Harry? pretty much what I expected. Still a bit annoying.
Snape? most awesome and intriguing and interesting storyline overall.
Hermione? it PISSED ME OFF that she seemed to be the only one who shrieked, moaned, sobbed or in any other way demonstrated emotion through her voice. I think Ron scored the occasional groan, and maybe some of the others got to shout, but this rankled me a lot.

And very lastly? I cannot believe she did that to Lupin and Tonks! No fair!!

Prisoner of Azkaban

So I read this one on the weekend, too; I’ve just been lazy about commenting on it.

This one is different from the first two; in those, there was a definite end-point, if you like: getting to a destination or thing. Here, although there’s a destination in terms of finally meeting the eponymous Prisoner, it’s not entirely clear from the title what will happen when Harry finally does. Once again it was fascinating to read when already knowing what happens in the end – I think Rowling does quite well at not giving hints about Sirius’ innocence, but it’s not like it makes absolutely no sense. I had been a bit wary that her plot structures would leave something to be desired, but the revelations do make sense, which is a relief: it’s just a matter of looking at something from a different perspective, or with a tiny amount of additional information.

I really liked Lupin. I seem to remember hitting my head over not getting the connection with his name sooner, when watching the movie… and then, reading the book, I finally realised the connection between ‘Sirius’ and his turning into a dog. Sometimes her names are just a bit silly and obvious; sometimes, she is very clever (like finally understanding the Phoenix’s name; Fawkes! So clever!). Once again, the actor worked well enough for my imagination in this role. Perhaps surprisingly, Gary Oldman doesn’t stick in my mind as Sirius. However, maybe this is not as surprising as I think; Oldman is such an astonishing actor that half the time I don’t realise it’s him, because he changes so much between roles.

I thought the whole reveal about being godfather and Harry being so dead keen on that happened a bit fast. I did enjoy Sirius’ near-insanity, and his attitude towards Wormtail (heh, nearly typed Wormtongue there; two of a kind, those characters!) – worked neatly for both guilty-Sirius and innocent-Sirius.

Snape continues to be a fascinating character; there’s clearly something that going to happen with his character – there has to be!! – the whole saving Harry in the first book, issues with James Potter et al at school, blah de blah… his story arc is perhaps the one I am most interested in following, because I am struggling to imagine how it will turn out. (Even if I’m wrong, I can imagine various outcomes for HR&H).

And, again, there’s just a bit more here in the book than made it into the movie. I don’t remember the providence of the Marauder’s Map being explained in the movie – that’s cool; Percy, again; and Divination classes are hilarious (oooh there’s another actor who works – Emma Thompson makes me giggle every time I imagine her in those glasses).

Anyway. I’m writing this because I just finished Goblet of Fire and figured I should do this properly, and write about them in order. It might take me a day or two to get around to writing about it, though… there’s a bit to think about…

Green and the Nightside

So a while back, due to a mix-up with an Amazon order for a friend, I ended up with two books by Simon R Green – Something from the Nightside and Nigtingale’s Lament. I put off reading them for a while because I wasn’t sure that they wouldn’t be a little bit too scary for me (I’m happy to admit I’m a wuss), but last week I needed a little paperback to take with me somewhere, and each of these is quite slim. So I grabbed one… and read it in, oh, a day. Then read the other, also in a day.

I’m not sure if there are books in the series before these two; I get the feeling there might be at least one, and I think there’s also one between them. Not that it matters hugely; you get enough back story that you don’t feel like you’re missing out.

I was already a big fan of Green thanks to the Deathstalker series (what’s not to like about Hazel? And Owen? And especially Jack and Ruby??) – although my big complaint about that series is the same one I have with the Nightside books: repetition. In the Deathstalker books, it got so I could anticipate how people would be described, and what people would say (after, say, five books); I’m already there with the Nightside. However, for me anyway, the writing is amusing enough and the story interesting enough that I am prepared to be tolerant of the slightly lazy writing (or is it an attempt at familiarity?).

The main character is John Taylor. He grew up in the Nightside – an area of London not everyone can find, and certainly not everyone wants to find; where not everyone is human, dreams and nightmares come true, and it is always night. He’s been away for a few years, but now he’s back; there’s mystery around his birth; and he’s a private detective because he has a Talent for finding things… anything. Green goes for a bit of a Bladerunner that doesn’t always work, but also has some pretty awesome humour going, with some very nice puns and making metaphors come true. The other characters are entertaining – Suzie Shooter! Razor Eddie! Walker! – and the city itself provides endless scope for madcap adventures.

Is it as scary as I had feared? Hell no. Some gruesome things happen, but they’re passed over very lightly; the humour and the fast pace help too.
Is it quality literature? Hell no.
Is it worth reading? Definitely. If you like witty repartee, clever plot twists and easy-on-the-brain slightly stereotyped characters, in an easily digested format, the Nightside books are a great read. They’re the sort of thing I would happily take on a plane to read, knowing I would be utterly enthralled but that it wouldn’t matter if I got interrupted. There’s definitely a place for that sort of book.

Also? I doubt I’ll get around to read these again, so if you want to give them a go – drop me a line!

Harry Potter and the Chamber of Secrets

1. On the book vs the movie

So this one, again, felt a lot like the movie to me. That’s not necessarily a bad thing; in fact I’m impressed the movie managed to stay so faithful. Of course, this could be the fact that I saw the movie before reading the book talking…

Naturally, though, there were some differences, and I found those quite interesting. I’m quite sure Hermione’s parents are never seen in the movie – and the idea of them being shepherded by the Weasleys is quite a fascinating one, hinting as it does at a harmonious Muggle/wizard relationship. Given the threat to Muggles and Mudbloods throughout the book, this is an interesting little idea. I also would much have preferred to see the dueling scene as represented here, than as I remember it from the movie – surely I can’t have forgotten Hermione in a catfight?? And finally, I don’t recall Percy acting weird in the movie. I was really, really hoping for there to be more than “ooh, Percy’s got a girlfriend to his oddity – but alas, no. (Also, much more on Fred and George; I suspect they’re going to be favourite characters.)

As for actors and characters… well, Snape is Alan Rickman and that’s that, and it’s just fine. Also, I could never imagine Lockhart as anyone other than that gloriously inane version Branagh presented, and I have to say I thought it worked perfectly. They’re really the only two who have imprinted themselves on me strongly at this stage. I guess Ron and Hermione in a way, too, but at this stage they’re not exactly outstanding characters, so it doesn’t matter so much what they look like (to me).

2. The story itself, etc

It still reads very much as written for younger readers – and that’s just fine, too, because it was. There’s a bit of complexity (the reason why everyone gets Petrified rather than dying is quite sneaky, and I like it), and enough character development that they’re not quite 2D. (I do look forward to further character development as they get older.) I read it in a few hours, as my Dealer told me I would (and as I did the first); in some ways I was actually disappointed that there wasn’t more deviation from the movie, as there were no surprises.

I hate Dobby. That is, I hate the self-inflicted violence, as I did with the movie. I can’t quite believe it’s in there – it seems quite out of character; ironing your fingers?? Even the spiders aren’t as troubling as that image.

I’m really looking forward to the development of Lucius Malfoy’s character.

I have the third one sitting right here, waiting for me to finish the work I should be doing so I can legitimately skyve off…

Hope ezine: raising money

From Grant’s blog comes this announcement:

“Hope is a new multi-part fanzine raising money for bushfire relief in the Australian state of Victoria. Issue #1 is now available in a PDF edition in return for donations. How much you donate is up to you – I personally think a minimum of AUS$5.00 is reasonable. {I says: $5?? Are you kidding? That’s a steal!}

If you wish to subscribe to the entire series (I suspect at this stage it’s five issues long, not four as I’d previously told some people), then I’d recommend a donation of at least AUS$20.00.

Hope #1 contains contributions from Mo Ali, Sophie Ambrose, R.J. Astruc, Lyn Battersby, K.K. Bishop, Matthew Chrulew, Stephen Dedman, Mark S. Deniz, d.n.l, Paul Haines, Simon Haynes, Kathleen Jennings, Ju Landeesse, Damian Magee, David A. McIntee, Simon Petrie, Andrew Phillips, Gillian Polack, Robert Shearman and Daniel Smith. The cover is by Rebecca Handcock. {I says: having read some stuff by a few of these people, JUST BUY IT. The Shearman itself makes it worth the money.}

Hope #1 contains 46 pages of fiction, non-fiction, artwork, and even a comic book script excerpt!

You can make a donation to the project via Paypal by clicking here:



Once you’ve made a donation, please confirm it by e-mailing me at fanboy@gmail.com, and letting me know whether you were after just the one issue or the whole series as it’s released.

Limited print copies are available, if dead trees are your thing. If it’s a print copy you’re after, let me know in your e-mail along with your address. I’ll handle the postage. (Obviously I’d prefer you went for the PDF, but the option is there.)”

Did I mention that this is a primarily Western Australian thing? There are contributors from all over, but Grant’s a Perth boy and so are some of the others. There’s been this whole “Swan Aid” thing happening, lots of it through the spec fic community. Very cool.

Go buy the thing!