Continuum 8
Or
My Con Experience, by Alex, aged… quite enough thanks.
It was Craftonomicon, the 51st National Australian Science Fiction Convention, this weekend, and the first weird bit about it was that I got there by taxi, and not by plane.
My con started properly on Friday afternoon with a panel on space opera with m1k3y and Jonathan Strahan that went remarkably well, not least because the former was an admirable moderator. I got to gush about a few books and discuss why I like it and what makes something space opera; Tansy thinks I am very harsh because I said generally it has to move outside of the solar system. I say: if it doesn’t, it’s hard to be grand enough to count.
Next I helped Terri and Alisa move a mountain of cupcakes in preparation for Twelfth Planet Press Hour, in honour of two new Twelve Planets books and Jason Nahrung’s Salvage, and TPP in general. The cupcakes were wolfed in minutes, although it is fair to say that people did usually stop for a moment to admire the artwork that Terri had made of them out of frosting and sugar. So very much sugar.
I think Friday ended with dinner, and… I forget. It was a while ago now. There was a great deal of talking. Actually that was kinda the theme of the whole con. The official theme was craft, and I got a number of inches completed on my scarf; the unofficial theme was Talk As Much As You Can. Me and my peeps managed this quite well 😀 .
Saturday I sat in on a panel called “Masters of Podcasting,” which has to be said in an echo chamber to get the full effect, featuring Alisa and Jonathan and Kirstyn and Terry. Tansy and I were very restrained and did not heckle. They said some quite interesting things, like podcasts being the lazy person’s fanzine to create (that’s Kirstyn’s view), which SO resonated. Then I was on a panel called Fans and Faith, with three Christians and a Jew; we made the Jewish boy, Mondy moderate, and a very fine job he did by asking provocative questions and pointing out that while we might not like the representations of Christians we find, at least there are a few – not so much with Jews, especially of the Orthodox persuasion, nor Muslims (Kameron Hurley makes a start in addressing this). It was a good discussion in all and only derailed towards the end by someone basically asserting that you can’t have faith and accept the scientific method, which he believes is essential to SF…
In the afternoon we did a Galactic Suburbia that lasted just ONE HOUR – show notes to come when the Silent Producer has recovered from the con. After that I travelled with Alisa and nine of her Planets (and a few other audience members) to Embiggen Books, which oh my it might have been better for me not to find. What a BEAUTIFUL bookshop! With a door hidden as a shelf and everything!! Mondy hosted the podcast that involved all nine Planet authors and Alisa talking about the project and their individual approaches to it, and it was a lot of fun to sit in the audience and listen to such a diverse range of women talk about their approaches to writing and to the project. Drinks and dinner followed, and I got home… later than Friday.
Sunday I made it in to the con in time to see half of the “Elizabethans are awesome” panel, and then wandered around and helped restock the Twelfth Planet table and generally mooched and chatted. My last panel to contribute to was one on book blogging and reviewing, which went ok. I scurried from that to the live recording of The Writer and the Critic, which was entertaining of course even though they did not especially like Crystal Singer, by Anne McCaffrey, which I adored in my teens.
The evening was taken up with dinner, trying to find out when power might be restored in Perth, and then frocking up because it was Awards Night! And I love awards. It was the Chronos (Victorian state) and Ditmar (national) awards night, with a couple of others thrown in – mostly lifetime achievement type things, plus the Norma K Hemming, for a book which addresses gender/class/disability issues. I won’t go into all of the winners – that would be a Galactic Suburbia job! – but I will proudly mention that I won two! I got the Best Fan Written Work for Tiptree, and a collection of her short stories, which thrilled me immensely. And then… then, they announced that Tehani and I won the William Atheling award for criticism for our conversational review series of the Miles Vorkosigan novels. This thrilled me absolutely to bits, and if there hadn’t been lots of people there I may even have had a tear in my eye. The rest of the night involved much talking and laughing and a midnight run for ice cream….
Monday was hard to get to, mostly because it was a public holiday and my tram never showed, so I ended up driving in so that I could catch Alisa, Terri and Jonathan before they winged their way back to Perth. I managed it, and then I went to a panel that was officially meant to be about whether women are equal to men in sf and fantasy, but ended up ranging over a variety of mostly interesting topics. After a spot of chatting and lunch I concluded my con with a panel on “The Awards Debacle”, which was sadly lacking in any controversy because the panelists all agreed with each other.
Now, I am tired, but not as tired as those who had to actually travel to get home; I am anticipating an early night before returning to the so-called real world. But this con has been a seriously awesome experience: lots of talking, lots of knitting, lots of talking. I met a couple of people I only know via the ether, which was great, and it was really wonderful to spend face to face time with the people I talk to so often but so rarely get to experience with body language! We all had ‘the con voice’ by Monday morning – dropping about an octave – partly from aircon, partly from late nights, partly from talking too much but only just enough.
And that’s my con-going for the year.
Snapshot 2012: Helen Merrick
Helen Merrick is an SF reader, critic and fan. By day she teaches Internet Studies at Curtin University in Western Australia and writes a bit about SF, feminism, fandom, online communities and sustainability. Her publications include the edited collection Women of Other Worlds, and numerous articles in books such as On Joanna RUss, and The Routledge companion to SF. Her book the Secret Feminist Cabal was shortlisted for the Hugo, won the William Atheling, and was on the honours list for the James Tiptree Jr Award. She has just finished a co-authored book on feminist theorist Donna Haraway called Beyond the Cyborg (forthcoming from Columbia UP) that manages to include a fair bit of SF and Ursula Le Guin, which makes her very happy.
Your examination of the role of feminism in science fiction fandom, in The Secret Feminist Cabal, was on the Honor List for the Tiptree Award in 2010 – congratulations! What was it like to be recognised in this way?
I was totally blown away! It was the icing on the cake in terms of how the book was received by the SF/F community, which I totally did not expect, given it was an academic book. I seem to recall I found out about it on twitter, as I hadn’t even seen the honours list. It was all the more rewarding as the Tiptree award mostly honours fiction, and only a handful of non-fiction works have been recognised by the judges. It was also, of course, a lovely feeling as so much of the book is indebted to, and documents, the communities and histories that surround the Tiptree award, its motherboard, and the feminist sf fandom that helped support its foundation. I even ‘stole’ the title off the Tiptree award motherboard (they did give me permission)!
Some of your research interests lie, broadly, in how feminism interacts with science fiction and vice versa. Do you see the two converging or diverging at the moment, and why?
Both, actually. I think we are seeing some really important conversations happening around feminism, gender, sexuality and race within the community in the last few years. And while there are certainly times when it feels like we are still fighting the same old battles Joanna Russ, Vonda McIntyre and others were waging back in the 70s, I think there is an improvement in terms of the kind of audience that are listening, and changing their views. What really encourages me is the impact of a younger generation of awesome feminist authors, editors and readers on this dialogue: like the Galactic Suburbia team (yourself, Tansy Rayner Roberts and Alisa Krasnostein), Alisa’s Twelve Planet series, and others such as Brit Mandelo (Tor) and Julia Rios (Outer Alliance), and authors such as Cat Valente, NK Jemisin and Karen Lord. This is not to overlook the work of others like TImmi Duchamp at Aqueduct Press, the Wiscon group, the Tiptree award and other feminist initiatives in the field that have kept these conversations on the board. On the other hand, I do wonder, along with Gwyneth Jones, about how well contemporary feminism/s are being expressed in the SF/F fiction itself, and whether we are too ready to welcome kick-ass female heroines as an easy sign of success? Not that I don’t enjoy reading books with kick-ass heroines, but I worry about what it means if this becomes a mainstreamed, diluted sign of what feminism in genre is about. But then again, we have had recent works as diverse as Kameron Hurley’s God’s War, Nnedi Okorafor’s Who Fears Death, and Kim Westwood’s The Courier’s New Bicycle which all do brave, confronting work with gender, sex and sexuality which are anything but comfortable!
You’ve been involved in helping to edit and re-write some of the gender-related entries of the SF Encyclopedia, now (moving) completely online. What importance do you attach to this sort of resource?
I’m so glad you asked me about this! The SFE3 is — and will be — an amazing resource. I felt it was an incredible honour to be asked, and I was really chuffed when Peter Nicholls brought me on board in order to work on entries related to feminism and gender. I remember back when I was first working on my PhD thesis, Nicholl’s first edition of the Encyclopedia was a very important source for me. Even though it was very much of its time, there were long lists of female authors of SF that provided an important starting point for much of my research. The SFE3 is a herculean task of bring the second edition up to date, which has involved an absolutely enormous amount of work behind the scenes by the editorial team of Nicholls, John Clute, Dave Langford and Graham Sleight. So far I’ve edited the entries on feminism, and women writers of sf; I’m working on a new entry on gender, and also will be editing the older entry on women as subjects of sf.
What works by Australians have you been loving recently?
So Many! I’ve been following along the Australian Women Writers Challenge which I think is a great initiative, and has helped me keep track of the aussies I’ve been reading. Books I have loved recently: Rayner Robert’s Creature Court trilogy, all of the 12 Planet collections, Glenda Larke’s Stormlord trilogy, Lara Morgan’s Rosie Black Chronicles, and Kim Westwood’s Courier’s New Bicycle. I’ve also enjoyed Carole Wilkinson’s Dragonkeeper (which is from a few years ago, but I just read it when she came out for the writer’s festival – lovely children’s fantasy), Kate Gordon’s Thyla, Rebecca Lim’s Mercy series (paranormal YA), Joanne Anderton’s Debris and I have Margo Lanagan’s Sea Hearts waiting on my to-be-read shelf.
It’s two years since the WorldCon was held in Australia. How do you think the speculative fiction scene in Australia has changed since then?
Aussiecon 4 was such a buzz, and a great chance to showcase Australian talent — in some ways it feels like the energy has just carried on. We seem to be seeing more and more quality Aussie spec fic being published all the time; certainly the Aussie awards lists of the last couple of years have been absolutely packed with fantastic work. And I can’t help but notice how well Aussie women are doing in the field – especially in fantasy and YA. It’s also worth noting the enormous growth of home-grown podcasts in the spec-fic scene, which certainly seem to help keep up the Australian profile in the international scene: Galactic Suburbia, Coode St, Writer and the Critic, Bad Film Diaries – the list goes on. I think its very encouraging that off the back of Aussiecon there appear to be all sorts of avenues and channels that have opened up in terms of conversations and connections with the international scene. We may be small, but we get noticed 🙂
This interview was conducted as part of the 2012 Snapshot of Australian Speculative Fiction. We’ll be blogging interviews from 1st June to 8th June and archiving them at ASif!: Australian SpecFic in Focus. You can read interviews at:
http://thebooknut.wordpress.com/tag/2012snapshot/
http://kathrynlinge.livejournal.com/tag/2012snapshot/
http://helenm.posterous.com/tag/2012snapshot
http://bookonaut.blogspot.com.au/search/label/2012Snapshot
http://www.davidmcdonaldspage.com/tag/2012snapshot/
Galactic Suburbia turns 60 and has cake
In which we celebrate our 60th episode and Peter MacNamara Award for Excellence win with cake, yarn and superheroes. For best results, consume this podcast with fabulous cake and/or sock yarn. You can get us from iTunes or Galactic Suburbia.
News
Aurealis Awards:
Sturgeon shortlist
50% female speakers at a tech conference and how it was done
The Hugo Packet is released
Kirstyn examines her 23 year old self through the lens of her current feminist self.
Marvel Comics follows Archie’s lead with a gay marriage between Northstar and Kyle: the news was launched by Whoopi Goldberg on The View.
Chicks Unravel Time announced from Mad Norwegian Press and Tansy is in it
What Culture Have we Consumed?
Alex: The Monster, Garth Nix and Sean Williams (Troubletwisters #2); Agatha H and the Clockwork Princess, Phil and Kaia Foglio; Birds of Prey: Dead of Winter; Wonder Woman: Rise of the Olympian
Tansy: Discount Armageddon by Seanan McGuire, Made in Dagenham
Alisa: Black Heart by Holly Black; The Avengers movie
Please send feedback to us (especially about any cake you may have eaten or yarn you may have knitted with this podcast) at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!
Galactic Suburbia 58
In which we pore over the Ditmar ballot, Alex makes Tansy squirm about her nominations, Alisa makes Alex say ‘sexytimes’ more than once, and we take on the hard-hitting issues of the day: plagiarism, pirates and mommy porn. You can get us from iTunes or Galactic Suburbia.
News
Ditmar shortlist
Shirley Jackson shortlist featuring Deborah B
Stephenie Meyer moves into film production and who can blame her?
Story Siren & Plagiarism: Smart Bitches presents the story. Kristi’s apology.
MindMeld looks at great SF reads for teenage girls. But what KIND of teenage girls?
What Culture Have we Consumed?
Alisa: Feed by Mira Grant
Alex: By Light Alone, Adam Roberts; Lathe of Heaven, Ursula le Guin; In the Mouth of the Whale, Paul McAuley; Among Others, Jo Walton;
Tansy: Womanthology, The Pirates! Band of Misfits
Feedback: Fifty Shades of Grey
COMPETITION – SHOWTIME – What’s your favourite vampire?
Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!
Music, women, and listening habits
I was thinking about my music listening habits the other day while I was doing just that. I had realised that new music hasn’t been happening for me for a while: I basically gave up on JJJ a few years ago partly because of the disaster that was the Hottest 100 of All Time, and partly because when we came home from overseas it just didn’t appeal to me any more. Plus, I have less time to listen to the radio than I did a few years ago, when I had a (fairly) serious commute. So, considerably less exposure than say five years ago. The two albums I can remember buying in the last two years are Old Man River, after seeing him on RocKwiz, and Imelda May, after seeing an ad for her album on SBS (while watching RocKwiz).
So, I listen to a lot of the same stuff over and over, and I’m mostly fine with that – it’s stuff I’m passionate about and really do love. What I realised though is that there’s a dearth of women’s voices on high rotation. And why? Well, my immediate reaction was that women don’t tend to sing the sort of stuff I like.
I know, right? Maybe I should listen to Galactic Suburbia a bit more often.
Thing is, I’m not saying that women can’t or even won’t sing the stuff I like – which, for the sake of this post, is mostly rock; depending on who you talk to, the harder end of the rock spectrum, shading into metal. I’m saying that I haven’t found many women who do. I haven’t looked that hard for it, to be honest, because I like what I’ve found and I’m not the sort of person who always needs New Music (my iTunes random playlist just now tossed up the Beach Boys, and I’ve been listening to them for more than 20 years). And since I’ve never actively sought out new music, that means that at least part of the fault lies with the radio stations who have been failing me, and failing those bands that I would like, if they do indeed exist. So now I’m wondering whether there is awesome music that I’ve been missing out on.
(Yes, I am now feeling more sympathy for readers who say that they don’t read books written by women because they’ve never found them. However, the analogy falls down, because while I suppose you could go your whole life reading Heinlein and Clarke (and, ahem, Reynolds and Banks and Simmons…*cough*), readers tend to look for new stuff more often than I, at least, need new music. Also, I don’t think I’ve ever seen a shelf of SF without women in it… but yeh ok this could lead to an argument about proportions etc. Which I don’t want for this post, because dammit! I have a point!)
This post is a challenge: suggest bands I might like! For reference, probably my favourite band in the world at the moment: 
(that would be Led Zeppelin)
I’m also a very big fan of 
(the Foo Fighters)
and
(Wolfmother)
Before you despair of me totally, either for feminist or aesthetic reasons, I do listen to other sorts of music, and that does often include women: Goldfrapp is probably the band I listen to the most, interchangeably with Led Zeppelin, and I love Fiona Apple too, just as examples. Honestly I have eclectic tastes (protesting much?) – but what I’m really looking for is female voices doing awesome rock.
Can you help?
Tea from an Empty Cup: a cyberpunk review
When I read Trouble and Her Friends, I was forcibly reminded of what Helen Merrick says about it in The Secret Feminist Cabal (while thinking for a moment that it was my own brilliant insight), something along the lines that women made cyberpunk very much about bodies (sorry, Helen, for badly paraphrasing). Cadigan does a similar thing here. The focus is almost entirely on the issue of bodies: who inhabits them and how much physical reality is in artificial reality and to what extent bodies – artificial and physical – are our identities… and all sorts of fun things.
The story revolves around two very different women who go into Artificial Reality looking for answers: one to find someone gone missing, the other to find clues (she hopes) about a murder. Neither is experienced in AR, but other than that they are quite different. We learn very little about Yuki – not her job, not her overall circumstances in the world, just that she is “full Japanese” and that she values Tom Iguchi highly enough to seek out the probably dangerous person who might be able to point her towards him. Konstantin, on the other hand, is a slightly more open book. She has recently broken up with her partner; she’s a cop; and she possesses a remarkable bloody-minded determination that will either see her crack cases or get her skull cracked for her. Having the two main characters as women is (was), it occurs to me, probably not that common in cyberpunk literature – and having the two be so different, with quite different aims, worked nicely. Of course, in AR one’s physical gender, and body, and identity, are quite irrelevant – something that the protagonists have a bit of trouble with but that others are at pains to point out. Out there is not in here and can have little or no bearing depending on each individual’s preferences. And, much like Doctor Who and House are both at pains to point out, people lie. In AR, it’s quite likely that everyone is lying all the time. And when you’re trying to find a person or trying to find clues, that’s not particularly useful.
The AR that both Konstantin and Yuki interact with is a… simulation, I guess, of post-Apocalyptic Noo Yawk Sitty (yes really).* Interacting with it and other AR users requires a complex understanding of mores and manners, and it’s very easy to be shown up as a virgin and either mocked or turned into prey. It’s not a very nice place, as experienced by Yuki and Konstantin, and certainly suggests that Cadigan imagines AR being used for the sort of entertainments and identity-experimentation that would be frowned on, considered morally dubious, or actually legislated against in reality. It’s hinted that AR has other uses in this world, but they’re not fleshed out in the slightest. It is therefore quite an unpleasant little world Cadigan introduces the reader to, and suggests that she is pessimistic about the uses humanity would put AR to. Given the amount of porn on the internet, perhaps she has a point.
Finally, any novel that manages to get away with having an avatar called Body Sativa is pretty awesome as far as I’m concerned.
* Interestingly, the novel is so utterly concentrated about the experiences within AR that although maybe a quarter of the novel takes place in real-reality, I have no idea in which city (I’m presuming America thanks to references to DC); I also have little idea what is going on in the rest of the world, with the exception of something terribly having overcome Japan. I have a much clearer understanding of how life, or society, works in the Sitty than in Konstantin’s actual city. (And frequent ARers would undoubtedly dispute most of the adjectives in that society.)
Galactic Suburbia 57: now with extra Hugo nominations
In which this Hugo nominated podcast is Hugo nominated and discusses the Hugo nominations while being Hugo nominated. Also, the internet is full of things. Some of those things discuss gender, feminism and equality, some have wide ranging implications for the future of SF awards, and some of them are nominated for Hugos. You can download us from iTunes or get us from Galactic Suburbia.
Hunger Games: Build up to make a hit
The reviews are in:
Topless Robot
Forbes
Our Alisa
“But in the real world, the character Katniss Everdeen faces an even greater challenge: Proving that pop culture will embrace a heroine capable of holding her own with the big boys. It’s a battle fought on two fronts. First, The Hunger Games must bring in the kind of box office numbers that prove to Hollywood that a film led by a young female heroine who’s not cast as a sex symbol can bring in audiences. And second, for Katniss to truly triumph, she must embody the type of female heroine — smart, tough, compassionate — that has been sorely lacking in the popular culture landscape for so very long.”
The Clarke Award Shortlist:
Christopher Priest’s original post
Cat Valente responds:
“Because let’s be honest, I couldn’t get away with it. If I posted that shit? I’d never hear the end of what a bitch I am”; and further response
Outer Alliance discussion on Gay YA Dystopia & Paolo Bacigalupi
Qld Premier cancels Premiers Literary Award
“Before the election, the LNP pledged to cut government “waste” as part of its efforts to offer cost-of-living relief to Queenslanders.”
Response of Queensland Writers Centre
The Fake Geek Girl at the Mary Sue
Kate Elliott on the portrayal of women in pain & fear
Ashley Judd on the media’s attitude to women and their bodies
Valente on the war against women in the real world
Tehani on Aurealis Awards stats, gender
BSFA stuff – Actual winners
The first post that raised the problems with the ceremony.
A response (there for historical sake, though I think since at least partly recanted)
how the Tweets saw it
Cheryl’s take
**The BSFA issued an apology right about when we were recording**
Jim Hines works through his privileged dumbassery
Kirstyn McDermott works through whether her feminism is good enough
Vote for Sean the Blogonaut for NAFF
What Culture Have we Consumed?
Alex: Monstrous Regiment, Terry Pratchett; Showtime, Narrelle M Harris, Woman on the Edge of Time, Marge Piercy; 2312, Kim Stanley Robinson; The State of the Art, Iain M Banks
Tansy: So Silver Bright, Lisa Mantchev; Kat, Incorrigible, by Stephanie Burgis; Cold Magic, Kate Elliott
Alisa: The Hunger Games (movie and books), The Readers (podcast)
Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs,, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!
Woman on the Edge of Time
This book… blew my mind. It’s angry, and demanding, and confronting, and seriously amazing. It’s also not at all what I was expecting, but that’s quite ok.
Connie Ramos has been committed to a mental institution (again) in the mid-1970s. Perhaps the first time she ought to have been there (although maybe not…), but this time she doesn’t. Which doesn’t make any difference to the authorities, who view her – as a woman, a previously incarcerated person, as a Chicana, and with powerful male figures banded against her – as unreliable and someone To Be Dealt With. Her experiences within the institution are demeaning and seem aimed at dehumanising her and her experiences. What makes this even more unbearable is the thanks Piercy gives at the start, “to people I cannot thank by name, who risked their jobs to sneak me into places I wanted to enter… the past and present inmates of mental institutions who shared their experiences with me” – her fiction is, then, not fiction at all, but a reflection on reality. And that is heartbreaking, if (tragically) also not surprising. Her experiences within the institution – begging for treatment for injuries, the cold carelessness of the staff – are heightened when a doctor chooses her to be part of an experiment in ‘curing’ certain mental ‘problems’ (like aggression – particularly in women – and being gay). This is not an easy read. It is a sobering and worthy one, though.
… but hang on. This doesn’t sound like the sort of thing she usually reads! Oh yes. Connie is also in contact with someone from the future (150 years ahead, or so). Luciente first speaks to her and appears in Connie’s time, but they then discover that Connie can go through to Luciente’s time, and experience what life is like then. Piercy does a wonderful thing with this future society in not making it utopian, tempting though I’m sure that would have been. It is certainly better than the America of Connie’s experience – enough food for everyone, a broader understanding and expectation of family and care, no capitalism – but there are problems, such as jealousy and anger, still. And indeed there are aspects which Connie finds quite unacceptable, especially in their broadening of the maternal role, which she sees as women having given up their only claim to power. Here, the idea of family is a negotiated one, and multiple partners take on the role of breastfeeding; someone who is tied too closely to another (as we would expect from life partners) is deemed to have overstepped society’s boundaries. Of course, the contrast between Luciente’s experiences and Connie’s makes Connie’s all the harder to read.
Connie is not the easiest character to read. There are times when she was frustrating precisely because she fits so much into the mould that society wants her to fill – I can’t fault her for that, but I wasn’t even born during the times she is experiencing, so there was of course a part of me that just cried out for her to rebel, please! For your own sake! – which I understand is totally unfair, but nonetheless it was there. Luciente is a slightly easier character to read, even though it’s through the lens of Connie and her experiences; she’s far closer to what I am used to reading about. This disjunction between the characters, and my reactions to them, was a really interesting aspect – and, I admit, added to the discomfort of reading, which led to its own interrogation.
This is a book which interrogates power on the basis of gender, education, race, and perceived place in society. It shows power as constructed, it shows power to be dangerous, and it shows that power shared is more useful power. It doesn’t claim to have all the answers, but it certainly suggests that things could be substantially better. And that today’s world has the power to bring about change… or not.
Just read it.
Galactic Suburbia 54
In which we keep it short (truly) through restraint and perseverance, despite setting Tansy off on a tangent about Lego and lots of crunchy gender bias stuff to chew through. Um, yes, we might have misnumbered somewhere along the way. This really is 54, apparently. You can get us from iTunes or Galactic Suburbia. Also, yes we already know we made a mistake in talking about what Genevieve Valentine has won. Oops.
News
Stoker shortlist
Paul Cornell on Panel Parity
Elizabeth L Huede on National Year of (Gender Biased) Reading
Tansy’s thing: new feminist Doctor Who blog Doctor Her
Can princesses play with Lego? (Lego friends petition at Change.org)
What Culture Have we Consumed?
Alisa: Vorkosigan – Shards of Honor, Barrayar by Lois McMaster Bujold
Alex: The Islanders, Christopher Priest
Tansy: After the Apocalypse, by Maureen McHugh (collection)
Feedback episode coming too!
Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!
Galactic Suburbia: the awards edition
I meant to post this yesterday and totally forgot! If you want to listen to the podcast – from iTunes or via the website – without being spoiled as to the Honours List and the winner, stop reading now! Alternatively, below is the TL;DL version.
The GS Team: Alex, Alisa, Tansy and our Producer (AKA Gentlemen’s Auxilary)
Yesterday Galactic Suburbia put up a Very Special podcast, announcing the honours list and winner of the inaugural Galactic Suburbia Award.
After much discussion, and wanting in particular to create something that wasn’t already out there in the multitudinous world of spec fic awards, we came up with this definition:
The Galactic Suburbia Award: for activism and/ or communication that advances the feminist conversation in the field of speculative fiction in 2011
Honours List
Carrie Goldman and her daughter Katie, for sharing their story about how Katie was bullied at school for liking Star Wars, and opening up a massive worldwide conversation about gender binaries and gender-related bullying among very young children.
Cheryl Morgan for Female Invisibility Bingo, associated blogging and podcasting, and basically fighting the good fight
Helen Merrick, for the Feminism article on the SF Encyclopedia
Jim C Hines for “Jane C Hines” and associated blogging, raising awareness of feminist issues in the SF/Fantasy publishing field.
Julia Rios, Kirstyn McDermott and Ian Mond for Episode 11 of the Outer Alliance podcast (The Writer and the Critic special episode)
L. Timmel Duchamp – for continuing to raise issues of importance on the Ambling Down the Aqueduct blog and various Aqueduct Press projects
Michelle Lee for the blog post “A 7-year-old girl responds to DC Comics’ sexed-up reboot of Starfire”
Winner
Nicola Griffith – for the Russ Pledge, and associated blogging
The winner will receive a Deepings Doll hand-painted figurine of a suffragette with a Galactic Suburbia placard, hand-painted by Jilli Roberts of Pendlerook Designs. (Tansy’s very talented mother!) Each Deepings Doll is individual, so the one each winner will receive (we do plan to make this an annual tradition) will be unique.
If you have ideas for our Honours list for 2012, please email us at galacticsuburbia@gmail.com or tweet @galacticsuburbs
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It’s been lovely to see such a positive response from our honourees and winner. Already, Nicola Griffith, Cheryl Morgan and Timmi Duchamp have posted the award details on their blogs with gracious commentary. We at Galactic Suburbia had a great time chewing over what our award should be, and what we wanted to celebrate in the SF community.
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Randomly Yours, Alex 