Galactic Suburbia!
In which Letters To Tiptree is still turning heads, and it’s winter in Australia. Much winter. So coldness. You can get us from iTunes or at Galactic Suburbia.
WHAT’S NEW ON THE INTERNET?
World Fantasy Award finalists
Locus Awards winners
CULTURE CONSUMED
Alisa: Undisclosed – Vacated; 4 hideous romcoms (Remember Sunday, Thanks for Sharing, Life Happens and Something Borrowed)
Alex: Howl’s Moving Castle, Diana Wynne Jones; Beggars in Spain, Nancy Kress; Fifth Season, NK Jemisin; The Hollow Crown
Tansy: Person of Interest Season 5, Book Smugglers Quarterly Almanac (especially John Chu’s “How to Piss off a Failed Super-Soldier”), Batman v Superman; Hamilton, Rocket Talk podcast – Amal El-Mohtar on Does Hamilton Count as Genre.
Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook, support us at Patreon and don’t forget to leave a review on iTunes if you love us!
Beggars in Spain
What if you could genetically engineer babies to turn off the necessity to sleep? What if, with all that extra time, those children turned out to be super intelligent? And what if there were other consequences as well, that really hadn’t been anticipated?
That’s the premise of Beggars in Spain. While the science may be somewhat wobbly – sleep deprivation is a torture technique, so surely there would be greater consequences on the negative side – the point of the book is the social ramifications. Because of course, it’s only a small minority of foetuses who get this modification, thus creating a brand new minority group – one with what looks like enormous advantages over ordinary people, or Sleepers.
The focus is on Leisha, a Sleepless, whose sister Alice is a Sleeper and who often serves as a counterpoint to Leisha. The narrative skips through several stages of Leisha’s life, which I really like as a way of exploring developing social expectations, ideas and consequences. Firstly, Leisha is born, grows up, and goes to college. Then she is in her 40s, a lawyer, and American society has changed radically around her – there’s a huge reaction against the Sleepless, and the Sleepless themselves are more and more disillusioned by ‘normal’ society. To the point where many are starting to segregate themselves. Twenty years later and society has once again altered radically, with a hideous class system such that Kress draws deliberate parallels with Rome and the old ‘bread and circuses’ maxim. Then yet another couple of decades later things are changing for the Sleepless, and there are likely to be consequences for the world… but that, presumably, is for the next book.
Not being American, I think there were subtle (and not so subtle) digs at American society that didn’t really make sense to me. There’s a lot of discussion about American society not appreciating individual effort and problems with the notion of equality and so on that, while I got what Kress was talking about, didn’t have the immediate or historical resonances that I suspect a well-read American might pick up. Nonetheless this is an intriguing novel that combines generally engaging characters and genuine moral difficulties; there’s some action, there’s some intense political discussion, there’s some surprising technological development and totally retrograde societal change. I’m going to be getting the sequel.
Great Scott! presents: Alien
Ridley: 1979
Every fortnight (ish) my beloved and I are watching a film by either Ridley or Tony Scott. We’re watching in chronological order. There are, of course, spoilers.
General thoughts:
I love the music, and the lack of music is quite stark in a number of these scenes – when they’re looking through the cabinets and the only sound is their footsteps, it really enhances the creepy-factor. And I love the graphics – the planets are gorgeous.
They have such bulky space suits – they seem peculiarly un-futuristic, but then the whole aesthetic is that it looks remarkably familiar for all that it’s set a long way in the future.
I really like the way the characters physically deteriorate. Ripley has a massive bruise on her cheek; Lambert is grimy and sweaty and distraught. Parker is sweating. Ash, though, continues to look calm. BECAUSE ASH IS CREEPY.
The cinematography is marvellous and it’s a delight to watch. Intimate, for all it’s set on a huge spaceship.
Farscape s1, e6

Each week on a Sunday afternoon, join Alex (of Randomly Yours, Alex) and Katharine (of the unpronounceable Ventureadlaxre), as they re-watch the Australian-American sci-fi show Farscape, notable for the Jim Henson animatronic puppets, the excellent mish-mash of accents, and the best OTP ship of all time.
Season One, Episode Six, Thank God It’s Friday Again!
Summary: In which D’Argo turns from super angry to super hippie, Crichton gets beaten up (again), Aeryn discovers more and more about herself, and Rygel is actually kind of helpful?
K: D’Argo seems a bit cross about something. So it seems Luxons have a thing called hyper rage and Crichton is right in his firing line as he’s another male and therefore competition, I assume?
A: dangerous stuff. Also, Rygel looks disturbingly excited about D’Argo having killed someone.
K: Mad Max reference, and now we’re in a scene from the second Matrix. Though this probably came out before that?
A: “No one saw the third one” – ? I thought Thunderdome was more popular than the second! And ha, alien orgy scene. Awesome.
And D’Argo is now… stoned? And happy to see Crichton? Must be stoned. Continue reading →
Great Scott! A reviewing adventure
We are big fans of adventure and action films. My beloved is an unrepentant Top Gun fan, much to my dismay. We’ve both liked various Tony and Ridley Scott films over the years. So we thought, why not do a best-of viewing? That would be fun!
And then I looked at IMDB and MetaCritic, and it turns out that some of the top-rated films from Tony in particular are comedies. I am not watching Get Santa, nor Cyrus. Anyway, after some to-ing and fro-ing, we’ve decided on an idiosyncratic list of five from each Scott, which we’re going to watch in chronological order. It includes some films we’ve seen before, and a couple we never have (or not recently enough to have any real memory of). We’ll be watching and reviewing every fortnight(…ish).
We are looking forward to:
Ridley – Alien (1979)
Ridley – Blade Runner (1982)
Tony – Top Gun (1986)
Tony – Beverly Hills Cop II (1987)
Tony – Crimson Tide (1995)
Tony – Enemy of the State (1998)
Ridley – Gladiator (2000)
Tony – Spy Game (and here) (2001)
Ridley – Robin Hood (2010)
Ridley – The Martian (2015)
The Companions
I can’t begin to say how angry I am at the blurbing of this book. It doesn’t even begin to hint at how awesome and wide-ranging and epic it is. Without prior knowledge that Tepper is amazing (which I knew from reading Beauty), I would have had zero reason to expect this to be at all something I would like.
The blurb tells you that humans have arrived at Moss to see if there’s intelligent life – which is true; that Jewel is accompanying her half-brother “to help Paul decipher the strange language of the Mossen” is not true, since she’s no linguist, and that “she has a secret mission too” is only half-true, since it’s not exactly an official thing that she’s doing. “A new law on Earth means the imminent massacre of all beasts great and small” is strictly speaking true, but it suggests that there are still many such creatures on Earth which is simply not what we are shown – almost all non-human creatures have long since been got rid of. And that “the Planet Moss, itself a living entity, is not sure it cares for any of the species currently living on its surface” is I guess kind of true but doesn’t give any indication of the complexity of what’s going on. And I certainly couldn’t write the blurb, but I’m not paid to do so.
So what should it have said? Well, clearly humanity have space travel, but personally I think it would have been good to include the fact that humanity is part of a vast interplanetary network involving dozens of different species, and in fact there’s a hugely important narrative thread that involves several different species manoeuvring around one another for dominance in ways that are depressingly familiar. That puts quite a different spin on the narrative than simply “humans are exploring new planets!!” Continue reading →
Farscape rewatch: S1, e5

Each week on a Sunday afternoon, join Alex (of Randomly Yours, Alex) and Katharine (of the unpronounceable Ventureadlaxre), as they re-watch the Australian-American sci-fi show Farscape, notable for the Jim Henson animatronic puppets, the excellent mish-mash of accents, and the best OTP ship of all time.
Season One, Episode Five: Back and Back and Back to the Future
Summary: some aliens good, some aliens bad.
A: a ship is being destroyed and there’s dissent over whether to help them; what a surprise that Rygel is all ‘leave them to their fate!’ Continue reading →
Galactic Suburbia spoilerific
Alisa came to visit me a few weeks ago. We found a French science fiction mini series on SBS On Demand and we watched the entire thing, and then we had to record a special episode of Galactic Suburbia to try and hash out what exactly it was that we had just watched. You can listen to it over at Galactic Suburbia or on iTunes.
Warning: it’s entirely spoiler-filled… although I think you could still enjoy the show even after listening to us. But there’s not a screaming hurry, as it’s on the SBS site until the middle of 2017!
The Deadly Sisterhood
Not a lady-assassins novel, but a history book about the role of eight significant women in
the Italian peninsula during the Renaissance.
I scored this at a school market for about $2, which was very cool.
Firstly, two problems:
- There were a number of egregious editing issues, which really annoyed me. A major publisher should not be putting out books with mistakes that *I* can pick up as I read it – it’s not like I read with the attention of a copy editor.
- More significantly, the book falls into the trap that many such history books do. They’re trying to write a book about the women, who have largely been ignored by contemporary and modern historians… but there’s so much else! being done by the lads! and honest, it’s needed for context! … that there are large slabs of text that really don’t seem to be connected to the women who are in theory at the heart of the book. Even if there are occasional mentions of “oh, and he was Duchess Blah’s son”. It was frustrating to have the women seem to be ignored in their own book.
Anyway. Frieda focusses on eight women, some of whom I’d heard of – Lucrezia Borgia, of course – and others I hadn’t heard of – of course. It covers the height of the Italian Renaissance, from 1471 to 1527. She discusses their births and marriages and deaths, their children and (often multiple) husbands, as well as the roles they played in politics – both consciously and as marital pawns – and in the artistic and cultural milieu. Actually that last was the bit that, surprisingly, got least attention; I would have thought that the women would have played greater roles as patrons. Perhaps Frieda was more interested in discussing the political aspect, which is definitely at the forefront of her interests here.
Despite the problems mentioned above – and that sometimes the language was a bit too snarky; I don’t need to be reminded that one of the Isabellas apparently got quite fat, unless that contributed to how people treated her – I did enjoy reading this, and I am very pleased to know more about these women of important families who themselves managed to do important and significant things.
Devour
Set your level of disbelief suspension to Sky High and you might enjoy this thriller. Published by Hachette, it was sent to me at no cost (RRP$29.99 pb, $16.99 eb); it comes out in July.
Olivia Wolfe is an investigative journalist (of course) who gets into some hot water trying to get a story in Afghanistan (of course). To give her some time away from pushy police and terrorists who might want to harm her, her newspaper sends her to Antarctica where a British science team is trying to drill down to Lake Ellsworth (which really happened a few years ago) in an effort to discover whether there’s life in the ancient, ice-locked lake. While there, she discovers possible murder and possible sabotage. There’s also Russians involved (which surprised me a bit because I thought we were beyond Russians as Generic Bad Guys).
There’s intrigue, there’s action, there’s death and some destruction; as the title suggests there’s something dangerous that might be unleashed that would be bad for the whole world. It’s fast-paced… in fact, sometimes too fast-paced, in that I nearly got whip-lash as people’s motives changed or allegiances swapped. And there’s a fairly explicit and unexpected sex scene that seemed quite out of place.
This is probably good airplane-fodder. It doesn’t require a whole lot of thinking, and in fact I’ll admit that I started skimming the exposition in the last third because I was only interested in the action, not the details. (Larking seems very intent of giving minute details about equipment and such – I’m not sure whether she thinks it makes the story more grounded, or well-researched, or what. I just found it boring.) I still managed to follow the story without paying too much attention.
One thing to be aware of: if stalkers squick you out, avoid this book. There’s a stalker who gets the occasional point-of-view section (which also felt out of place) that was generally unpleasant to read.
