NatCon #3
Sunday.
I skipped on the earliest panel, feeling a bit guilty because surely that’s what the con is meant to be about? – but then I spent time with Alisa and Tansy et al, and it was ok. (At least, I think that’s what I did… maybe that was the morning I read? I dunno; I forget.) I did go to the panel “Science fiction and Fantasy in the School Curriculum” – which was sort of interesting, except that the main person on the panel was a bit of a twit. I got quite annoyed by him. Particularly when he was saying things like: “All due respect to my fellow educators…[insert insulting comment here].” Very annoying. Oh, and then there were the “only geeks who get beaten up at lunch read scifi/fantasy at school” comments.
Anyway, after listening to how people use/have used the genres in curriculum – and a few kids whinge about how creative writing never gets taught (a. some would say it can’t be taught; b. yes many of us don’t know how to teach it because it’s not a prereq to become an English teacher and that is not a bad thing about us; and c. … whatever) – I decided to have my say. I asked, basically, why we should include it. I understand the desire to get kids to enjoy your likes – heck, that’s why I teach history – but why were they getting so het up about it? Cath Ortlieb gave me a good answer… Ian got all huffy under the collar. Which was pretty funny. And then, because it was that time and because I had made my point, I left with Rachel to go to Cassiphone’s book launch. I won a book! And, in fact, I won Splashdance Silver, which I already own but got signed, so that’s very “ooooh.” Oh, and chocolate. Lovely. Lost Shimmaron looks like it will be a very entertaining series; I liked the mermaids in Seacastle.
Back to the con… and to an hour of movie trailers! Much fun! It’s great watching trailers with like-minded people. Yay Transformers.
For the rest of the afternoon, I stooged around. Went to a little bit of a “Create your own Space Opera” panel hosted by Paul Kidd (two space squid make a double decapod…). Missed the apocalypse panel. Went to dinner at a very dodgy cafe with Alisa, Ben and Rachel… and then went to the Orb #7 launch and the preliminary screening of The Liminal. A very funny (sometimes deliberate, sometimes not) film made on a shoe string. Most of the cast was there, which was nice. And then there was Renaldo, First Sheep in Space. Which was quite funny, although I imagine funnier if you know the fans involved. I particularly liked him starring in Violence of the Lambs, and Baa Wars.
NatCon #2 redux
The good vs evil panel was good (see how I’m picking up almost from where I left off?), and Tansy provided a good moderator – and even got a few words in edgewise, despite efforts to the contrary.
I stayed in the room afterwards, and listened to Gill Pollack talk about food and how it is important in world-building, and give some interestin foody anecdotes. She also threw chocolate at/to the crowd, but since I had already received a few of her choc beetles I declined. I did try the grains of paradise, which are/were supposed to be an aphrodisiac… no dice.
I was then thinking of staying on for a talk on new stuff in alternative history, but given who the speaker was I left. Rather quickly. Enough said about that… I then hung out with all my new-found pals, went and had dinner at a Japanese restaurant in China Town (go figure), and made it back for the free booze and nibbles at the launch of Dark Space (which I’m looking forward to; I think I managed to get named second reviewer for ASif!) and The Darkness Within (eh; not so much). And then – the Ditmars! which apparently recognise “excellence in science fiction, fantasy and horror by Australians” in the previous calendar year. GirlieJones won herself three!! Including Best New Talent! Ah, vote rigging, so much fun… but seriously, it was great; the look on her face was priceless (each time!), and they were of course well deserved.
Finally, it was off to my very first Room Party, hosted by Cat Sparks and Rob Hood, to launch Daikaju #2 – very exciting. As were the drinks: champagne with blue curacao and a lolly dinosaur. Excellent!
And then home, and to bed.
NatCon #2
One thing I had to decide was how many panels to attend. I knew that at least Alisa and Tansy weren’t planning on going to many, but I figured that since I had paid the money to be there – and it was my first con – I should try and get as much out of it as possible. Plus, I was still feeling a bit nervous about all the new people I had met and whether we would manage to keep being friendly for the whole weekend, so I figured I need somewhere to go for refuge, should it come down to it!
I went to one of the first panels of the day… on Second Life, of all things. People who… go on? play on? use? utilise? Second Life fascinate and bewilder me. I found out that people really do make money from it, and was fascinated that they had an in-world funeral for someone because – and these are the dude’s words – the avatar’s player died in the real world. Eventually, though, I got bored, so I left and went to the end of a panel discussion on cliche in fantasy – and wished I had been there for the whole of it, because it sounded like they were actually having a fun and intelligent conversation.
Rachel and I then went along to Richard Harland’s “HIstory of imaginative fiction for YA/children,” which was really more a history of childhood/changing perceptions thereof, rather than the books that have been part of it (someone actually asked him whether Gulliver’s Travels was meant to be for kids… hello!! Are you kidding?!). It would have been more interesting if I didn’t already know pretty much everything he was saying.
Rachel then left because she didn’t want to hear Isobelle Carmody talking about the next book in the Obernewtyn series. I stayed, because I’m a bit of a sucker. She was interesting enough – and she confessed that The Stone Key will, in fact, be the penultimate book, not the ultimate, because she couldn’t fit it all in… it’s meant to be out in November, and then the last should be out next year.
I will now take some time out to whinge about the programme of Convergence2. It was Convention Lite. I understand there were some problems with the guests of honour, but… the panels were not what I expected. I wasn’t interested in the ‘how to be a writer’ panels, but I understand why they were there and was happy for writers to get that forum for dicussing ideas. But there weren’t that many of them, and there weren’t many others either. I was expecting more like the panel I went to in the afternoon – “IS fantasy really all about good vs evil?” – which I was interested in and had to attend because Tansy was on the panel…. But surely this is the very place where these sorts of genre questions can be discussed? Like what makes things fantasy (which I know has been discussed previously), how science-y should scifi be, etc…? Maybe all of these things have been discussed at previous cons and everyone else is just jaded.
This has turned into a long post, and I am tired. I shall leave it here and continue anon (where anon = tomorrow, or any time after that).
NatCon #1
Yeh, so who did I think I was kidding? Me, start doing marking at 9.30 on a Tuesday night? When I’ve been out to dinner with a friend on a flying visit from Pasadena (UCLA, don’t you know… fluid mechanics, in fact), and J has managed to breathe enough to play trumpet (just) so I stayed and listened to Dry White Toast practise for a while (pacing around to get my steps up – that’s a whole other story – and reading), and then talking to cassiphone for ages.
Marking? Pft. They can wait.
So. NatCon. Convergence 2. My very first convention (and didn’t it show).
I was, to be honest, quite nervous. Meeting people in real life is a bit nerve-racking, when you’ve got on so well over email… and then there were the fears of the Real, Uber Geeks who might be there and who might either weird me out or make me feel inadequate.
Fortunately, I picked Alisa up from the airport on the Thursday night, and we talked pretty much the whole way back to the hotel, so at least I had a fairly good idea that we could, indeed, hold a real-time conversation as well as an email conversation.
On Friday, I rocked up to the hotel and met up again with Alisa, and met Ben, which was cool – and then off to meet Tansy, thus completing our quartet. Tansy’s partner Finchy and daughter Raeli were there too – she graciously allowed me to sit down, which was nice, and we played Giraffes Falling Off Chairs a bit. I also met Rachel then, and daughter Abby – starting something of a trend for the whole weekend, really, that group. Alisa, Rachel and I went off to look at buttons for a while (don’t get me either of them started! Abby was very funny – “I’ll have a handful of the red ones…”), then I ditched them when they also went to look at fabric. Went back to the hotel, got all officially rego’ed up, and had a look through my convention bag – always a good way to judge the quality of a conference, in my opinion. I got Aurealis #11, which doesn’t have a cover, which I thought was special until I heard someone had #1 (new idea of the weekend: round up back-issues of the major Aussie small press – I’m thinking ASIM, Aurealis, Borderlands… and read them, and then I can look like I’ve been in this scene for much, much longer than I actually have). Plus a bunch of other promo stuff that I still haven’t had a chance to look at.
Dinner was with a whole big bunch of people, because Cat just seems to gather people in her wake like a mini tornado. Have to admit, I was a bit scared by the horror writer group, until I discovered they are actually all lovely. Which was a relief. Fourteen of us went to the Shark Fin Inn, and it was all very jolly. I felt a bit out of it for a while, but eventually realised that was just me, not them, so I got over it.
So that was the first day.
Edit: I can’t believe I forgot the after-dinner entertainment! There was a Great Debate, about whether mass media is killing our beloved genre. Cat was on the against team, and her partner Rob Hood was on the affirmative. Jack Dann was the moderator, and as a Jack Dann newbie I thought he was pretty funny (I can imagine it would get old quickly). Apparently there was a deal of confusion between the teams about what the topic meant and who should be saying what, and the first speaker was way, way out in left field. I ended up agreeing with Cat’s team, because I already thought that anyway – mass media isn’t killing scifi and fantasy.
Then we went to the bar. People were getting drunk. Alisa managed to avoid people she wanted to avoid. It was good.
NatCon
I have an enormous amount to say about Convergence 2, and I’m not going to say it now. It needs to sit in my head for a while, and ferment. And brew a little. And… digest… and other appropriate bodily verbs. Basically I need to get around it, my very first convention. It was a bit overwhelming. But the best bit was meeting people, of course – my lastshortstory buddies, and others whom I didn’t know from a bottle of disinfectant beforehand, and now will certainly be keeping in contact with. Incredible what three and a half intense days will do, plus a shared love of scifi and fantasy.
So stay tuned. Ruminations on the con, and the nature of good and evil, to come….
New Ceres
Not a review of mine, but of me! Amazing.
Yes, I have forgotten to mention that I have, amazingly, been published. In a fictional way. You should definitely go and have a look at New Ceres anyway, not just because of me, but I could be an additional incentive…. Of course, you have to pay – but $5 is, like, less that fish and chips. About the same as a block of Lindt chocolate. Easy!
The idea behind New Ceres is that it is a world, set a few hundred years in the future, where the people (the government? the people in charge?) have decided to keep the planet in the eighteenth century. Permanently. So there’s the groovy 18th century stuff – coffee house, manners, clothes – but you’ve got the possibility of illicit technology as well. Nice little combination, as far as I’m concerned. I have to say, I am more fond of issue 1 (which was/is free) – Tansy Rayner Roberts’ story of La Duchesse and Dirk Flinthart’s George Gordon and Dorian Wilde are simply sublime. But the stories in issue 2 are also very cool, and show how the community is meant to work – authors taking up characters suggested by others, which is a beautiful thing.
Go there. Buy a subscription. It’s very much worth it.
Year of Reading Dangerously
So I’ve got together with three other people – Alisa Krasnostein, Ben Payne, and Tansy Rayner Roberts – to try and read all the Aussie short stories published in 2007 and most of the overseas ones as well. Woohoo! Go us.
Are we nuts or what?
Thanks to Ben, the community where we will be discussing the very best we will come across is called Not if you were the Last Short Story on Earth, which I’m quite fond of, myself. Come along for the ride! Read good and useful reviews! Watch us crack under the pressure!
Comfort Reading
As escape and for comfort, I pulled Stephen Baxter’s Space off the shelf on the weekend. Gosh it’s good. I’ve always liked scifi, but I think he’s the one who really got me into hard scifi – credit him with my appreciation of Alastair Reynolds, I think. I really must find my copy of Time, the first one written in the Manifold series – someone out there has it – or maybe I should just deal with it and buy another copy. I feel a bit bereft without it.
History of Writing
Finally finished this today – you know how it is when you’re nearly finished a book, but the last half a chapter just seems like such a slog… yes. Well, that’s exactly how I’ve felt with this book, much as I have enjoyed it.
Let me get the gripes out of the way to start with. Lack of definitions irked me. Maybe Steven Roger Fischer is only writing for experts – although it doesn’t really seem like it – but he talks about graphemes and logography and other such words and doesn’t give a definition for any of them until about chapter 5, and then only defines a couple! So that was a bit annoying. I also should say that I didn’t entirely understand all of it; part of that is me – I am definitely not an expert in the area, and some of it just went over my head, as I knew it would – but some of it is Fischer: while he mostly writes plainly, every now and then he got a bit carried away with fancy-pantsed academic language that may not have been necessary.
Anyway… the first chapter is “From Notches to Tablets” and the second “Talking Art” – fairly obvious what they’re about. Mostly concentrating on the Mediterranean and Mesopotamian area (Fischer is a proponent of the idea that ‘complete writing’ started in just one place, Sumer, and developed everywhere else because of foreign influence), it looks at why complete writing developed, and how, and the advantages that came because of it. Knots, notches, pictography… humans really are quite creative. In the development of writing I particularly like the idea of the rebus – smart cookie, whoever realised that you can substitute a picture of one thing for something else that sounds the same but means something else (eg a bird’s bill for Bill).
Chapter 3 is “Speaking Systems,” It looks at the dissemination of writing throughout the Mediterranean and into India, Phoenicians and the Middle East and all. Basically tracing how syllabaries (where a sign represents a syllable) developed and influenced one another.
“From Alpha to Omega” is the fourth chapter, and there are no prizes for guessing its emphasis: the Greek alphabet. From Greece to the Etruscans to the Romans, and then on into all areas conquered by them, is the story told here. Mention is made of Ogham, Slavonic scripts, and Gothic script too. Very interesting, and lots of pretty pictures showing different writing styles.
Fifth is “The East Asian ‘Regenesis'”, which mostly looks at Chinese writing – its development, changes, and how it has influences cultures within its orbit, such as Vietnam, Korea, Japan and Mongolia. I had already read about the Korean script somewhere else, but the story of it being developed in the 1400s by the king (or at least under his aegis) is a brilliant one. And I had no idea just how complicated Japanese is… crazy, the amount of stuff Japanese kids have to learn just to be literate! And my students complain!
“The Americas,” the sixth chapter, is not one I had expected to be very long, but it was actually quite involved. It looked at who might have had writing when, who influenced who, and what role writing might have played in the different Mesoamerican (primarily) societies. The Spanish have a lot to answer for, with regard to destroying Aztec records, but then I guess we knew that.
Penultimately, “The Parchment Keyboard” looks at the development of handwriting styles in Europe basically from Charlemagne on, the dissemination of them and literacy more generally, and then the development and impact of printing. It always amuses me that we place so much emphasis on Gutenber, in the West, when the Chinese had been using paper and block printing for centuries before him. The joys of Eurocentrism…
Finally comes “Scripting the Future,” which is Fischer’s attempts at prognostication, for the most part. What the impact of computers will be, the likely success of trying create a ‘visual language,’ and the scripts that will still be around in 400 years.
This is a very, very brief overview of the book. I really liked that, in general, Fischer was not triumphalist, smug or assured about the overwhelming use of the Latin-based alphabet. Indeed, he went out of his way to emphasise that this is not necessarily the ‘best’ alphabet – pointing out a lot of the problems with it, calling it deficient, which I liked – and holding up the longevity and usesfulness of Japanese writing systems (three of them!) in contrast. It is mostly readable, and reveals things about writing that I had never thought about. Good for nerds who like thinking about the way things are done, and why, and the history of things we take for granted.
Dreaming of Amber
I read this while we were on holidays. It’s by Tony Shillitoe – and it’s one of the few books I have ever read that is really, truly set in an Australian context: mallee country, numbats, bilbies… and it was very appropriate, since I was in the mallee when I read it. I’ll have a review of it up on ASif! soon.
